10 Minutes With Mia Michaels
The contemporary queen is taking on the most famous kickline in the world.
Michaels working with the Rockettes. Photo by Rebecca Taylor, Courtesy MSG Photos.
When you’ve launched your own company, become a three-time Emmy Award winner from your work on “So You Think You Can Dance” and choreographed a hit Broadway musical, what would you pursue next? Most people would think “A vacation.” But this summer, Mia Michaels will make her directorial debut as the director and choreographer of the New York Spectacular starring the Radio City Rockettes, a revamped version of last year’s New York Spring Spectacular.The show runs June 15–August 7 at Radio City Music Hall.
You choreographed the opening number of the Spring Spectacular. Now you’re running the whole show.
I’m getting my first official director credit—it’s really exciting! I’ve wanted to direct for a long time, and it’s happening. This show is huge. It’s a beast. But that’s perfect for me. I don’t start small, apparently.
What is your vision for this show?
The Rockettes have been around for more than 85 years and now they’re putting themselves into my hands. That’s golden. We’re creating this spectacle and making beautiful eye candy for the viewers. There will absolutely still be kicklines—that will never go away! But I’m excited to breathe fresh energy into it. My goal is to bring a Mia vocabulary into the Rockette world, and really marry the two. When a brand is this iconic, you don’t want to change it—it’s iconic for a reason. I’m protecting this little nugget while playing around with all the gravy that surrounds it.
What is the new story about?
It’s a magical journey through New York City, told through the eyes of a child, so it brings that fantastical quality of what New York can be. There’s a lot of dance, a lot of leg and a lot of original music. I’m bringing on a group of male ensemble dancers, so that’s a big change. The movement is all over the map, from the classic Rockette rep to more contemporary flavors. Not only do the dancers have to do Rockette material, they also have to do the physical and technical Mia work.
What are some of the challenges you’re facing as a director?
It’s so different from just choreographing because you have your eye on every team and every department. You’re looking at everything from the colors to the lights to the videos to the music. As a choreographer, you’re in your own pocket. As a director, you’re in every pocket.
Do you have any other projects in the works?
I wrote a book—an instructional inspirational memoir, if that makes any sense—called A Unicorn in a World of Donkeys. Everyone is always trying to look the same, be the same. This is about challenging yourself to stand out and celebrate it. It has a lot of stories from my life and career, but it’s not just for dancers. I’m also working on “Mia Michaels Live,” which is an online mentorship program for artists, dancers, choreographers and teachers. As I get older, I realize how much I needed a mentor when I was younger. Now it’s my turn to be a mentor—to be Mama Mia.
Any chance we’ll be seeing you on this season of “So You Think You Can Dance”?
Oh, I don’t know! I have no idea! But never say never. That brand is a big part of my life, so if Nigel [Lythgoe] wanted me to come back, I would definitely do it if the time was right.
Have you ever seen a performance and thought, "Wow, this was so good. Dance Magazine should really be writing about this!"? You're in luck.
We're collecting nominations for our annual Readers' Choice feature, and we need your help! We'll compile our favorite nominations, and then you'll vote on what should make it into our December issue. But for now, we want to hear about the most memorable dance you've seen so far in 2017.
Throughout the summer, we've been noticing beachside views and scenic waterfalls sprinkled in with all of the usual rehearsal and performance posts we see from ballet's biggest stars. But even while enjoying some sun and relaxation, dancers like Sara Mearns and Michaela DePrince prove that they never really take a break from ballet. Ahead, check out some of the cutest vacay pictures and videos our favorite dancers have been sharing this summer. Not only will they give you some future vacation inspo, they'll also have you itching to get back in the studio.
This fall, the University of Utah's School of Dance welcomes the first class of candidates to its newly reinstated Master of Fine Arts in Ballet program, currently the only ballet-specific MFA in the country. Geared toward those with professional ballet experience, it requires courses in pedagogy, choreography and scholarly inquiry. Melonie Murray, the director of graduate studies, says, "We want to support students in understanding ballet in a deeper way."
The 2017–18 Broadway season is just getting underway! But before we look ahead to new productions, let's recall what came before. Here are a few of the sparkliest shows that opened on the Great White Way in previous Augusts.
42nd Street (1980)
The cast of the 2001 revival of 42nd Street performing at the Tony Awards
If you need an example of traditional Broadway-style tap, this couldn't be any closer. The original production of 42nd Street ran for over eight years. That's a lot of time steps.
When I saw Kele Roberson dancing at New York City Dance Alliance Foundation's college scholarship audition, I only had to watch a deep plié before writing down a 10 out of 10 on his score sheet and scribbling a giant star next to his name. Before he even had a chance to show off his incredible lines, I was mesmerized by his nuanced grace in even the simplest of movements.
He walked away from that audition with NYCDA Foundation's Dance Magazine College Scholarship worth $25,000 to the college of his choice, which happened to be Juilliard, where he was planning to attend this fall.
But shortly after winning, it turns out, his plans changed. I caught up with him earlier today to find out what happened.
Yep, you read that right.
Alpaca dance classes are a thing, thanks to 313 Farms in Manitoba, Canada. Students can take classes like "Barn Barre," "Mommy, The Alpacas, & Me" and "Poppin' Pacas" while the animals roam—and you're welcome to stop and pet them mid-class.
"Having worked in a dance studio, I had quite a few students visit the alpacas and they loved being around them," says owner Ann Patman. "Most studios have no windows and even though the class might be great, you don't get any fresh air or see what's going on outside."
Nominations for our Readers' Choice Awards are underway, and you've been sending in tons of exciting ones.
As a reminder, we're compiling nominations in seven categories:
- Best Viral Video
- Most Moving Performance
- Biggest Choreographic Breakthrough
- Coolest Collaboration
- Best Dance Documentary
- Most Inventive New Work
- Funniest Performance
We'll choose our favorites, then ask you to vote on what will make it into our December issue.
Here are some of our favs so far: