Please send audition opportunities to firstname.lastname@example.org.
Miami City Ballet is holding open auditions in New York City for the 2017-18 season. Artistic Director Lourdes Lopez is seeking classically trained male and female dancers with at least 10 years of professional experience to join the Company at all ranks. Training in the Balanchine technique is a plus.
When & Where
Sunday, March 26, 2017
Specific audition class times to be announced via miamicityballet.org
School of American Ballet
165 W. 65 Street, New York
(W. 65th St. between Amsterdam and Broadway)
Pre-registration for audition is required. Please submit:
2-3 full-body dance photographs
Recent video (link) to a classical work, variation
Michael Sebesto - Msebesto@miamicityballet.org
You will receive an email confirming receipt of pre-registration materials. No phone calls please.
Please bring hard copies of resume, headshot and dance photos with you to the audition.
If you cannot make it to the New York audition, please submit the required materials, and you will be notified by email if you are invited to attend an audition class in Miami.
Colburn Dance Academy Auditions
Auditions for the 2017–2018 school year at the Colburn Dance Academy will take place in March 2017.
Los Angeles, March 19, 2 PM at the Colburn School- 200 S. Grand Ave, Los Angeles CA 90012
New York, March 26, 1 PM at the School of American Ballet- 70 Lincoln Center Plaza, New York, NY 10023
Please register in advance
For those individuals who will be unable to attend auditions, we accept video submissions.
Wayne McGregor is seeking male and female dancers with strong classical and contemporary technique for freelance contracts with Company Wayne McGregor commencing July 2017.
To apply, please send the following by email to: email@example.com
- Your CV
- A recent photo
- Footage of you dancing (preferably by web link)
- A cover letter
- A completed Equal Opportunities Monitoring form (click here to download)
- Please confirm in your cover letter if you have the legal right to work in the UK or if you would require a visa to do so
Deadline for applications: Friday 17 March 2017 at 5pm
Auditions will be held in April by invitation only.
Regretfully we are unable to contact unsuccessful applicants.
Studio Wayne McGregor is an Equal Opportunities Employer
JVINTENSIVE and JV2 AUDITION Barcelona
Saturday 11th March 2017
INSTITUTE OF ARTS BARCELONA CULTURA & INNOVACION, SL, Ramón Dalmases, 1808870 Sitges Barcelona SPAIN
You must register in order to attend this audition by emailing:
Registration Deadline: Friday 3rd March 15:00pm
Participants must be aged 18 to apply.
Please bring a non-returnable printed copy of your current CV, suitable dance wear, shoes and kneepads
The audition will be to consider applicants for
JVIntensive and JV2 for 2017 entry.
Please state upon email registration which programme you would like to be considered for and you will be allocated a time to attend.
Further information on JVIntensive and JV2 visit:
MARIGNY OPERA BALLET AUDITION 15 APRIL 2017
The Marigny Opera House Foundation, New Orleans Louisiana, announces an audition to find one male dancer, one male apprentice and one female apprentice dancer for the Marigny Opera Ballet.
Audition: April 15th, 2017, beginning at 11:00am at the Marigny Opera House, 725 St. Ferdinand Street, New Orleans.
Selected dancers will be offered a contract for the company’s fourth season (August 21st, 2017 through March 25th, 2018). Dancers are expected to have professional level training in ballet as well as modern/contemporary technique. No audition fees are required. To register for the audition, or for more information, please write to firstname.lastname@example.org before April 8th, 2017.
STREB is looking for performers for paid positions for rehearsal and performance in New York, the US and abroad.
Questions, please email email@example.com.
There is no prior registration.
WHEN: Tuesday, Wednesday, and Thursday
March 7th, 8th, and 9th 12PM (Noon) - 3:00pm
Please arrive no later than 12PM (Noon) to register and warm up. Attendees MUST be prepared to attend all 3 days of the audition in order to be considered for a position.
WHERE: STREB Lab for Action Mechanics (SLAM)
51 NORTH 1st Street (between Kent & Wythe Avenues) in Williamsburg, Brooklyn, NY 11249 (L train to Bedford Ave. stop).
WHO: People with professional-level training in any form of ACTION including dancers, acrobats, athletes, gymnasts, martial artists, etc. You must be comfortable with physical heights, impact, falls, and extreme aerobic activity. Strong modern/ ballet technique is encouraged. Tumbling experience is a plus, but not a requirement.
- Clothes that are easy to move in
- Dance shoes or gymnastics shoes (shoes you can run/ jump/ dance in) if you have them
- Performance resume AND general resume reflecting any kind of professional work you have done or skills you may possess
- A recent photo or headshot
PRINCIPAL & SOLOIST DANCERS – ENGLISH NATIONAL BALLET (ENB) exists to take world-class ballet to as many people as possible. Under Tamara Rojo’s Artistic Directorship, ENB has worked to deliver this mission by focusing on: artistic excellence across all elements of the creative process; curating open-minded collaborations in order to develop the art form; using exceptional experiences to break down barriers with the audience and speak to new ones. We are seeking classically trained ballet dancers to join ENB to dance Principal and Soloist roles. You should have a strong classical technique and be able to perform a variety of repertoire including contemporary, classical and neo-classical. For further details please visit http://www.ballet.org.uk/the-company/vacancies
SEATTLE WA/THE DONALD BYRD WORKSHOP 8/7-18/2017. Audition/registration. Company audition at end of workshop. info at www.spectrumdance.org
Wednesday April 5th 2017 | 6-9 pm
Revere Park Auditorium
2509 W. Irving Park Rd
please email firstname.lastname@example.org to reserve spot and ask questions
***SPACE IS LIMITED – PLEASE RSVP EARLY***
Khecari artistic directors Julia Rae Antonick and Jonathan Meyer are
looking for dancers with an interest in our work. These auditions will
be structured as free workshops; we will not be making cuts during the
While we are always seeking dancers for future projects, we do not
anticipate making any decisions immediately following this audition. Any
dancers eventually hired for projects would be paid; we offer
$10.50/hour. If you have been to a previous audition, know that we are
familiar with your work, or have already
been dancing professionally for a while, we still encourage you to come
as a way of expressing interest in working with Khecari. Dancers are
also welcome to come to the audition simply as a free workshop.
We have a somatically grounded approach to dance, a strong interest
in improvisation, and a penchant for highly kinetic movement and
intricate partnering work. Because of the nature of our work, we want to
work with dancers who love to roll up their sleeves – whether that
means working hard as a dancer in the studio or being game to mop the
floor of a dusty old warehouse as part of rehearsal duties. We may ask a
wide range from you, from the pedestrian, the simple, things that may
feel easy as a technician but are integral to the work, to execution of
dance material that is explosive, athletic, technically challenging. We
are excited to work with artists who are interested in the audience’s
larger experience, not just the movement phrases. Our ideal
collaborators are enthusiastic, selfless, self-aware, and self caring,
good communicators and supportive of fellow collaborators. We love to
work with people who are continually motivated to fine tuning, digging
deeper, finding solutions, and working independently while
simultaneously taking direction eagerly.
Although it is not required, we strongly encourage you to attend one
or more of our dance classes at Lou Conte or Loyola Park leading up to
the audition. These will help us be able to introduce you to some
movement themes we will focus on in the audition and give us a chance to
interact with you more:
Adv/Pro Modern Dance Class at Lou Conte
with Julia Rae Antonick
February 1st, 8th
March 1st, 8th, 15th, 22nd, 29th
12 pm – 1:45 pm
$15 drop in
All Levels Modern Dance Class at Loyola Park (part of Synapse Arts class series)
with Julia Rae Antonick
March 9th & 16th
$5 drop in
SARASOTA CUBAN BALLET SCHOOL SUMMER INTENSIVE 2017 AUDITIONS
Saturday, February 4
Columbus City Ballet School - Lewis Center, OH
2:30-4pm Audition Class
Saturday, February 25
Mauro Youth Ballet - San Juan, Puerto Rico
4-5:30pm Audition Class
Saturday, March 11
West Michigan Youth Ballet - Ada, MI
Registration & Audition time TBA - check back soon!
SCBS SUMMER INTENSIVE IS JUNE 19- JULY 29
Admission into the Summer Intensive is by audition only. If you are unable to attend one of the audition tour locations, you can submit a video or schedule an audition at the School.
Auditions are open until June 1st.
All who audition must pay a $25 Audition Fee.
With audition season in full swing we here at Roanoke Ballet are looking to grow our professional company. We are currently looking for company and apprentice men and women for the 2017-2018 season. To apply for an audition send a Resume, Headshot, and video (Performance or class work) to email@example.com.
ABOUT ROANOKE BALLET
We have three main-stage performances per year, two classical and one contemporary ballet. Then we have four smaller shows called Blackboxes that are 30 min shows that have everything from classical pas de deux to works choreographed by company dancers. In addition we have touring performances and school shows. We are a growing company with many opportunities. For more information check out www.roanokeballet.org
THE WROCŁAW OPERA BALLET are looking for new dancers - soloists, coryphées and corps de ballet artists - highly skilled in classical and contemporary dance for the 2017-2018 season.
Applications in the form of CVs with attachments (photographs, films) will be accepted until 6 March 2017.
Please send your application either in paper format (CV + CD/DVD) to
ul. Świdnicka 35
APPLICATIONS MUST BE POSTMARKED NO LATER THAN 6 MARCH 2017
or in an electronic version to:
The CV should include the date of birth, height, weight, education, professional experience (awards in competitions, distinctions, leading roles). In addition, the application should contain portrait and dance photographs (in separate files) as well as links to video recordings (on YouTube, Vimeo etc.). Only films and photographs made over the last year will be accepted. The size of the entire application should not exceed 5 MB. Only complete applications will be taken into consideration.
Invitations to the audition will be sent to the selected dancers by e-mail.
The audition will take place at the Wrocław Opera on 13 March 2017 at 12:00 (Big rehearsal room - 7th floor)
Audition Date: Ongoing
Audition Time: By appointment
Location Street Address: 3445 Warrensville Center Road
Location City, State Zip: Shaker Heights, OH 44122
Website: www.verbballets.org Verb Ballets is a contemporary ballet company located in Shaker Heights, Ohio (just minutes from downtown Cleveland, Ohio). Verb Ballets presents dynamic programming through bold artistry, unique styles and technical excellence that captivates a broad audience. Verb Ballets is seeking male and female dancers for annual 10-11 month contracts that include fringe benefits and a two week paid vacation. Must have a strong background in ballet and contemporary technique. Submission must include headshot, resume and a You Tube link, Vimeo or DVD showing dancers abilities. Submissions accepted Dec-March 2017 and will be kept on file. More information available at http://www.verbballets.org/aud
Please send submissions to:Richard Dickinson, Associate Director
Shaker Heights, OH 44122
or email firstname.lastname@example.org
MINNESOTA BALLET AUDITIONS: Male & female, 4/8 @ 4:00 pm Ruth Page Cen. Arts, Chicago, $15. 4/22 @ 3:30 pm, Cowles Center, Minneapolis. $15
OYO DANCE COMPANY AUDITIONS May/June/July. www.oyodancecompany.org
New Jersey Association of Verismo Opera
Young adult, semi-professional or professional classical ballet dancers are invited to apply and perform in the New Jersey Association of Verismo Opera’s grand production of Giuseppe Verdi’s Aida. Celebrating its 28th season, Verismo Opera seeks to collaborate with ballet schools in New Jersey, preferably from Bergen County, to provide ballet students, ages 16 to 20 years of age, or older professional dancers interested in performing opportunities with the largest professional, grand opera company in the county.
Under Artistic Director Lucine Amara, a Metropolitan Opera luminary, Verismo Opera, the house opera company of the Bergen Performing Arts Center (bergenPAC), presents fully staged productions with traditional sets, costumes, the Verismo Opera Chorus and a live orchestra. The company’s performance of Aida will take place on Sunday, April 23, 2017 at 3:00 p.m. at bergenPAC in Englewood, New Jersey. For information about this performing opportunity and to schedule an audition appointment, contact Stage Director/General Manager Evelyn La Quaif or Technical Director Giovanni Simone at email@example.com.
GREGORY HANCOCK DANCE THEATRE COMPANY AUDITIONS
Gregory Hancock Dance Theatre, located in Indianapolis, Indiana is seeking male and female dancers for company positions, guest work, and apprenticeships for its 2017-2018 season. GHDT is a contemporary ballet/modern dance company looking for dancers with strong training in ballet, modern and contemporary styles. All applicants who live outside the US must have a valid work visa. All applicants must be available to audition in person.
Auditions will be held on:
Saturday, January 14, 2017
Saturday, March 11, 2017
Saturday, April 8, 2017
All auditions will be held at:
The Academy of Gregory Hancock Dance Theatre
329 Gradle Dr. Carmel, IN 46032
Audition fee: $20
Audition includes ballet barre, modern center exercises, and company repertoire.
GHDT is also accepting auditions during company class on Fridays from 9:30 a.m.–11:00 a.m. Dancers might be invited to stay after the class audition to learn company repertoire. Please register beforehand and bring a resume and headshot with you to the audition. To register, please email firstname.lastname@example.org.
Gregory Hancock Dance Theatre provides:
• Weekly salaries for company members and guest positions
• Occasional national and international touring opportunities
• Season performances as the resident dance company of the Tarkington at the Center for Performing Arts
• Teaching and choreographic opportunities at The Academy of GHDT
• Minimum of 30 week work schedule
Gregory Hancock Dance Theatre commitments:
• Rehearsals Monday-Friday 9:00am to 3:00pm
• Company class of ballet, modern or jazz 9:30am – 11:00am
• Occasional events and performances around the community
For registration or inquiries about the audition please email email@example.com.
Smuin Contemporary American Ballet
Company Audition: 2017/18 Season
Sunday, March 12
Academy of Ballet
2121 Market Street, San Francisco
1:00 pm Registration
1:30-4:30 pm Audition: Including ballet class (women en pointe), partnering and repertoire.
Women 5’6” and under, Men 5’ 8” and over
Candidates must be eligible for employment in the United states
Please send CV, photo and video link to firstname.lastname@example.org prior to audition. Include name/audition in subject line (i.e. Tina Ballerina/audition).
Smuin Ballet offers 35-40 week competitive dancer contracts, presenting approximately 70 performances per season.
Recent repertoire includes works by: Michael Smuin (founder), Amy Seiwert (choreographer in residence), Jiří Kylián, Helen Pickett, Trey McIntyre, Val Caniparoli, Ma Cong, Stanton Welch, Garrett Ammon, Adam Hougland, Darrell Grand Moultrie and others.
A staple of the San Francisco dance community for more than 20 years, Smuin pushes the boundaries of contemporary ballet within a distinctly America style, combining classical ballet training, technique, and artistry with uncommon physicality and expression.
Joburg Ballet (South Africa) seeks tall male dancers with good classical ballet technique. The company is based in modern, spacious premises at the Joburg Theatre, Johannesburg. Applicants are invited to submit a resumé detailing training and experience as well as personal information (name, nationality, date of birth, contact details, height). Applications must include recent full figure photographs and film footage of the applicant’s dancing. Film footage can be provided by mail, email, courier service or Youtube link.
MAIL: Mr Chase Bosch, Company Manager, Joburg Ballet, PO Box 291990, Melville 2109, South Africa
DELIVERY ADDRESS: Joburg Ballet, Joburg Theatre, Hoofd Street, Braamfontein, Johannesburg, South Africa
TELEPHONE: +27 (0) 11 877 6897
When Miami City Ballet artistic director Lourdes Lopez was a principal dancer at New York City Ballet, she missed her opportunity to honor Jerome Robbins onstage. "Every time there was a celebration for Jerry, I was either injured or had just retired," says Lopez. "I was never able to publicly thank him onstage for all that he taught us and the beauty he left us."
But when Lopez was planning MCB's Jerome Robbins Celebration for the 100th anniversary of the legend's birth, she saw an opportunity. She asked the Robbins Trust to allow her to perform the Ringmaster in Robbins' Circus Polka, a role the choreographer originated himself.
From coast to coast, choreographers have spent the first year of Donald Trump's presidency responding to the impact of his election and what it means for them as artists.
New York City's Dante Brown used rubber Trump masks in his work Package (revamped), which examines the monstrosities of power.
A video titled "Dancers vs. Trump Quotes" went viral last summer, showing dancers taking Trump's "locker-room" talk to task.
Alexis Convento, lead curator of the New York City–based Current Sessions, dedicated a whole program to the concept of resistance, while educator and interdisciplinary artist Jill Sigman has initiated a workshop called "Body Politic, Somatic Selves," as a space for movement research around questions of support, activism and solidarity.
In San Francisco, choreographer Margaret Jenkins facilitated a panel of artists about the role of activism within their work.
Growing up in inner city Rochester, NY, Aesha Ash was just one of the neighborhood kids. She'd imagine people driving by, judging her by her black skin.
"They'd never know that I was dreaming of becoming a professional ballet dancer. No one would think, Some day she's going to make it into New York City Ballet," says Ash.
After an inspiring career at NYCB, Béjart's Ballet Lausanne and LINES, the January 2006 Dance Magazine cover star—one of our 25 to Watch that year—is no longer performing. But she's determined to use her dance background to change the stereotypes and misconceptions that people—including black people—have about women of color. "I want to show it's okay to embrace our softer side, and let the world know we're multidimensional," says Ash.
Aesha Ash in Richmond, CA. PC Renee Scott via swandreamsproject.org
In 2011, she launched the Swan Dreams Project to inspire kids in the community she grew up in. The original idea was to post images of herself in a tutu all over Rochester. "I remember growing up and in the bodega you'd see images of girls in bikinis on motorbikes," says Ash. "I wanted to replace those with photos that show women of color in a different light."
She knew the power imagery can have: She still remembers what it felt like as a student at the School of American Ballet to see a photo of black ballet dancer Andrea Long. "That image was everything on days when I was feeling disenchanted. I'd see that picture of her, and know that the struggles I was going through, she went through them, too."
Ash soon realized she didn't have the budget to fund her original plan ("I never realized how expensive a bus stop advertisement is!"). But she's made the images available through an online store, and often simply gives away prints at her own expense to schools and students in need of some inspiration.
Any proceeds she makes from the sales go directly to other organizations that are working to expand ballet in diverse communities. One large donation even led to a pointe shoe fund at dancer Robyn Gardenhire's City Ballet of Los Angeles school—and it helped one dancer who had quit ballet because of the expense come back to class.
Now a mother of two in San Jose, CA, Ash will also start teaching a free after-school ballet class at her daughter's public school next month. "I recently taught at Girls Inc. in Oakland, and one of the little black girls said, 'Are you the ballet teacher?' She just stood there, staring at me with her mouth open, like a unicorn had just walked into the room," Ash says. "You never know the impact you can have just by being a presence."
It is a great tragedy for dance history that iconic ballet partnerships like Margot Fonteyn and Rudolf Nureyev or Natalia Makarova and Mikhail Baryshnikov weren't able to document their backstage shenanigans on social media. (Okay, maybe not a great tragedy, but you have to admit that you're curious.)
Lucky for us, that isn't the case with today's star dancers—like American Ballet Theatre principal dancers Isabella Boylston and James Whiteside, aka The Cindies. These two aren't just onstage partners. They're serious #BestieGoals. Our evidence, as documented on Instagram, is as follows:
When London-based perfume company The Beautiful Mind Series was looking for a collaborator for their next scent, they skipped the usual celebrity set and brought in prima ballerina Polina Semionova instead. "I was fascinated by what goes on in the mind of a great dancer," perfumer Geza Schoen said in a press release. Semionova's ballet-inspired scent, Precision & Grace, celebrates the intelligence and beauty behind her craft.
Courtesy of The Beautiful Mind Series
The ever-so-busy Kyle Abraham is back in New York City for a brief visit with his company Abraham.In.Motion as they prepare for an exciting spring season of new endeavors with some surprising guests. The company will be debuting a new program at The Joyce Theater on May 1, that will include two new pieces from Abraham, restaged works by Doug Varone and Bebe Miller, and a world premiere from Andrea Miller. Talk about an exciting line-up!
We caught up with Abraham during a recent rehearsal where he revealed what he is tired of hearing in the dance community.
Choreographer Tero Saarinen has a proclivity for the peculiar—and for epic orchestral music. That he should be commissioned by the Los Angeles Philharmonic to create a new dance work to accompany the U.S. premiere of Bernd Alois Zimmermann's Cello Concerto en forme de pas de trois only makes sense. Zimmermann's eerie, difficult-to-classify composition falls squarely in Saarinen's wheelhouse. Walt Disney Concert Hall, Jan. 19–21. laphil.com.
Two competition routines are equal in technical proficiency, artistry and choreography. One consists of all girls, the other includes a boy. Guess which takes home first prize?
If you guessed the one with the boy, you may be privy to an unspoken and much-debated phenomenon in the competition dance world: The Boy Factor. According to The Boy Factor, a competitive piece is more likely to win if there's a boy in it.
"If it's all technically equal and one group is all girls and the other group has a boy, the one with the boy will win," says Rysa Childress, owner of All Star Studios in Forest Hills, New York. "Boy soloists are sometimes scored higher than more technically proficient girls because if a boy has good stage presence, we let him slide," says an anonymous competition judge. "And most of the feedback will be for the boy."
I'll never forget something Roberto Bolle once told me when I was interviewing him about his workout regimen: Talking about how much he loved to swim, he said, "I would love to go in the Italian sea, but I am too well-known there to show up in my suit."
It always amused and kinda shocked me that a ballet dancer could reach that level of fame. But it's true: In his native Italy, Bolle is a bonafide celerity.
Everyone knows that community college is an affordable option if a four-year school isn't in the cards. But it can also be a solid foundation for a career in the dance field. Whether students want an associate in arts degree as a precursor to obtaining a bachelor's, or to go straight into the performing world, the right two-year dance program can be a uniquely supportive place to train. Don't let negative stereotypes prevent you from attending a program that could be right for you: