Curtain Up: Last fall I caught a rehearsal where Ohad Naharin...
Inside Batsheva: Dancers talk about being part of Ohad’s alchemy.
PLUS: Three couples on being married and dancing
Choreography Knocks: Opportunities for choreographers at all levels
A Growing List of Living Female Choreographers
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posted Monday, Jan 30
I must’ve been grinning like a crazy lady all through Spanish Dance. It was such a blast to do that dance with other Trisha Brown alumnae last Friday; this was during her 75th birthday/benefit/auction.
You may have seen the piece, or seen a photo of it. Five women in whi… Read More >
posted Sunday, Jan 22
After my first ballet class in college, I broke down and cried. I went to a sink to get a drink of water, and when the water gushed from the faucet, I started sobbing and couldn’t stop. I knew I was saying goodbye to ballet. Yes, we had a ballet class twice a w… Read More >
posted Friday, Jan 06
Once again my list is completely subjective, limited by what I happened to see. There were LOTS of good performances this year. Please know that the order within each category is fairly random.
Best Performances
• Dana Caspersen… Read More >
posted Sunday, Jan 01
Yesterday I saw the very last night of Merce on Earth. I mean the last Legacy Tour date at the Park Avenue Armory. But I’m not going to talk about the event because plenty of da… Read More >
posted Monday, Dec 26
Although I love the NYC Ballet Nutcracker and see more in it every year, SFB’s 2004 version by Helgi Tomasson was a refreshing change of pace. The whole prod… Read More >
posted Sunday, Dec 18
Robert Battle’s a funny guy, but even better than that, he’s brought humor to the Ailey repertoire. Three of the four pieces on the "All New" program sparkled with wit.
First, Paul Taylor’s Arden Court, which on opening night seemed a bit stiff (the 18th-cent… Read More >
posted Wednesday, Dec 07
Joy and satisfaction wash over me every year when we do the Dance Magazine Awards. On Monday night, I was struck by how many of the award recipients said they couldn’t have done it without their mentors, their husbands, their wives. Everyone's humility was really touching.
Read More >
posted Tuesday, Nov 15
My whirlwind, three-city tour of Brazil started with Samba and ended with a very cool improvisation group. In between were hip hop, Balanchine, dancing in the streets, and Amazon-inspired rituals. Oh, and a funding inequity between a new ballet company and other groups that has many dance people s… Read More >
posted Thursday, Nov 10
With the driving Philip Glass music still ringing in my head, I am going to take a stab at why Tharp’s ballet has endured for 25 years. It came out of an era when the belief in “pure movement” was still strong. Many of us at the time embraced Merce Cunningham’s idea that da… Read More >
posted Thursday, Oct 27
The Bessies was a love fest at—and for—the legendary Apollo Theater. Most dancers just love the music it represents—embedded in the sidewalk out front are plaques for James Brown, Marvin Gaye, Michael Jackson, and lots more. On Monday night, many presenters and awardees rubbed th… Read More >
posted Tuesday, Oct 11
It’s kind of thrilling and kind of disheartening to recognize the choreography of Anne Teresa de Keersmaeker in Beyoncé’s fabulous new music video “Countdown.”Read More >
posted Monday, Oct 03
A cornucopia of riches tumbled out at New York City Ballet last Friday. Not only was the dancing of this all-Robbins program fantastic, but also 26 female stars from up and down the decades trouped onstage to receive the Jerome Robbins Award.
The program itself gave a glimpse into three di… Read More >
posted Monday, Sep 26
Tool Is Loot at The Kitchen seemed to be supremely perverse, but I was less interested in the piece itself and more interested in the two choreographers—Wally Cardona and Jennifer Lacey—as performers.
I say perverse because it was a duet in which the two hardly ever… Read More >
posted Sunday, Sep 18
All of a sudden Bill T. Jones and Carla Peterson look like they’ve been hanging out together for years. Carla, on the one hand, the latest beacon of Dance Theater Workshop, champion of current dance in all its untidy and/or international forms; Bill T., the experimental artist who has made f… Read More >
posted Friday, Sep 02
Whenever I happen upon a great musical on Turner Classic Movies, I feel like I’ve struck it rich. The other night Seven Brides for Seven Brothers was playing on TV. I had forgotten ho… Read More >
posted Monday, Aug 15
Jodi Melnick and David Neumann both have an arresting gaze when they look straight out at the audience. They hold you with their eyes. But while Jodi is intense, and steady in that intensity, David is always giving us the slip. Now he’s a conman, now he’s a clown. We eat it up. And his… Read More >
posted Monday, Aug 08
It’s not just the excitement of the Mariinsky coming to Lincoln Center Festival, with its gorgeous dancing and confounding repertoireRead More >
posted Monday, Aug 01
They are eerily, beautifully, part of some timeless dreamscape. The water is their natural environment. Eiko’s face floats, partially submerged, like a bright moon gliding across a dark sky. She is a doomed Ophelia who is rescued by Koma. The driftwood that magically sails toward them is the… Read More >
posted Thursday, Jul 28
Like everybody else, I was utterly horrified by the bombing and massacre in Norway. I can't stop thinking about those kids and their families. It’s mind-boggling to try to understand the motivation of someone who would do what Anders Behring Breivik did. And if it can happen in peace-loving … Read More >
posted Monday, Jul 25
During Armitage Gone! Dance’s performance at SummerStage last week, every time a dancer split her legs wide open facing the audience, it was almost like she was saying hello from the crotch. It’s an unseemly way to greet the audience, but I just said to myself, “Karole loves exte… Read More >