- The Latest
- Breaking Stereotypes
- Rant & Rave
- Dance As Activism
- Dancers Trending
- Viral Videos
- The Dancer's Toolkit
- Health & Body
- Dance Training
- Career Advice
- Style & Beauty
- Dance Auditions
- Guides & Resources
- Performance Calendar
- College Guide
- Dance Magazine Awards
- Meet The Editors
- Contact Us
- Advertise/Media Kit
Sure, Evgenia Medvedeva may have just broken the world record for the highest score ever given to an Olympic skater for the ladies short program. And it's very possible that she'll be taking home the gold medal next week for the single skating event.
But honestly, that's not why we love this Russian figure skater.
It's because in addition to being one of the best skaters in the world, the 18-year-old is also an incredibly enthusiastic hip-hop/jazz dancer.
One of the United States' top hopes for medaling at the Olympics this month has a secret weapon: a serious ballet background.
Figure skating champion Nathan Chen spent six years training at Ballet West as a kid. "The technique there was impeccable," the 18-year-old said in a media teleconference last week. "To have had that at a young age, it definitely helps a lot. I know where to put my arms, how to create the line, how to dance to music."
TV commentators often remark on his artistry, while dance lovers adore his elegant port de bras, épaulement and arabesque line.
When children's book writer and illustrator Leda Schubert first reached out to Raven Wilkinson about writing a book on her life, Wilkinson had qualms. She was worried that the racism she experienced as an African American dancer touring the South with the Ballet Russe de Monte Carlo in the 1960s might scare the intended audience of 6-9 year olds. With time, Wilkinson came to an understanding. "If we keep hiding everything from our children we'll never get these things solved," she told me in an interview. The result is a picture book, released earlier this month, titled Trailblazer: The Story of Ballerina Raven Wilkinson.
Trailblazer opens with a foreword by Misty Copeland, who has has often cited Wilkinson as a mentor. Copeland's words are accompanied by a photo of Wilkinson presenting her with a bouquet onstage after her Swan Lake debut with American Ballet Theatre. "Since learning about Raven, sharing her journey and those of the many black ballerinas who have paved the way has become part of my mission," writes Copeland. And indeed, Copeland's fame and success has pushed Wilkinson's story into the public eye.
What if you never needed to buy a ticket to watch your favorite dance company perform? What if every single one of their performances were at your fingertips, for you to enjoy anytime, anywhere?
For Online Dance Company powered by Millennium bcp, that's the whole idea. Founded just a year and a half ago, the Portugal-based group only exists online—no live performances, ever. But that doesn't mean their dancing is subpar: In fact, they once won our Video of the Month Contest.
Conversations about body image in dance typically revolve around female dancers. For an obvious reason: It's usually women who are driven to dangerous means to reach the ideal "ballet body."
But they're not alone in the struggle. Former Twyla Tharp dancer Charlie Hodges recently told his own story during a TED Talk at California's ArtCenter College of Design.
When Miami City Ballet artistic director Lourdes Lopez was a principal dancer at New York City Ballet, she missed her opportunity to honor Jerome Robbins onstage. "Every time there was a celebration for Jerry, I was either injured or had just retired," says Lopez. "I was never able to publicly thank him onstage for all that he taught us and the beauty he left us."
But when Lopez was planning MCB's Jerome Robbins Celebration for the 100th anniversary of the legend's birth, she saw an opportunity. She asked the Robbins Trust to allow her to perform the Ringmaster in Robbins' Circus Polka, a role the choreographer originated himself.
Two competition routines are equal in technical proficiency, artistry and choreography. One consists of all girls, the other includes a boy. Guess which takes home first prize?
If you guessed the one with the boy, you may be privy to an unspoken and much-debated phenomenon in the competition dance world: The Boy Factor. According to The Boy Factor, a competitive piece is more likely to win if there's a boy in it.
"If it's all technically equal and one group is all girls and the other group has a boy, the one with the boy will win," says Rysa Childress, owner of All Star Studios in Forest Hills, New York. "Boy soloists are sometimes scored higher than more technically proficient girls because if a boy has good stage presence, we let him slide," says an anonymous competition judge. "And most of the feedback will be for the boy."
Everyone knows that community college is an affordable option if a four-year school isn't in the cards. But it can also be a solid foundation for a career in the dance field. Whether students want an associate in arts degree as a precursor to obtaining a bachelor's, or to go straight into the performing world, the right two-year dance program can be a uniquely supportive place to train. Don't let negative stereotypes prevent you from attending a program that could be right for you: