Danza Contemporanéa de Cuba. Photo by Quinn Wharton

We already know that dancing is basically the greatest thing you could do for yourself. (Even if, ahem, your feet end up without toenails during sandal season.)

But it's always great when science proves us right.

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Photo by Nathan Sayers

New York City is getting an embarrassment of riches this week—riches of the Emerald, Diamonds and Rubies variety. The Bolshoi Ballet, Paris Opéra Ballet and New York City Ballet will be sharing the stage at Lincoln Center to present George Balanchine's Jewels in celebration of the iconic ballet's 50th anniversary.

One of the many stars we're excited to see is Olga Smirnova, our June 2014 cover girl, who will be performing the lead in "Diamonds" as well as the role of Bianca in Jean-Christophe Maillot's Taming of the Shrew next week.

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Seiwert rehearsing at Imagery. Photo by Scot Goodman

Announcements about new artistic directors are always exciting. But Sacramento Ballet tapping Amy Seiwert to head the company just makes us all warm and fuzzy inside.

Why? Three reasons:

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In her many years of shooting top dancers and choreographers, photographer Rose Eichenbaum has not only captured their movement, but collected their stories and the guidance they have to offer other artists.

Now, Eichenbaum is releasing a coffee table book, Inside the Dancer's Art, filled with these artists' words of wisdom alongside their portraits. Here are a few of our favorites.

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Part as Odette. Photo by Gene Schiavone, courtesy ABT

Just over a week after all the fanfare of saying goodbye to Diana Vishneva, American Ballet Theatre has announced that another Russian principal will take her final bow with the company: Veronika Part will give her last performance this Saturday, in Balanchine's Mozartiana.

After dancing with the company for 15 years, and as a principal for the past eight, Part did not have her contract renewed.

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Xiao Nan Yu in rehearsal for A Month In The Country. Photo by Bruce Zinger, courtesy National Ballet of Canada

What does it take to sustain a 20-year ballet career? The luminous principal dancer Xiao Nan Yu, who just marked two decades with National Ballet of Canada, shares how she's kept her body strong for long-term success:

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Danza Contemporanea de Cuba. Photo by Quinn Wharton

Summertime, and the living is...steamy. Studios can be hot. Outdoor festivals can be grueling—especially once those stage lights turn on. When the temperatures rise, movement feels harder and your body fatigues faster.

What's a dancer to do? Follow these steps to make the heat less taxing on your body so that it doesn't keep you from dancing your best.

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We had a feeling that our ambitious list of "The Most Influential People in Dance Today" in celebration of Dance Magazine's 90th anniversary would turn some heads. But it's gotten even more attention than we'd expected.

Yesterday, Adweek wrote about how we've "put on the 90th anniversary ritz," pointing out that we're only a month younger than the iconic Irving Berlin song:

It's not often that a magazine compilation of "movers and shakers" can be celebrated in the literal sense. But when the publication is Dance Magazine, that is of course the case.

The story mentions Dance Magazine's 1927 beginnings under the name The American Dancer, and highlights how our July issue tackled the idea of "influence" from many angles.

Thank you Adweek for the shoutout and the happy anniversary wishes!




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