Karen Carlo Ruhren is a freelance journalist and an instructor at the University of Rhode Island, where she teaches business writing and journalism. In her middle age, she has found great joy in learning to dance and writes frequently about the topic.
Dancers are masters of multi-tasking. Performing a series of steps on stage while portraying a character and making a split-second change from a single to a double pirouette is no problem, but no coincidence either. Dancers' brains appear to be programmed differently from non-dancers' brains.
Studies at the University of Maryland in partnership with the University of Houston during the past three years reveal that dancers use multiple areas of their brains simultaneously while dancing: one part controls movement without expressive intention, another part imagines movement qualities and these parts work to execute movement while also making higher-level decisions.