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In a sun-soaked studio in New York City, Alvin Ailey American Dance Theater prepares for their 21-city North American tour beginning January 30. We caught up with artistic director Robert Battle to discuss his work Mass and how the tradition of modern dance has always been connected to social justice.
The ever-so-busy Kyle Abraham is back in New York City for a brief visit with his company Abraham.In.Motion as they prepare for an exciting spring season of new endeavors with some surprising guests. The company will be debuting a new program at The Joyce Theater on May 1, that will include two new pieces from Abraham, restaged works by Doug Varone and Bebe Miller, and a world premiere from Andrea Miller. Talk about an exciting line-up!
We caught up with Abraham during a recent rehearsal where he revealed what he is tired of hearing in the dance community.
It's no wonder Yeman Brown was nominated for a 2017 Outstanding Performer Bessie for his performance in Reggie Wilson's Citizen. Amidst the marathon of broken-up solos, Brown flies through the lightning-fast choreography. His movement is both gestural and athletic—not to mention deeply poetic—and is driven by a particular force which exudes a matter-of-fact command of the stage.
If you've been following our "In The Studio" series you know that most of our episodes take place in just that—a studio. But at a dress rehearsal for Monica Bill Barnes & Company's latest project Happy Hour, I found myself in what looked like an episode of "The Office" on a day of shooting an after-work party.
Inside the Center for Flamenco Arts, you can hear the rattle of castanets and the sounds of Spanish guitar as Flamenco Vivo Carlota Santana works on their upcoming tour of Navidad Flamenca, a holiday show they perform every December in each of the five boroughs of New York City. Their outreach spreads from seniors to children with disabilities and working with young girls and women in empowerment workshops.
For the past 3 years, choreographer Stephen Petronio has been reviving groundbreaking works of postmodern dance through his BLOODLINES project. This season, although his company will be performing a work by Merce Cunningham, his own choreography moves in a more luxurious direction. We stepped into the studio with Petronio and his dancers where they were busy creating a new work, Hardness 10, named for the categorization of diamonds.
If you've ever taken class with Kristin Sudeikis you know that she is as much a motivational speaker as she is a choreographer. Her approach to teaching is rooted in the idea that there should be a conversation between the dancer and all the elements that make up the dance: the music, the movement, and most importantly their connection to the other dancers in the room. Same goes for her company members when they are diving into the process of creating work.
We stepped into the studio with Sudeikis and her company to get an inside look at one of their rehearsals and chat with the dancemaker about her process:
Unbeknownst to pedestrians on the street, inside a warehouse at 383 Troutman is one of the most eccentric dance companies in Brooklyn. Company XIV is known for their ostentatious costumes, raunchy choreography and taboo twists on old classics like Snow White and The Nutcracker. From former Limon dancers on trapeze swings to opera-singing pole dancers, this company has talents that, woven together through a familiar storyline, make for an exciting show.
Between rehearsing for the company's upcoming holiday season run of Nutcracker Rouge in their newly-renovated theater and his choreography work for the Metropolitan Opera, we caught up with artistic director Austin McCormick for our latest rendition of In The Studio.