Originally from the Outer Banks of North Carolina, Lauren is a graduate of Barnard College with degrees in Dance and English. She has performed works by Annie B Parson, Mark Dendy, Reggie Wilson and Karla Wolfangle, and has danced with with e r a dance collective and TREES. While at Barnard/Columbia she choreographed and collaborated on several original musical theater works, among them the 120th Annual Varsity Show. She now serves as a member of the Dance/NYC Junior Committee.
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When Andrew Montgomery first saw the Las Vegas hit Le Rêve - The Dream 10 years ago, he knew he had to be a part of the show one day. Eight years later, he auditioned, and made it to the last round of cuts. On his way home, still waiting to hear whether he'd been cast, he was in a motorcycle accident that ended up costing him half his leg.
But Montgomery's story doesn't end the way you might think. Today, he's a cast member of Le Rêve, where he does acrobatics and aerial work, swims (yes, the show takes places in and around a large pool) and dances, all with his prosthetic leg.
Ever since we heard that Michaela DePrince's memoir, Taking Flight, was going to be a movie, we've been on the edge of our seats waiting for more info. Almost three years later, it's been worth the wait—we just learned that the Queen of Pop herself will be directing DePrince's biopic.
"Michaela's journey resonated with me deeply as both an artist and an activist who understands adversity," Madonna said in a statement. "We have a unique opportunity to shed light on Sierra Leone and let Michaela be the voice for all the orphaned children she grew up beside."
If you hadn't heard of inclusion riders before Sunday night, you've almost certainly heard of them now.
At the Oscars, Best Actress winner Frances McDormand ended her speech with: "I have two words to leave with you tonight, ladies and gentlemen: inclusion rider."
Since then, everyone has been talking about the term: What does it mean? Could it actually be implemented?
Last month, Buzzfeed News confirmed 17 instances of groping or sexual misconduct by patrons of the immersive theater show Sleep No More.
Having experienced the show for the first time just a week before the story broke, I can't say I was surprised by the accusations.
No, I'm not bitter because of the more common complaints I've heard from patrons: I didn't get lost in the dark halls of the McKittrick Hotel, and I don't care that I didn't get any of the coveted one-on-one scenes. Instead, at every step of my two and a half hour journey through the show, I felt that the safety of the performers—and of the audience—was being compromised for the sake of an experience that just wasn't worth the risk.
The commercial dance world is full of exciting opportunities for dancers: music videos, Broadway shows, international concert tours. But how do dancers develop the skill set needed to survive in such a fast-paced industry? College is one option, and a few programs focus specifically on commercial dance. Here's how Studio School, Los Angeles and Pace University prepare students for a demanding career:
Justin Lynch is surprisingly nonchalant about the struggles of being a full-time lawyer and a professional dancer. "All dancers in New York City are experts at juggling multiple endeavors," he says. "What I'm doing is no different from what any other dancer does—it's just that what I'm juggling is different."
While we agree that freelance dancers are pro multitaskers, we don't really buy Lynch's claim that what he does isn't extraordinary. In fact, we're pretty mind-boggled by the career he's built for himself.
Sure, Evgenia Medvedeva may have just broken the world record for the highest score ever given to an Olympic skater for the ladies short program. And it's very possible that she'll be taking home the gold medal next week for the single skating event.
But honestly, that's not why we love this Russian figure skater.
It's because in addition to being one of the best skaters in the world, the 18-year-old is also an incredibly enthusiastic hip-hop/jazz dancer.
Majoring in dance is the most obvious path to a career in the industry. So why choose not to?
The double-major challenge. Taking on two majors is an option for students with another interest, but it isn't for everyone. Pursuing dance on the side allows students to focus on another subject academically.
Freedom. Students who aren't obligated to a curriculum have the agency to pick and choose what they participate in based on what will be most meaningful to them.