A native of Floyds Knobs, Indiana, Madeline studied ballet at Southern Indiana School for the Arts and was later introduced to modern dance by Bill Evans. While completing her BFA in Dance Performance and Choreography at Ohio University's Honors Tutorial College, she was cast in a historical reconstruction of Alwin Nikolais' Noumenon celebrating the 100th anniversary of his birth. As an avid dance videographer and editor, she has worked on video projects for Bates Dance Festival and the Regina Klenjoski Dance Company in Southern California. She later served as a marketing and education manager for Lar Lubovitch Dance Company and is a former assistant editor—research for DanceMedia's various publications. She is currently the managing editor of Dance Magazine and Pointe.
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For the second year in a row, Jacob's Pillow Dance Festival is putting programming power in dance lovers' hands with its Inside/Out: Chance to Dance Contest. Now through February 25, the Massachusetts-based summer fest is accepting video submissions for a coveted spot in its Inside/Out series. That means that your work could join the likes of Pilobolus, Urban Bush Women and James Whiteside on the Pillow's famed outdoor stage.
To say we're pumped for the Winter Olympics is a definite understatement. We love watching cold-weather sports like bobsledding (Feel the rhythm! Feel the rhyme!), the terrifying-but-exhilarating art of ski jumping, figure skating (perhaps the most dance-centric event) and even more obscure options like curling.
But that's not the say the Olympics aren't lacking in any way.
We're missing the cherry on top, which at one time did exist in the games: the long-forgotten sport of ski ballet, also know as acroski.
This season's Oscars front-runner isn't exactly the type of drama that usually makes it into the Best Picture category. Guillermo del Toro's The Shape of Water has plenty of drama, including Cold War intrigue, but it also has humor, a very human storyline that—thanks to one large amphibious creature—veers into fantasy and, yes, even dancing.
We'll admit it: When we peruse Broadway's offerings each season, sometimes we bemoan the lack of original stories being portrayed onstage. Songbook musicals, revivals, or shows based on existing TV series or films have become a stronghold (and often a sure bet) for Broadway producers. But when a good redux comes along—like this season's surprisingly delightful SpongeBob SquarePants, based on the TV show of the same name—we can appreciate that.
Now, the silver screen has come knocking on Broadway's door for the reverse scenario: film adaptations of smash stage musicals. It's certainly nothing new, but right now there's a deluge of musicals that have nascent Hollywood dreams. The process can take years (and many stories die along the way), but there are a few exciting movies in the pipeline that we think have a pretty good chance of succeeding.
January 16 might as well be a Broadway holiday. Three gigantic names were born on this day, in 1908, 1950 and 1980, and they represent three distinct eras of powerhouse musicals. Without them, there'd be no belting Reno Sweeney, no "Fame"-ous Lydia Grant and no rapping Alexander Hamilton. Happy birthday to these indelible superstars.
If you've ever wondered how the pages of Dance Magazine come together, now's your chance to find out. Dance Magazine is seeking an editorial intern who's equally passionate about dance and journalism.
Through February 12, we are accepting applications for a summer intern to assist our staff onsite in New York City from June to August. The internship includes an hourly stipend and requires a minimum two-day-a-week commitment. (We do not provide assistance securing housing.)
Yesterday evening, Peter Martins announced his immediate retirement as New York City Ballet's ballet master in chief through a letter to the company's board. He had been solely in charge of the company's artistic direction since 1989 and the School of American Ballet's chairman of faculty since 1983. Since December 7, Martins had been on a self-requested leave, amidst an investigation of claims of sexual harassment as well as physical and verbal abuse. In the letter, he stated, "I have denied, and continue to deny, that I have engaged in any such misconduct." However, earlier articles from The New York Times and The Washington Post conveyed accounts of verbal and physical abuse by NYCB dancers, both past and present. In 1992, Martins was charged with third-degree assault of his wife Darci Kistler, though the charges were later dropped.
2017 was full of memorable dance moments, but as we start the new year, we can't help but wonder what it will bring to the stage and the field at large. Here's what the Dance Magazine team is wishing for in 2018.