A native of Floyds Knobs, Indiana, Madeline studied ballet at Southern Indiana School for the Arts and was later introduced to modern dance by Bill Evans. While completing her BFA in Dance Performance and Choreography at Ohio University's Honors Tutorial College, she was cast in a historical reconstruction of Alwin Nikolais' Noumenon celebrating the 100th anniversary of his birth. As an avid dance videographer and editor, she has worked on video projects for Bates Dance Festival and the Regina Klenjoski Dance Company in Southern California. She later served as a marketing and education manager for Lar Lubovitch Dance Company and is a former assistant editor—research for DanceMedia's various publications. She is currently the managing editor of Dance Magazine and Pointe.
Brooklyn-based burlesque troupe Company XIV isn't afraid to take risks. Nutcracker Rouge, their take on the holiday classic, features a cast of jack-of-all-trades dancers who double as greeters, ushers, singers, actors and aerialists, while baring a good amount of skin but even more confidence. (Disclaimer: The show is for mature audiences only.) What's most impressive about these artists is how captivating they are. Regardless of what style of dance you do, if you want to become a better performer, consider taking a page out of their playbook.
You've got to be "on" the moment the audience walks in the front door.
Yesterday The New York Times reported that New York City Ballet and the School of American Ballet are jointly investigating sexual harassment claims involving Peter Martins. According to a statement from SAB, it "recently received an anonymous letter making general, nonspecific allegations of sexual harassment in the past by Peter Martins at both New York City Ballet and the school."
Martins, who serves as NYCB's ballet master in chief and SAB's chairman of faculty and artistic director will not be teaching his weekly class at the school as the investigation continues. He currently maintains his positions at both organizations.
While sexual harassment allegations have recently been made against a growing list of Hollywood heavy-hitters, politicians, news anchors and other men in positions of power, this is the first investigation this year of a major figure from the dance world.
Immediate reactions were varied, though emotionally charged. Here are a few of the many responses:
Sure, Christmas music has a way of getting us into a festive mood. But if you can combine show-stopping dancing with holiday tunes, now we're really talking. Holiday Inn, the 2016 Irving Berlin songbook musical, does just that: In two hours, it dishes up 20 songs, 20 accompanying dances and a hefty helping of holiday cheer.
As we approach Thanksgiving, there's much to be grateful for. Perhaps one of the most important things on your list is dance. Whether you're a full-time company member, an aspiring professional, an audience member, or you simply delight in dancing in your daydreams, this art form is a creative escape.
That's not to say that being a dancer is easy: Pursuing such a competitive career can be heartbreaking, especially when you're faced with rejection.
La Folía, a short dance film by director Adam Grannick that was recently released online, echoes these sentiments in under 12 minutes.
If you studied at the American Dance Festival in the last 84 years, you may be in for a major treat—and an incredible career opportunity. As part of its 85th-anniversary season, ADF is seeking choreography submissions from alumni of its Six Week School and Three Week School (formerly the Four Week School for Young Dancers).
For dancers in L.A, this Saturday, November 11, might as well be a holiday. The Dance Resource Center, a service organization for the region's dance community, is hosting its third annual Day of Dancer Health. The best part? All events are free. Here's a sampling of what's on tap:
Happy Halloween! If you're still not in the spirit, who better to turn to for some spooky style inspiration than your fellow dancers? These pros' costumes caught our eye (and made us laugh).
1. Recreating a Legend
Famed ballerina Anna Pavlova recently made an appearance at American Ballet Theatre's company class. Oh, no, that's just principal James Whiteside and his impeccable petit allegro. Could've fooled us.