David Dorfman Talks Choreographing His First Broadway Play
Postmodern choreographer David Dorfman grew up watching experimental theater, so it makes sense that elements like text, abstract set design and socially conscious through-lines pepper his work. Choreographing for theater seems like a natural next step. The opening of Indecent on April 18 marks Dorfman's first outing as a Broadway choreographer. The play is about the making of God of Vengeance, a 1923 Broadway production based on a landmark Yiddish play, and deals with homosexuality and freedom of expression.
How did you get involved in Indecent?
I've known Rebecca Taichman, one of the creators, for 13 years or so now. We did a project together called Green Violin in Philadelphia.
What research went into choreographing this play?
I did more research for this than I normally do. Some of it is a bit tongue-in-cheek. In order to do that you have to get in deep about the hand gestures and rhythms of Hasidic dance. I don't believe that we have to produce a totally authentic version. But you have to know exactly where something comes from in order to stray.
What's been challenging for you?
I guess procedure. In theater you have to have prescribed break times, where in dance sometimes we'll work hours without taking breaks: "Do you need to eat or go to the bathroom? Nope? Okay, because we're on a roll." The work pattern in theater is more humane, but sometimes we're right on the edge of something...
In addition to running his dance company, Dorfman is also the Chair of the Dance Department at Connecticut College. Photo courtesy Connecticut College.
Will you take anything you learned to your choreography for dance?
The humbling moment for me is learning that there are movements that might be legible and exciting in dance that just don't work for this play. It's about what is needed right now, right here, with these bodies in space. It's made me question what vocabulary is absolutely necessary in my own work. It can be a crutch to say, "Oh, this is a great turn or partnering move."
How will people identify with the themes of this play today?
This project is about love, different kinds of love, and being bold with your art and your life and censorship. It's a complicated examination of expression, and how we express ourselves to each other is such a delicate issue. How do you have hope for a future that's hopefully filled with love? Can we use love to drive something that we might have as much distrust in as politics? I think a lot of us are thinking that now. It's often theater that helps us see how we express humanity. The strife in this play speaks to love on so many levels.
These days, it's not uncommon to see men dancing on pointe. Sure, the Trocks have been doing it forever, but now even men in traditional companies are seeing the benefits of training in pointe shoes.
And yet, we've never seen anything like this video of Houston Ballet's Hayden Stark, Derek Dunn and Daniel Durrett performing the "Shades" variations from La Bayadere on pointe. It's not a parody video or a spoof. These boys' pointework is the real deal, and we're all for it.
Your gut is a hot topic in nutrition right now. Experts say a healthy microbiome (the makeup of bacteria in our bodies) is associated with everything from a reduced risk of infection to a more efficient metabolism.
But can we actually make our inner bacterial population healthier?
For Dance Magazine's 90th anniversary issue, we wanted to celebrate the movers, shakers and changemakers who are having the biggest impact on our field right now. There were so many to choose from! But with the help of dozens of writers, artists and administrators working in dance, the Dance Magazine staff whittled the list down to those we felt are making the most difference right now.
Click through the links below to find out why they made our list.
With the first round of dancer duels complete, Jennifer Lopez and the World of Dance judges are bringing in some extra help as the competition thickens. American Ballet Theatre principal and all around dance superstar Misty Copeland will be the show's first guest judge for the July 18th and July 25th episodes.
It's our 90th anniversary! To celebrate, we excavated some of our favorite hidden gems from the DM Archives—images that capture a few of the moments in time we've documented over the decades.
We had a feeling that our ambitious list of "The Most Influential People in Dance Today" in celebration of Dance Magazine's 90th anniversary would turn some heads. But it's gotten even more attention than we'd expected.
It's not often that a magazine compilation of "movers and shakers" can be celebrated in the literal sense. But when the publication is Dance Magazine, that is of course the case.
The story mentions Dance Magazine's 1927 beginnings under the name The American Dancer, and highlights how our July issue tackled the idea of "influence" from many angles.
Thank you Adweek for the shoutout and the happy anniversary wishes!
On July 1 and 2, San Francisco audiences will encounter a performance that's an unsettling kick to our assumptions. Stephan Koplowitz has created Occupy, A site-specific journey through an urban garden to be performed by AXIS Dance Company at the Yerba Buena Gardens. This is a dance about inclusion.
As soon as we started putting together a list of the most influential people in dance today, we knew two things. By the very nature of the topic we were tackling, our final list was going to be:
1. Entirely subjective, and
2. By no means comprehensive.
We wanted to get your input and hear who else you felt should be on the list. So we asked you who we missed, and here's what you told us through email, Facebook and Twitter: