At Last, David Hallberg Is Back at ABT
2017 has started off with some fantastic news: David Hallberg is coming back to dance in the U.S.
American Ballet Theatre announced yesterday that he'll be dancing with the company during its spring season at the Metropolitan Opera House in New York. Hallberg, 34, hasn't performed with ABT since June 2014—and fans (including us) have been missing his princely presence ever since.
For two and a half years, an injured deltoid ligament in his ankle has kept him off stage both at ABT and the Bolshoi Ballet (where he holds the distinction of being the company's first American principal). It's been a major setback for such a talented dancer right at the peak of his career.
Hallberg in class yesterday, via nytimes.com
But Hallberg has literally gone to the ends of the earth to recover: He's spent the past year in Melbourne, following an intense physical therapy program designed by the Australian Ballet's dance medicine specialist Sue Mayes and her team (who are considered some of the best in the world at what they do). According to the Sydney Morning Herald, his regimen included two hours of strength training in the morning, followed by two hours of ballet, then resting with his feet in an ice bucket before two more hours of strength work. "One of the most off-the-wall things I've been doing is running up flights of stairs with a metronome in my pocket to make every step the exact same speed," he told the SMH reporter.
Although he added that he still has pain, and doesn't know if it will ever go away, he feels ready to dance again. Last month, he made a quiet comeback dancing Franz in Coppélia at the Australian Ballet.
So what will he perform with ABT? That hasn't been announced yet. He just started back in company class in New York yesterday. But a quick look at the casting lineup shows "TBA"s for the male lead in performances of Alexei Ratmansky's new Whipped Cream, plus Giselle and Onegin. Hallberg told Rosyln Sulcas of The New York Times that he was particularly excited to work with Ratmansky again, so Whipped Cream is probably a safe bet. We're keeping our fingers crossed he's healthy enough to perform much more than that this season—and for many more seasons to come.
It's the end of a long rehearsal day for the dancers of Abraham.In.Motion. They're reviewing phrases of a new work, Dearest Home. It's a pretty typical rehearsal scene. Some dancers cluster around a laptop trying to piece together steps learned long ago. Others review choreography together, working to figure out who remembered which arms correctly.
What isn't typical: The company's director and choreographer, Kyle Abraham, is nowhere to be seen.
That's because while the company is based in New York City full-time, Abraham spends most of his year teaching at the University of California, Los Angeles, where he joined the faculty last September. It's an unconventional model for a single-choreographer–led troupe, almost functioning like a repertory company in which choreographers drop in for a week to set a piece, leaving it up to the rehearsal directors and dancers to keep the momentum going.
La Scala Ballet has a knack for snagging exceptional guest artists, and the company's rare West Coast appearance this weekend at Segerstrom Center for the Arts is no exception. Principal dancer étoile Roberto Bolle will partner both Misty Copeland and Marianela Nuñez in Giselle. And in an extra international twist, they'll be accompanied by the Mikhailovsky Orchestra for the engagement. July 28–30. scfta.org.
Serious dancers interested in musical theater face a difficult choice when applying to college: Should you major in dance or musical theater? "You can make a career following either pathway," says Lynne Formato, associate professor of performing arts at Elon University. If you choose to go the musical theater route, find a program that will challenge your dance technique:
The 2017 Princess Grace Award winners have just been announced! Over the years, the Princess Grace Foundation-USA has demonstrated a knack for picking out future stars in the dance world, so it should be no surprise that several of the honorees are familiar names.
It's well known that Robert Rauschenberg, one of the most famous American artists of the 20th century, made costumes and sets for Merce Cunningham, Paul Taylor and Trisha Brown. What you may not know is that he also choreographed and danced in many performances of his own devising. You can see evidence of them among the vast amount of paintings, sculptures and collages at the exhibit at the Museum of Modern Art called Robert Rauschenberg: Among Friends.