GoPros: No Longer Just for Snowboarders
We all knew it was bound to happen eventually, but now it's official: GoPros have made their way onto dancers.
These trendy cameras that attach to bodies have recorded nearly every activity from snowboarding to off-road motorcycle racing. Now, they are being used to capture the experience of dancing. There are already some amazing (and odd) videos of dancers with GoPros up on Vimeo and YouTube. But the first performance I've heard about that's incorporating GoPros into the work itself is happening next month in Brooklyn. In NEON BRAVE, four performers from white road Dance Media will each wear a GoPro so that real-time footage can be projected onto the set while they dance. The idea is that the audience will be able to experience the piece from the dancer's point of view, and be immersed right into the middle of the choreography. Director/choreographer Marisa Gruneberg points out this will be particularly poignant during a nude solo: “There’s no better way to see the body's full expression, its vulnerabilities and beauties, its guts, than to see it nude and in motion. Being totally nude onstage is bravery in and of itself. Now the audience will experience that bravery as well.”
Personally, what I'd love to see is someone strap one of these on during "Black Swan." Any takers?
Troy Schumacher is on a roll. The 31-year-old was recently promoted to soloist after almost 12 years with New York City Ballet, but that's nothing compared to what he has going on this month. Over the course of a few weeks he will premiere three ballets of his own creation: his third work for NYCB (Sept. 28), his first commission for Fall for Dance (Oct. 2–3), using dancers from Miami City Ballet, and another for the ensemble he founded back in 2010, BalletCollective (Oct. 25), using colleagues from NYCB, including his wife, Ashley Laracey. We spoke with him just as he was gearing up for this choreographic marathon.
What is it like having these two commissions in a row, plus planning for your own company's season?
I'm loving being so busy, working on multiple projects, all extremely different from each other. It's like when you're dancing a lot of ballets at once, and you're warm, both physically and mentally. You can get back into rehearsals and performances much more easily.
Tell me about your Fall for Dance* commission.
I've been wanting to work with dancers besides my colleagues from City Ballet for a while. I was always kind of secretly hoping Miami City Ballet would be the first, because they exemplify a lot of things that I like: musicality, athleticism and personality.
Who wants to go shoe shopping with
Carrie Bradshaw Sarah Jessica Parker before a night at New York City Ballet?
That's exactly what four people will be doing on October 6 as part of a brand-new Airbnb experience. The spots, which went on sale this morning, quickly sold out. Presumably, they were swiped by mega-fans of ballet (or "Sex and the City"), but that doesn't really matter—all proceeds from the $400-a-pop experience will go directly to NYCB, where SJP is on the company's board of directors.
The dancers file into an audition room. They are given a number and asked to wait for registration to finish before the audition starts. At the end of the room, behind a table and a computer (and probably a number of mobile devices), there I sit, doing audio tests and updating the audition schedule as the room fills up with candidates. The dancers, more nervous than they need to be, see me, typing, perhaps teasing my colleagues, almost certainly with a coffee cup at my side.
Back in July, the Bolshoi Ballet grabbed international headlines after canceling the scheduled premiere of a new full-length ballet just three days before opening night. The ballet was Nureyev, and, as it was centered on the life of an openly gay male dancer who defected from the Soviet Union, it was widely speculated that the decision was an act of censorship.
Further theories of political motivations arose as Kirill Serebrennikov, the project's already-controversial director, was being questioned in connection with an embezzlement investigation. But according to the Bolshoi, the ballet was pulled due to it simply not being ready, and was not canceled but postponed; a tentative premiere was set for May 2018.
But it looks like Russian audiences will be getting to see the new ballet far sooner than they might have hoped.
By itself, a competition trophy won't really prepare you for professional life. Sometimes it is not even a plus. "Some directors are afraid that a kid who wins a lot of medals will come to their company with too many expectations," says Youth America Grand Prix artistic director Larissa Saveliev. "Directors want to mold young dancers to fit their company."
More valuable than taking home a title from a competition is the exposure you can get and the connections you can make while you're there. But how can you take advantage of the opportunity?
New York Live Arts opens its 2017-18 season with A Love Supreme, a revised work by Anne Teresa De Keersmaeker and collaborator Salva Sanchis. Known as a choreographer of pure form, pattern and musicality, De Keersmaeker can bring a visceral power to the stage without the use of narrative. She has taken this 2005 work to John Coltrane's famous jazz score of the same title and recast it for four young men of her company Rosas, giving it an infusion of new energy.
Photo by Anne Van Aerschot
Before too long, dancers and choreographers will get to create on the luxurious 170-acre property in rural Connecticut that is currently home to legendary visual artist Jasper Johns.
If you think that sounds far more glamorous than your average choreographic retreat, you're right. Though there are some seriously generous opportunities out there, this one seems particularly lavish.