Your Guide to The Latest Ballet Podcasts
Barry Kerollis, Photo by Matthew Murphy.
The popularity of podcasts has exploded in the past few years. But did you know that there are podcasts made just for dancers? Podcasts are the new way performers are connecting with the audiences, experts are giving advice to dancers of all levels and conversations about dance are being made accessible to everyone. Which should you be listening to?
First things first—if you're interested in dance podcasts, Premier Dance Network is your go-to resource. The recently-launched network pools together dance-related podcasts, so you can easily get your ballet buzz in one place. Most recently added to the mix is Pas de Chat: Talking Dance, hosted by Barry Kerollis and just released on Friday. Kerollis, former PNB dancer and current blogger and freelancer will chat about everything from emotional health to choosing a dance show.
You may already know Ask Megan!, where New York City Ballet principal Megan Fairchild takes questions from fans and aspiring dancers, and answers her favorites every week. But do you know Becoming Ballet, another top pick for up-and-coming ballerinas? The podcast follows an early-career dancer throughout their day as they grapple with life in a second company, the pressures of an apprenticeship or landing that first company contract.
Megan Fairchild. Photo by Paul Kolnik.
Balancing Pointe targets a broader audience, interviewing various dance professionals about the role they play in making ballets come to life. And then there's a whole host of other options that aren't included in Premier Dance Network, like company-specific podcasts. (I recommend San Francisco Ballet's!) All of them can be found on iTunes or the Podcast app. So get downloading! Podcasts are a great way to expand your mind during downtime like your commute—or your pre-class stretch!
What if there was a way to get your dancing in front of the likes of Desmond Richardson, d. Sabela grimes and Vincent Paterson all at once? Just in case you needed another excuse to break out your best moves this week, the Dare to Dance in Public Film Festival is back, and Richardson, grimes and Paterson are among this year's judges.
Dancers and non-dancers alike are invited to submit short dance films to the international online festival, with one caveat: The dancing has to take place in a public space.
The dancers file into an audition room. They are given a number and asked to wait for registration to finish before the audition starts. At the end of the room, behind a table and a computer (and probably a number of mobile devices), there I sit, doing audio tests and updating the audition schedule as the room fills up with candidates. The dancers, more nervous than they need to be, see me, typing, perhaps teasing my colleagues, almost certainly with a coffee cup at my side.
When we're talking about the history of black dancers in ballet, three names typically pop up: Raven Wilkinson at Ballet Russe de Monte Carlo, Janet Collins at New York's Metropolitan Opera and Arthur Mitchell at New York City Ballet.
But in the 1930s through 50s, there was a largely overlooked hot spot for black ballet dancers: Philadelphia. What was going on in that city that made it such an incubator? To answer that question, we caught up with Memoirs of Blacks in Ballet founder (and frequent Dance Magazine contributor) Theresa Ruth Howard, who yesterday released her latest project, a video series called And Still They Rose: The Legacy of Black Philadelphians in Ballet.
Janie Taylor didn't know if she'd ever return to the stage. But that's exactly where the former New York City Ballet principal has found herself: Nearly three years after retiring, she is performing again, as a member of L.A. Dance Project.
Taylor officially debuted with the company at its December 2016 gala in Los Angeles, then performed in Boston, via live stream from Marfa, Texas, and at New York's Joyce Theater before heading off on tour dates in France, Singapore, Dubai and beyond.
"She is wildly interesting to watch—and not conventional," says LADP artistic director Benjamin Millepied. "There are films of Suzanne Farrell dancing, where you feel like the music is coming out of her body," he says. "I think Janie has that same kind of quality."
Last night was not your average Thursday at Bay Ridge Ballet in Brooklyn, New York. Studio owner and teacher Patty Foster Grado—a former Parsons Dance Company dancer—was teaching a boys class, when with only five minutes left, she heard commotion in the waiting area and someone yelled, "There's a lady giving birth in the bathroom!"
Where can you watch Giselle, Romeo and Juliet, The Nutcracker, Coppélia and Le Corsaire all in one place? Hint: It also has extra-buttery popcorn.
Yep, it's your local movie theater. Starting this weekend, theaters across the country will be showing Bolshoi Ballet productions of classical and contemporary story ballets.
When commercial dancer Danielle Peazer took on an ambassadorial role with Reebok in early 2016, she didn't realize the gig would also lead to a career shift. But while traveling with and teaching workshops for the brand, the idea for DDM (Danielle's Dance Method) Collective started to take shape.