"I Have Never Known A Life Without Dance"
I have never known a life without dance. Born into a world of dancers, studios and theaters were my playground. I'm pretty sure I even listened to the scores of the ballet classics when I was still inside of my mother's belly. My mother and father often danced together, being in the same professional company.
Photo by Alexander Iziliaev
Today, they continue to work in the ballet world as teachers. My mother has her own school, which is where I started dancing. Even though at first I hated ballet, everyone predicted that I would eventually follow in their footsteps. They were right.
Ballet is my pursuit of expression, music and joy. But ballet also means something to me: sacrifice. I left my family in Rio de Janeiro, Brazil, at 15 to join Miami City Ballet School, which had offered me a scholarship. I went to live on my own in a foreign country, not knowing the language, the culture, how to cook or even how to open a bank account.
Photo by Daniel Azoulay
I thought I understood a lot about ballet life, but moving to America proved there was so much out there that I was not aware of; it was like starting over. There were many tears and frustrations throughout the first few years in Miami because I couldn't communicate with people or even forge relationships due to language barriers.
It was my goal of becoming a ballerina with MCB that made the sacrifice worth it. But none of this would've been possible if it wasn't for my mother, who mentally prepared me and taught me to have discipline, strength and goals, all of which I bring into every single class and rehearsal. She told me "nothing comes easily if you don't give it your best every day, because that is what ballet is about—a pursuit of excellence."
Photo by Daniel Azoulay
Thinking back to when I started—knowing nothing about Balanchine, Robbins or Ratmansky—the Nathalia heading to America for the first time with her four giant suitcases would never have imagined dancing some of their major works, as well as learning directly from Balanchine-era ballerinas such as Lourdes Lopez, Roma Sosenko and Merrill Ashley.
She would never have imagined Ratmansky creating a role on her while she was still in the corps, the war girl from Symphonic Dances, and rehearsing it for Mikhail Baryshnikov (who even complimented her dancing) in the studio. These moments in my career have been surreal, from being on the cover of Pointe magazine (a magazine my mother has spent decades reading) to preparing to do Russian Girl in Serenade at the Koch Theater in New York City.
Photo by Alexander Iziliaev
For me to say I love ballet is not enough. Ballet has made me who I am. The most rewarding aspect of my career is hearing that my dancing can bring happiness to people who perhaps need it, because that reinforces my faith in ballet as a powerful art form. Life has proven to me that dreams can come true, and I will go on keeping what my mother has instilled in me every step of the way.
These days, it's not uncommon to see men dancing on pointe. Sure, the Trocks have been doing it forever, but now even men in traditional companies are seeing the benefits of training in pointe shoes.
And yet, we've never seen anything like this video of Houston Ballet's Hayden Stark, Derek Dunn and Daniel Durrett performing the "Shades" variations from La Bayadere on pointe. It's not a parody video or a spoof. These boys' pointework is the real deal, and we're all for it.
Your gut is a hot topic in nutrition right now. Experts say a healthy microbiome (the makeup of bacteria in our bodies) is associated with everything from a reduced risk of infection to a more efficient metabolism.
But can we actually make our inner bacterial population healthier?
For Dance Magazine's 90th anniversary issue, we wanted to celebrate the movers, shakers and changemakers who are having the biggest impact on our field right now. There were so many to choose from! But with the help of dozens of writers, artists and administrators working in dance, the Dance Magazine staff whittled the list down to those we felt are making the most difference right now.
Click through the links below to find out why they made our list.
With the first round of dancer duels complete, Jennifer Lopez and the World of Dance judges are bringing in some extra help as the competition thickens. American Ballet Theatre principal and all around dance superstar Misty Copeland will be the show's first guest judge for the July 18th and July 25th episodes.
It's our 90th anniversary! To celebrate, we excavated some of our favorite hidden gems from the DM Archives—images that capture a few of the moments in time we've documented over the decades.
We had a feeling that our ambitious list of "The Most Influential People in Dance Today" in celebration of Dance Magazine's 90th anniversary would turn some heads. But it's gotten even more attention than we'd expected.
It's not often that a magazine compilation of "movers and shakers" can be celebrated in the literal sense. But when the publication is Dance Magazine, that is of course the case.
The story mentions Dance Magazine's 1927 beginnings under the name The American Dancer, and highlights how our July issue tackled the idea of "influence" from many angles.
Thank you Adweek for the shoutout and the happy anniversary wishes!
On July 1 and 2, San Francisco audiences will encounter a performance that's an unsettling kick to our assumptions. Stephan Koplowitz has created Occupy, A site-specific journey through an urban garden to be performed by AXIS Dance Company at the Yerba Buena Gardens. This is a dance about inclusion.
As soon as we started putting together a list of the most influential people in dance today, we knew two things. By the very nature of the topic we were tackling, our final list was going to be:
1. Entirely subjective, and
2. By no means comprehensive.
We wanted to get your input and hear who else you felt should be on the list. So we asked you who we missed, and here's what you told us through email, Facebook and Twitter: