Training

In Training: Learning to Fly

College aerial programs take flight.

 

 

University of Wyoming students performing at Vedauwoo rec area. Photo by J. Harper, Courtesy University of Wyoming.

 

Lately, aerial dance has become a major genre—take a look at productions of Cirque du Soleil or on Broadway, and you’ll see dancers high overhead, engulfed in swaths of fabric or bounding gracefully off the walls. And dedicated aerial dance companies are popping up all over the country. As techniques evolve, more universities are incorporating it into their dance programs. “Aerial demands breadth of training in a variety of apparatuses,” says Nada Diachenko, dance professor at University of Colorado, Boulder. “It takes a lot of body conditioning, and safety issues are huge.” Here are three programs with extensive aerial dance offerings. —Amy Brandt

 

 

UNIVERSITY OF NEW HAMPSHIRE

Location: Durham, NH

Dance audition required: Yes

Prior aerial experience required: No

Website: cola.unh.edu

Degrees offered: BA in theater with an option in dance; dance minor

Program description: Ballet, pointe, tap, jazz and aerial arts make up the core curriculum, as well as courses in pedagogy, composition, dance history and choreography. Aerial classes are in two-hour time blocks in which students rotate between four stations: Trapeze and silks are offered every class; lyra, single-point trapeze, net, triple trap, Spanish web and other apparatuses are interspersed throughout the semester. Safety, rigging techniques and injury prevention are also addressed each class. Advanced students assist beginning and intermediate classes; once a week, advanced aerial students meet for an extra lab.

Facility: One studio with 20-foot steel-beam ceilings that allow for rigging

Performance opportunities: Spring dance concert provides opportunities for aerial performance, Aerial Showcase at the end of each semester, outdoor performances

 

 

UNIVERSITY OF COLORADO, BOULDER

Location: Boulder, CO

Dance audition required: Yes, for both CU-Boulder’s graduate dance program and the Frequent Flyers program. Base strength requirements and health insurance also required for aerial training.

Prior aerial experience required: One year of focused training in an aerial apparatus; teacher-training candidates should be at an advanced level in an aerial apparatus, with prior teaching experience in either dance or aerial dance.

Website: theatredance.colorado.edu

Degree offered: MFA in dance; secondary concentration in aerial dance with two track options (performance or teaching) through a partnership with Frequent Flyers, a professional aerial company and school.

Program description: Aerial track students complete 10 credit hours through FF towards total MFA requirements of 60 hours. All students take aerial fitness, aerial dance technique, ground-based movement, improvisation/choreography, open gym, stretching and workshops. Candidates work with fabric, trapeze, hoop, invented apparatus and stilts. Performance track includes student company and private lessons. Teaching-track candidates graduate with an MFA and FF teaching certification. CU graduate dance coursework includes technique, choreography, pedagogy, graduate seminar, final project, among others.

Facility: Aerial classes take place at Frequent Flyers’ studio, plus one on campus.

Performance opportunities: Student and/or faculty concerts, Aerial Dance Festival, informal showings

 

 

UNIVERSITY OF WYOMING

Location: Laramie, WY

Dance audition required: No audition required for the BA, which all freshmen declare. Students audition for the BFA program at the end of their freshman or sophomore year.

Prior aerial experience required: No

Website: uwyo.edu

Degrees offered: BA in dance, BFA in dance performance, BFA in dance science, dance minor

Program description: Vertical dance courses (which involve rope and harness) are offered as electives to the overall dance curriculum, which includes ballet, modern and jazz. Vertical I is open to all dance majors and introduces safety measures, basic equipment and vertical dance vocabulary. Dancers work individually and in pairs, developing sequences and transitions for a final performance. Vertical II expands upon rigging techniques and focuses on individual choreography. Both courses begin each class with conditioning specific to vertical dance.

Facility: Classes are held in a black-box theater with an easily accessible grid, as well as in larger theaters. Rehearsals are held outdoors in late summer in preparation for performances at a local recreational area.

Performance opportunities: Two main-stage productions a year, collaborative faculty concerts, biannual performance at Vedauwoo outdoor recreation area, American College Dance Festival Association Northwest Conference

via Rebels on Pointe

You know Les Ballets Trockadero de Monte Carlo as the men who parody your favorite ballet variations—and make it look good. But there's more to the iconic troupe than meets the eye.

A new documentary, Rebels on Pointe, goes behind the scenes of the company, and it's full of juicy tidbits about what it's like to be a Trock. These were some of our favorite moments:

Keep reading... Show less
AXIS's Lani Dickinson and James Bowen. Photo by Matt Evearitt, courtesy AXIS

After 30 years of pioneering work in physically integrated dance, AXIS Dance Company co-founder Judith Smith has announced plans to retire from the Oakland, California, company. Throughout her tenure, she strived to get equal recognition for integrated dance and disabled dancers, commissioning work from high-profile choreographers like Bill T. Jones. Her efforts generated huge momentum for expanded training, choreography, education and advocacy for dancers with disabilities.

By phone from her home in Oakland, Smith reflected on how far the field has evolved since the early days of AXIS, and what's yet to be done.

Keep reading... Show less
Jim Lafferty for Pointe

You know that how you care for your body before curtain can impact your performance. But with so many factors to consider, it can be difficult to nail down an exact routine. How much rest is enough? How close to showtime should you eat? We asked the experts.

Keep reading... Show less
Popular
screenshot via Jonathan Simkhai.

How do you make your athleisure collection stand out from the pack? Get the ultimate studio-to-street seal of approval by having dancers star in your campaign, of course.

For his second collaboration with activewear brand Carbon38, ready-to-wear designer Jonathan Simkhai traded in his usual top models like Gigi Hadid and Karlie Kloss for the original Hiplet dancers—and the resulting video is as cool as we'd expect from such a fierce collaboration.

Keep reading... Show less
Popular
via YouTube

To be honest, we never tire of watching non-dancers tackle a day in the life of the pros. From athletes to average Joes, these videos always give us a good laugh, and they remind the rest of the world that a whole lot of work goes into every dance performance you see. But often times, these dancer-for-a-day videos don't fully understand the importance of training (i.e., you can't just throw on a pair of pointe shoes and give it a go).

That's why we're especially loving this video by Refinery29 that actually gets it. Lucie Fink, host of the R29 YouTube series Lucie For Hire , got a private lesson from American Ballet Theatre principal Isabella Boylston, and it was endlessly entertaining.

Keep reading... Show less
Dancers & Companies
Quinn Wharton

Who are you when you no longer do what you've been doing for years?

It is the big question facing anyone who retires. For top ballet dancers, however, the situation is more extreme. They start young, grow up in a rarified atmosphere, mostly see only each other, and become more and more removed from ordinary life. So what is it like to give this all up?

I asked seven former principal dancers from different generations at San Francisco Ballet, including myself, about this challenge.

Keep reading... Show less
Breaking Stereotypes
Emily Schoen and Houcem Bouakroucha, Photo by TuniStudio

Again and again, dance teaches me that when the filters fall away between people—when the boundaries of geography, religion and politics soften—the beginning and end of our relationships is always human.

In March, I traveled with Keigwin + Company to Cote D'Ivoire, Ethiopia and Tunisia, on a tour sponsored by the US State Department and facilitated by DanceMotion USA/Brooklyn Academy of Music. Our mission was cultural diplomacy: Simply, to share ourselves with diverse communities, to promote common understanding and friendships.

Our last stop was Tunisia. Until that point, we had mostly been learning varieties of traditional African dance, and sharing American modern dance. But Tunisia was different. The dancers already had a solid grasp of contemporary movement invention. Though we didn't speak the same language, we could make movement vocabulary with surprising ease. Everything about our backgrounds was different, but there was this special intersection through dance that seemed to present an open door to collaboration.

Keep reading... Show less
News

Photo by Todd Rosenberg, Courtesy Joffrey Ballet.

Christopher Wheeldon's new Nutcracker for the Joffrey Ballet was huge news when it premiered last winter. The choreographer shifted the setting from the home of a well-off German family to the Chicago world's fair, making the hero the young daughter of a working-class, Polish immigrant sculptress. This month, WTTW Chicago, the city's public broadcasting station, will premiere Making a New American Nutcracker, a new documentary showing how Wheeldon and his high-profile collaborators made the magic happen. Premieres on WTTW11 and wttw.com/watch on Nov. 16 before appearing on public television stations across the country. Check your local listings.

Dancers & Companies
Chicago's Auditorium Theater

For most dancers, walking into the theater elicits a familiar emotion that's somewhere between the reverence of stepping into a chapel and the comfort of coming home. But each venue has its own aura, and can offer that something special that takes your performance to a new level. Six dancers share which theaters have transported them the most.


GLENN ALLEN SIMS

Alvin Ailey American Dance Theater

Glenn Allen Sims in Alvin Ailey's Masekela Langage. Photo by Paul Kolnik, courtesy AAADT

Favorite theater: Teatro Real in Madrid, Spain

Royal details: "The theater is gorgeous and ornate, with deep red upholstery and gold trim. There is a huge royal box in the center, which takes you back to when kings and queens were watching performances there."

Impressive facilities: Even the dressing rooms are a sight to see: Amenities for the dancers include large, carpeted rooms, and towel service.

Keep reading... Show less
Career

The business side of dance can often fall second to the art. Contracts, which usually appear after you've done the hard work of securing a job, can seem like an inconsequential afterthought. You might decide to simply sign without reading the terms—or be understandably confused by all the legalese.

Ultimately, though, contracts can play an important part in setting the expectations for your job. A basic understanding of the legal terms you might see can go a long way in making sure that signing is a positive step toward growing your career.

Keep reading... Show less

Sponsored

Videos

Sponsored

mailbox

Get Dance Magazine in your inbox

Sponsored

Win It!