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February 2011

February 2011

Curtain Up
Wendy Perron
Dance Matters: ABT in Cuba
For the first time in 50 years, ABT goes to Alicia Alonso’s homeland.
Wendy Perron
Dance Matters: In Good Company
Dominic Walsh's compelling repertory choices led him to Mats Ek.
Nancy Wozny
Your Body: The Rest Test
Do you need a break? Fatigue leaves dancers vulnerable to injury, and slower to heal.
Nancy Wozny
The Kirov's Glowing Gem
Yevgenia Obraztsova brings effortless classicism and a sense of drama to her roles.
Margaret Willis
Swept Away
From Lavrovsky to Martins, Romeo and Juliet’s balcony scene has captured audiences’ hearts.
Joseph Carman
Injury as Opportunity
Stephen Petronio on finding harmony in a whole-body approach to healing
Stephen Petronio
Getting Into Graham
What does it take to land a job with the iconic modern dance group?
Siobhan Burke
Working The Web
We asked company directors if your online presence can help—or hurt—your job prospects.
Nancy Wozny
We Belong Together
Show college programs that you’re ready for school.
Rachel Zar
Aszure’s Audition Adventure
One dancer’s journey
Jen Peters
2011 Auditions Guide
Jared Smallridge
Centerwork: Keeping Texters on Their Toes
How do teachers cope when technology competes for their students’ attention?
Kathleen McGuire
Teacher's Wisdom: Lori Belilove
Staying true to the spirit of Isadora
Linda Tarnay
On the Rise: Alexandre Hammoudi
A striking theatrical presence in the ABT corps
Joseph Carman
On Broadway: Desert Dance
"Priscilla"’s cast boogies through the boonies.
Sylviane Gold

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