What Julie Kent's Washington Ballet Looks Like
As she was stepping into her new role as artistic director of The Washington Ballet this July, ballet icon Julie Kent made a natural fit for the cover of our first-ever Feminist Issue. At the time, she was still just starting to get her feet wet. Writer Marina Harss' profile of Kent covered some of her dreams for the troupe, like increasing the roster, expanding the repertoire and using live music whenever possible. But now we've started to see some of her changes in action. So what does a Washington Ballet led by Julie Kent actually look like?
Live Music is Here
Count it as Dream Accomplished: Yesterday, the company announced that each of its spring performances will feature a live orchestra, led by a guest conductor from other ballet companies around the country. (What a fun idea!) Charles Barker, from American Ballet Theatre and Pittsburgh Ballet, will conduct Giselle in March, and Martin West of San Francisco Ballet will conduct the company's season-closing repertory program in May.
The Nutcracker music will be taped because, as Kent told The Washington Post's Sarah Kaufman, “We won’t sell one more ticket if we have live music, and it’s about $100,000 a week. We have to move forward strategically and sensibly, and use the money for the orchestra where we can get the most out of it.”
No word on how the company will foot the live music bill this spring, although TWB's website does have eight separate categories listed under "Support."
Big ABT Names Sign On
Kent with Stiefel in 2008, PC Kent Becker
We also found out yesterday that Kent's first-ever commissioned work will go to Ethan Stiefel, one of her former partners. He's recently dabbled in choreography on Flesh and Bone, at the Royal New Zealand Ballet and on ABT's Studio Company. His new one act ballet, tentatively titled Frontier, will be based on John F. Kennedy's determination to land a man on the moon.
He's not the only ABT alum Kent's brought in. Former principal Xiomara Reyes, who retired the same year as Kent, is the new head of The Washington Ballet School.
New Dancers Hired
Kent has hired two ABT Jacqueline Kennedy Onassis School grads: Brittany Stone as a dancer and Adelaide Clauss as an apprentice. She's also brought in two major stars—the much-loved Cuban dancer Rolando Sarabia and former Korean National Ballet principal Eun Won Lee. Expect many more names in the coming seasons if the company grows from 21 to 40, as Kent hopes it will.
Kent with David Hallberg in Seven Sonatas, via nytimes.com
This spring, TWB will add to its repertoire two works by ballet's most sought-after choreographers today: In Creases by Justin Peck and Seven Sonatas by Alexei Ratmansky (in which Kent was in the original cast). The company will also tackle Sir Frederick Ashton's beloved classic The Dream for the first time.
Workshops for Outside Dancers
If you're really curious what Kent's like at the head of the studio, sign up for her master class series next month. Reyes will be teaching on November 12 and Kent on November 19. The two-part series will also include character and contemporary classes, plus post-class Q&As with the two directors. The series is open to adult dancers—and could be a smart audition opportunity for anyone curious about joining the company.
Of course, it's still early in Kent's directing career. But so far, most of these choices seem like savvy moves—even if they're heavily inspired by her ABT background. We can't wait to see what else she has in store.
Booking a gig on a cruise ship can feel like you're diving into the unknown—dropping everything to live in the middle of the ocean without family, friends or cell service. But cruise jobs can also offer incredible rewards, like traveling the world for free and delving into a new style.
Is ship life the right fit for you? Here are some elements to consider.
We knew that New York downtown dance darling Okwui Okpokwasili was a big deal. Critics and audiences have been raving about her dance-theater works for years, and the new documentary about her, Bronx Gothic, has attracted the attention of the larger arts community.
But never in our wildest dreams did we imagine she'd show up in a Jay Z video, along with flex dancer Storyboard P. Though we're slightly less surprised to see Storyboard in Jay Z's "4:44" video than we were to see Okpokwasili, we're jazzed that two of our favorites are featured on such a huge platform. (We're also feeling #blessed that we didn't have to subscribe to Tidal to watch this.)
Throughout the years, choreographer Seán Curran has worked with a diverse array of talented collaborators—from Kyrgyz music ensemble Ustatshakirt Plus to the the Grammy Award–winning King's Singers. But perhaps none are as meaningful as his most recent group of co-choreographers: At-risk teens from the after school program and nonprofit The Wooden Floor.
Curran has been in residence with The Wooden Floor since June, where he's worked with students to build choreography based on their lives and communities:
Their creation will be shown July 20-22 at The Wooden Floor Studio Theatre in Santa Ana, California.
"Besides the stage, baking is my other happy place," says New York City Ballet corps member Jenelle Manzi.
Four years ago, she thought her baking days were over when she was diagnosed with gluten intolerance. Manzi had been dealing with pain, frequent illness and joint inflammation for nearly 10 years. Once she cut out gluten, Manzi gradually started to feel better, noticing a transformation in how her body felt and functioned. She found her joints were less inflamed, and she got sick less often.
New York City Ballet soloist Unity Phelan and American Ballet Theatre soloist Cassandra Trenary spend every day making their hard work look effortless and graceful both in the studio and onstage. That's exactly what makes them the perfect spokesmodels for the dance-inspired activewear line, Belle Force.
To celebrate our 90th anniversary, we excavated some of our favorite hidden gems from the DM Archives—images that capture a few of the moments in time we've documented over the decades.
This image was captured during a 1978 New York City Ballet tour that took the company to Copenhagen—home turf for Adam Luders (right), who trained at the Royal Danish Ballet School and briefly danced with the company before joining NYCB as a principal dancer in 1975. Next to Luders is (of course) George Balanchine, in conversation with ballerina Suzanne Farrell. And looking on with a smile? NYCB's current ballet master in chief Peter Martins.
On March 8, 2016, Rami Shafi found himself inspired to film an impromptu dance video of his best friend, Aaron Moses Robin, improvising on Gay St. in New York City's Greenwich Village. Thus was born Pedestrian Wanderlust, a collection of dance videos that has grown to include a monthly improv jam.
Shafi works with anyone who wants to take part in the project, filming videos in locations chosen by the dancers and later adding music. The videos are shot on Shafi's iPhone in one take and, other than the starting and ending points, are entirely improvised. The editing afterwards—including the music choice—is minimal. "I don't like to edit too much. It's just what it is," says Shafi. "I usually can do the editing on the train ride home."