Meet the Choreographer Who's Tapping Into Pop Culture–Literally
There may be six musicians playing right behind her, but in "Evolution of Tap Dance," a viral video from music group Postmodern Jukebox, tap dancer Sarah Reich is clearly the bandleader. Her transitions are seamless as she guides the band from a sultry, understated rendition of the bossa nova classic "Wave" to a hard-hitting tribute to Mark Ronson and Bruno Mars' "Uptown Funk." It's the perfect role for a budding choreographer exploring how tap can become an integral part of popular music.
The 28-year-old not only wants to help earn tap more recognition as percussive music, but also use that music to get more people excited about tap as an art form. "I want to continue to bring tap into mass media with great respect and quality," she says, focusing on "reprogramming the minds of the general public on their perception of tap dance."
She certainly has the chops to do it: The Los Angeles native has performed with Chloe Arnold's Syncopated Ladies and Jason Samuels Smith's A.C.G.I. (Anybody Can Get It), and with Melinda Sullivan, she's one half of the Sole Sisters.
On her own, she has become one of the art form's pop culture ambassadors, thanks to her appearances in videos with Postmodern Jukebox. (A Star Wars–themed tribute, "The Tap Awakens," has garnered over 1 million views on YouTube.) The comment sections on many of these videos are replete with viewers marveling at Reich's technical prowess or confessing that they have been inspired to try tap lessons.
"It's cool to get stopped on the street because people recognize you as a tap dancer—especially in Europe!" she says.
Reich is also working on an album of original music that features tap as if it were a bongo or conga drum in the band. As a Latina, she wants to reach the Latino community in particular. "I know I can bring tap to their attention by doing it to music they already know and like," she says.
With her Tap Music Project intensives in various cities, Reich teaches tappers how to dance with more musicality, communicate with musicians and write music. Using a live band in class, she instructs students on how to "scat" rhythms or transcribe choreography with rhythm notation, among other skills.
She'll be showcasing her own skills on a larger platform soon, as she finishes recording her album and filming music videos to accompany its release—which she hopes is just the beginning: "I want to be the first tap dancer to win a Grammy Award!"
You know Les Ballets Trockadero de Monte Carlo as the men who parody your favorite ballet variations—and make it look good. But there's more to the iconic troupe than meets the eye.
A new documentary, Rebels on Pointe, goes behind the scenes of the company, and it's full of juicy tidbits about what it's like to be a Trock. These were some of our favorite moments:
After 30 years of pioneering work in physically integrated dance, AXIS Dance Company co-founder Judith Smith has announced plans to retire from the Oakland, California, company. Throughout her tenure, she strived to get equal recognition for integrated dance and disabled dancers, commissioning work from high-profile choreographers like Bill T. Jones. Her efforts generated huge momentum for expanded training, choreography, education and advocacy for dancers with disabilities.
By phone from her home in Oakland, Smith reflected on how far the field has evolved since the early days of AXIS, and what's yet to be done.
You know that how you care for your body before curtain can impact your performance. But with so many factors to consider, it can be difficult to nail down an exact routine. How much rest is enough? How close to showtime should you eat? We asked the experts.
How do you make your athleisure collection stand out from the pack? Get the ultimate studio-to-street seal of approval by having dancers star in your campaign, of course.
For his second collaboration with activewear brand Carbon38, ready-to-wear designer Jonathan Simkhai traded in his usual top models like Gigi Hadid and Karlie Kloss for the original Hiplet dancers—and the resulting video is as cool as we'd expect from such a fierce collaboration.
To be honest, we never tire of watching non-dancers tackle a day in the life of the pros. From athletes to average Joes, these videos always give us a good laugh, and they remind the rest of the world that a whole lot of work goes into every dance performance you see. But often times, these dancer-for-a-day videos don't fully understand the importance of training (i.e., you can't just throw on a pair of pointe shoes and give it a go).
That's why we're especially loving this video by Refinery29 that actually gets it. Lucie Fink, host of the R29 YouTube series Lucie For Hire , got a private lesson from American Ballet Theatre principal Isabella Boylston, and it was endlessly entertaining.
Who are you when you no longer do what you've been doing for years?
It is the big question facing anyone who retires. For top ballet dancers, however, the situation is more extreme. They start young, grow up in a rarified atmosphere, mostly see only each other, and become more and more removed from ordinary life. So what is it like to give this all up?
I asked seven former principal dancers from different generations at San Francisco Ballet, including myself, about this challenge.
Again and again, dance teaches me that when the filters fall away between people—when the boundaries of geography, religion and politics soften—the beginning and end of our relationships is always human.
In March, I traveled with Keigwin + Company to Cote D'Ivoire, Ethiopia and Tunisia, on a tour sponsored by the US State Department and facilitated by DanceMotion USA/Brooklyn Academy of Music. Our mission was cultural diplomacy: Simply, to share ourselves with diverse communities, to promote common understanding and friendships.
Our last stop was Tunisia. Until that point, we had mostly been learning varieties of traditional African dance, and sharing American modern dance. But Tunisia was different. The dancers already had a solid grasp of contemporary movement invention. Though we didn't speak the same language, we could make movement vocabulary with surprising ease. Everything about our backgrounds was different, but there was this special intersection through dance that seemed to present an open door to collaboration.
Photo by Todd Rosenberg, Courtesy Joffrey Ballet.
Christopher Wheeldon's new Nutcracker for the Joffrey Ballet was huge news when it premiered last winter. The choreographer shifted the setting from the home of a well-off German family to the Chicago world's fair, making the hero the young daughter of a working-class, Polish immigrant sculptress. This month, WTTW Chicago, the city's public broadcasting station, will premiere Making a New American Nutcracker, a new documentary showing how Wheeldon and his high-profile collaborators made the magic happen. Premieres on WTTW11 and wttw.com/watch on Nov. 16 before appearing on public television stations across the country. Check your local listings.
For most dancers, walking into the theater elicits a familiar emotion that's somewhere between the reverence of stepping into a chapel and the comfort of coming home. But each venue has its own aura, and can offer that something special that takes your performance to a new level. Six dancers share which theaters have transported them the most.
GLENN ALLEN SIMS
Alvin Ailey American Dance Theater
Glenn Allen Sims in Alvin Ailey's Masekela Langage. Photo by Paul Kolnik, courtesy AAADT
Favorite theater: Teatro Real in Madrid, Spain
Royal details: "The theater is gorgeous and ornate, with deep red upholstery and gold trim. There is a huge royal box in the center, which takes you back to when kings and queens were watching performances there."
Impressive facilities: Even the dressing rooms are a sight to see: Amenities for the dancers include large, carpeted rooms, and towel service.
The business side of dance can often fall second to the art. Contracts, which usually appear after you've done the hard work of securing a job, can seem like an inconsequential afterthought. You might decide to simply sign without reading the terms—or be understandably confused by all the legalese.
Ultimately, though, contracts can play an important part in setting the expectations for your job. A basic understanding of the legal terms you might see can go a long way in making sure that signing is a positive step toward growing your career.