NYCB Brings Back Rare Favorites
Did you ever see a ballet so fascinating that you couldn't wait to see it again, only to realize it dropped out of that company's repertoire?
I've had this happen several times at New York City Ballet and found myself hungering and wondering: Where did that ballet go? When will I get a chance to see it again? Sometimes I feel like I have to wait years for it to come around again.
Sean Suozzi, Tiler Peck, Andrew Veyette and Megan LeCrone in Oltremare. Photo © Paul Kolnik
Well, this spring some of my favorite recent ballets are coming back, and it will be worth the wait. All of them were made after 1988, and some appeared only briefly before they disappeared from sight. So I am officially welcoming them back.
Here's the scoop: NYCB's fantastically ambitious Spring Season crams 50 ballets into six weeks, from April 18 to May 28. The middle four weeks are devoted to the Here/Now Festival and that's where we'll see some of these highly unusual ballets. The season also includes world premieres by (who else?) Justin Peck and Alexei Ratmansky. Those two plus Christopher Wheeldon will each have a whole program devoted to them. This is a rare tribute because a one-choreographer program is usually only accorded to the giants: Balanchine and Robbins.
The 22 choreographers and 43 ballets represented in Here/Now include Peter Martins, Pontus Lidberg and Annabelle Lopez Ochoa as well as newcomers like Robert Binet, Lauren Lovette and Myles Thatcher.
Now I'll cut to the chase—at least the chase of my personal faves. I tend to like ballets that take us off the beaten track:
- Mauro Bigonzetti's Oltremare (2008) transformed the stage into a place for immigrants to look for a home, love fiercely and fight fiercely. It gave Tiler Peck, Georgina Pazcoguin, Andrew Veyette and others a chance to hurl themselves at their partners in the most astonishing lifts. It's been out of the rep since 2009.
Sterling Hyltin and Joseph Gordon in Neverwhere, photo ©Paul Kolnik
- Every fall gala now matches up a choreographer with a fashion designer, and some of these commissions fade from memory pretty soon. But Benjamin Millepied's Neverwhere (2013) stood out as being daringly strange and super contemporary in its sculptural look. Dutch designer Iris van Herpen concocted layers of shiny black flakes that crackled when the dancers moved. Plus, she invented plastic pointe-shoe boots that made Sterling Hyltin's legs look like tentacles.
- Jorma Elo's Slice to Sharp—last seen in 2009—received an immediate standing ovation at its premiere in 2006. The dancers blazed through super complex moves punctuated with a voguing kind of flair. With its high-wattage density and speed, it's kinetically exhilarating in a way that no other NYCB choreography is.
- The oldest of all these ballets is the slinky Herman Schmerman (Pas de Deux) by William Forsythe (1992). A prototype of gender-bending for our age, it's been out of the rep for three years. I will be curious to see who can carry off the studied cool, the subtle irony and the highly stylized choreography that Wendy Whelan and Albert Evans brought to life.
Here are a couple of ballets we haven't had to wait long for, but I will be happy to see anyway:
- Pictures at an Exhibition (2014), Ratmansky's piece to Mussorgsky's famous music, did not have an overarching narrative, but each scene was evocative: the gnome, the old castle, the ballet of “unhatched chicks." It challenged dancers like Sara Mearns and Amar Ramasar to go beyond their emotional comfort zones. With a shifting backdrop of Kandinsky's Color Study: Squares with Concentric Circles, it showed how an abstract dance can be dramatically stirring.
Daniel Ulbricht, airborne, in Rodeo, photo © Paul Kolnik
- Justin Peck's Rodeo: Four Dance Episodes (2015) was deemed a hit right away. Part of the awe is that he took a super familiar piece of music, Aaron Copland's Rodeo, which was made for Agnes de Mille's landmark ballet of the same title, and completely re-envisioned it. Peck's version of Rodeo has energy, humor, masterful form and Daniel Ulbricht dashing across the stage to wake us up.
Sara Mearns, center, in Jeux, photo © Paul Kolnik
- In 2015, Danish choreographer Kim Brandstrup created a surreal version of Nijinsky's Jeux that projected an ominous feeling of danger. Sara Mearns, blindfolded and bewildered but up for a party game, finds herself entering a Kafkaesque realm of ambiguity while Adrian Danchig-Waring dribbles a basketball.
At City Ballet, Balanchine and Robbins are our old friends. The Here/Now Festival brings us new friends that we want to get to know better.
These days, it's not uncommon to see men dancing on pointe. Sure, the Trocks have been doing it forever, but now even men in traditional companies are seeing the benefits of training in pointe shoes.
And yet, we've never seen anything like this video of Houston Ballet's Hayden Stark, Derek Dunn and Daniel Durrett performing the "Shades" variations from La Bayadere on pointe. It's not a parody video or a spoof. These boys' pointework is the real deal, and we're all for it.
Your gut is a hot topic in nutrition right now. Experts say a healthy microbiome (the makeup of bacteria in our bodies) is associated with everything from a reduced risk of infection to a more efficient metabolism.
But can we actually make our inner bacterial population healthier?
For Dance Magazine's 90th anniversary issue, we wanted to celebrate the movers, shakers and changemakers who are having the biggest impact on our field right now. There were so many to choose from! But with the help of dozens of writers, artists and administrators working in dance, the Dance Magazine staff whittled the list down to those we felt are making the most difference right now.
Click through the links below to find out why they made our list.
With the first round of dancer duels complete, Jennifer Lopez and the World of Dance judges are bringing in some extra help as the competition thickens. American Ballet Theatre principal and all around dance superstar Misty Copeland will be the show's first guest judge for the July 18th and July 25th episodes.
It's our 90th anniversary! To celebrate, we excavated some of our favorite hidden gems from the DM Archives—images that capture a few of the moments in time we've documented over the decades.
We had a feeling that our ambitious list of "The Most Influential People in Dance Today" in celebration of Dance Magazine's 90th anniversary would turn some heads. But it's gotten even more attention than we'd expected.
It's not often that a magazine compilation of "movers and shakers" can be celebrated in the literal sense. But when the publication is Dance Magazine, that is of course the case.
The story mentions Dance Magazine's 1927 beginnings under the name The American Dancer, and highlights how our July issue tackled the idea of "influence" from many angles.
Thank you Adweek for the shoutout and the happy anniversary wishes!
On July 1 and 2, San Francisco audiences will encounter a performance that's an unsettling kick to our assumptions. Stephan Koplowitz has created Occupy, A site-specific journey through an urban garden to be performed by AXIS Dance Company at the Yerba Buena Gardens. This is a dance about inclusion.
As soon as we started putting together a list of the most influential people in dance today, we knew two things. By the very nature of the topic we were tackling, our final list was going to be:
1. Entirely subjective, and
2. By no means comprehensive.
We wanted to get your input and hear who else you felt should be on the list. So we asked you who we missed, and here's what you told us through email, Facebook and Twitter: