News

See the Dancers & Choreographers Who Made 'OUT' Magazine's 100 Most Influential LGBTQ People of the Year

Alvin Ailey American Dance Theater, via Instagram

OUT just released their round-up of the 100 most influential LGBTQ people of the year, and it features some familiar faces. In a list that included actors, musicians, writers and even military veterans, we were excited to see a few dance world icons included:


Kyle Abraham

via Instagram

Kyle Abraham (whose company, Abraham.In.Motion was featured on the August 2017 cover of Dance Magazine) was recognized for his unique work both as a solo artist and choreographer for his company. He told OUT that his work "speaks to experiences of isolation and longing helps audiences find a kind of commonality."

Bill T. Jones

Photo by Stephanie Berger

Bill T. Jones has been using dance to address social issues like LGBTQ rights and the AIDS crisis for over four decades. "Queer life at its best represents individual freedom in search of beauty," Jones told OUT. "I'm in search of deeper meaning in a time evermore under the shadow of fascism. Today asks me, 'What are you made of? And are you really as brave as you say you are?' "

Adam Shankman

Director, producer and author Adam Shankman told OUT, "I think all we can do is use our voices to speak our truth and stand up for ourselves and our beliefs—but we also have to listen." Having directed the film adaptations of musicals like Hairspray and Rock of Ages, Shankman is currently co-producing Step Up: High Water, a scripted drama for YouTube Red, whose leading character is a young gay black dancer.

The Alvin Ailey Dancers

Out gave a special shoutout to company members (and real-life couple) Michael Francis McBride and Samuel Lee Roberts, as well as Vernard J. Gilmore, Yannick Lebrun, Jermaine Terry and Daniel Harder. For nearly 60 years, the Alvin Ailey American Dance Theater has been breaking boundaries in dance as they tour the world with works by choreographers like Jawole Willa Jo Zollar, Talley Beatty and Twyla Tharp.

Dancers & Companies
via Rebels on Pointe

You know Les Ballets Trockadero de Monte Carlo as the men who parody your favorite ballet variations—and make it look good. But there's more to the iconic troupe than meets the eye.

A new documentary, Rebels on Pointe, goes behind the scenes of the company, and it's full of juicy tidbits about what it's like to be a Trock. These were some of our favorite moments:

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Breaking Stereotypes
AXIS's Lani Dickinson and James Bowen. Photo by Matt Evearitt, courtesy AXIS

After 30 years of pioneering work in physically integrated dance, AXIS Dance Company co-founder Judith Smith has announced plans to retire from the Oakland, California, company. Throughout her tenure, she strived to get equal recognition for integrated dance and disabled dancers, commissioning work from high-profile choreographers like Bill T. Jones. Her efforts generated huge momentum for expanded training, choreography, education and advocacy for dancers with disabilities.

By phone from her home in Oakland, Smith reflected on how far the field has evolved since the early days of AXIS, and what's yet to be done.

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Health & Body
Jim Lafferty for Pointe

You know that how you care for your body before curtain can impact your performance. But with so many factors to consider, it can be difficult to nail down an exact routine. How much rest is enough? How close to showtime should you eat? We asked the experts.

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Popular
screenshot via Jonathan Simkhai.

How do you make your athleisure collection stand out from the pack? Get the ultimate studio-to-street seal of approval by having dancers star in your campaign, of course.

For his second collaboration with activewear brand Carbon38, ready-to-wear designer Jonathan Simkhai traded in his usual top models like Gigi Hadid and Karlie Kloss for the original Hiplet dancers—and the resulting video is as cool as we'd expect from such a fierce collaboration.

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Last week, we highlighted the deliberately, hysterically bad @biscuitballerina Instagram account, created by a then-mysterious dancer with a great sense of humor. This week, the artist behind @biscuitballerina—who turns out to be Royal Ballet of Flanders corps member Shelby Williams—got in touch with us to set the record straight about the intentions of those LOL-worthy posts.

Her photos and videos, with their exaggeratedly cringe-worthy technical flaws, are NOT meant to mock amateur dancers. Instead, Williams is actually hoping the account will help all dancers move past their shortcomings and accept themselves and their dancing.

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Dancers & Companies
Quinn Wharton

Everyone knows that training is the cornerstone of a successful career in dance. But as a dance educator, I also take comfort in the fact that high-quality dance training helps shape students into genuinely good people (in addition to creating future artists, which is a wonderful goal in itself.) These are the lessons dance teaches that help make students into better humans:

Improvement Takes Commitment Over Time

In my tap courses at Cal State University, sometimes students are shocked when they can't learn something quickly. In today's world, we're used to getting fast results. You need an answer—Google it. You need to talk to someone—text them. The cooking channel wants your dinner to be easy, the physical trainer wants your workout to be five minutes, Rosetta Stone can have you speaking Mandarin in an hour.

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Breaking Stereotypes
Emily Schoen and Houcem Bouakroucha, Photo by TuniStudio

Again and again, dance teaches me that when the filters fall away between people—when the boundaries of geography, religion and politics soften—the beginning and end of our relationships is always human.

In March, I traveled with Keigwin + Company to Cote D'Ivoire, Ethiopia and Tunisia, on a tour sponsored by the US State Department and facilitated by DanceMotion USA/Brooklyn Academy of Music. Our mission was cultural diplomacy: Simply, to share ourselves with diverse communities, to promote common understanding and friendships.

Our last stop was Tunisia. Until that point, we had mostly been learning varieties of traditional African dance, and sharing American modern dance. But Tunisia was different. The dancers already had a solid grasp of contemporary movement invention. Though we didn't speak the same language, we could make movement vocabulary with surprising ease. Everything about our backgrounds was different, but there was this special intersection through dance that seemed to present an open door to collaboration.

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News

Photo by Todd Rosenberg, Courtesy Joffrey Ballet.

Christopher Wheeldon's new Nutcracker for the Joffrey Ballet was huge news when it premiered last winter. The choreographer shifted the setting from the home of a well-off German family to the Chicago world's fair, making the hero the young daughter of a working-class, Polish immigrant sculptress. This month, WTTW Chicago, the city's public broadcasting station, will premiere Making a New American Nutcracker, a new documentary showing how Wheeldon and his high-profile collaborators made the magic happen. Premieres on WTTW11 and wttw.com/watch on Nov. 16 before appearing on public television stations across the country. Check your local listings.

Dancers & Companies
Chicago's Auditorium Theater

For most dancers, walking into the theater elicits a familiar emotion that's somewhere between the reverence of stepping into a chapel and the comfort of coming home. But each venue has its own aura, and can offer that something special that takes your performance to a new level. Six dancers share which theaters have transported them the most.


GLENN ALLEN SIMS

Alvin Ailey American Dance Theater

Glenn Allen Sims in Alvin Ailey's Masekela Langage. Photo by Paul Kolnik, courtesy AAADT

Favorite theater: Teatro Real in Madrid, Spain

Royal details: "The theater is gorgeous and ornate, with deep red upholstery and gold trim. There is a huge royal box in the center, which takes you back to when kings and queens were watching performances there."

Impressive facilities: Even the dressing rooms are a sight to see: Amenities for the dancers include large, carpeted rooms, and towel service.

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Career

The business side of dance can often fall second to the art. Contracts, which usually appear after you've done the hard work of securing a job, can seem like an inconsequential afterthought. You might decide to simply sign without reading the terms—or be understandably confused by all the legalese.

Ultimately, though, contracts can play an important part in setting the expectations for your job. A basic understanding of the legal terms you might see can go a long way in making sure that signing is a positive step toward growing your career.

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