Start the New Year with Serenade
If you’re in New York or San Francisco this month, you can see the much loved ballet Serenade. This one-act ballet, made by Balanchine in 1934, treads the line between abstract and narrative with sublime choreography.
When New York City Ballet opens its Winter Season on January 20, and when San Francisco Ballet opens its first program of the year on January 27, Serenade will be on the bill. If you can, go see it. Whether it's your first time or tenth time, you are likely to go into raptures over it.
Recently the experience of watching my favorite Balanchine ballet has deepened. While reading Elizabeth Kendall’s brilliant book, Balanchine and the Lost Muse, I really connected with her hunch about the effect that the tragic death of his dancing partner, the 20-year-old Lidia Ivanova, had on his young imagination. Kendall felt that in some way he remained haunted by her mysterious drowning and that feeling showed up in his choreography.
Even if you haven’t read Kendall’s book, this ballet has so many choreographic riches within the flow of Tchaikovsky's music that you can see it many times and always find something new. OK, that’s a cliché, but what happens is that your favorite parts get imprinted in your mind’s eye while you also absorb the poetry of the transitions you never noticed before. It’s like having a comfy old quilt that, every time you look at another corner of it, reveals how beautifully one patch adjoins another.
Because Serenade is in the rep of so many companies (Pacific Northwest Ballet, Ballet San Jose, Boston Ballet, Miami City Ballet, National Ballet of Canada, the Mariinsky), Dance Magazine marked the 75th anniversary of the ballet’s premiere with this feature story in 2010: “The Secrets of Serenade.” In it, dancer-turned-writer Lisa Rinehart talks about the interior joy and spirituality of the ballet.
Keeping with the spirituality, I’ll quote Wendy Whelan, who spoke on a panel at SAB that year. Talking about performing the ballet as a student, she said, “You felt the sacredness of the most simple things that we did together.”
We will all see and/or do lots of new dances this year. But let’s take the time, before the onslaught of dance activity of 2015, to meditate on the sacredness of the simple things that make up a transcendant, enduring ballet.
Booking a gig on a cruise ship can feel like you're diving into the unknown—dropping everything to live in the middle of the ocean without family, friends or cell service. But cruise jobs can also offer incredible rewards, like traveling the world for free and delving into a new style.
Is ship life the right fit for you? Here are some elements to consider.
We knew that New York downtown dance darling Okwui Okpokwasili was a big deal. Critics and audiences have been raving about her dance-theater works for years, and the new documentary about her, Bronx Gothic, has attracted the attention of the larger arts community.
But never in our wildest dreams did we imagine she'd show up in a Jay Z video, along with flex dancer Storyboard P. Though we're slightly less surprised to see Storyboard in Jay Z's "4:44" video than we were to see Okpokwasili, we're jazzed that two of our favorites are featured on such a huge platform. (We're also feeling #blessed that we didn't have to subscribe to Tidal to watch this.)
Throughout the years, choreographer Seán Curran has worked with a diverse array of talented collaborators—from Kyrgyz music ensemble Ustatshakirt Plus to the the Grammy Award–winning King's Singers. But perhaps none are as meaningful as his most recent group of co-choreographers: At-risk teens from the after school program and nonprofit The Wooden Floor.
Curran has been in residence with The Wooden Floor since June, where he's worked with students to build choreography based on their lives and communities:
Their creation will be shown July 20-22 at The Wooden Floor Studio Theatre in Santa Ana, California.
"Besides the stage, baking is my other happy place," says New York City Ballet corps member Jenelle Manzi.
Four years ago, she thought her baking days were over when she was diagnosed with gluten intolerance. Manzi had been dealing with pain, frequent illness and joint inflammation for nearly 10 years. Once she cut out gluten, Manzi gradually started to feel better, noticing a transformation in how her body felt and functioned. She found her joints were less inflamed, and she got sick less often.
New York City Ballet soloist Unity Phelan and American Ballet Theatre soloist Cassandra Trenary spend every day making their hard work look effortless and graceful both in the studio and onstage. That's exactly what makes them the perfect spokesmodels for the dance-inspired activewear line, Belle Force.
To celebrate our 90th anniversary, we excavated some of our favorite hidden gems from the DM Archives—images that capture a few of the moments in time we've documented over the decades.
This image was captured during a 1978 New York City Ballet tour that took the company to Copenhagen—home turf for Adam Luders (right), who trained at the Royal Danish Ballet School and briefly danced with the company before joining NYCB as a principal dancer in 1975. Next to Luders is (of course) George Balanchine, in conversation with ballerina Suzanne Farrell. And looking on with a smile? NYCB's current ballet master in chief Peter Martins.
On March 8, 2016, Rami Shafi found himself inspired to film an impromptu dance video of his best friend, Aaron Moses Robin, improvising on Gay St. in New York City's Greenwich Village. Thus was born Pedestrian Wanderlust, a collection of dance videos that has grown to include a monthly improv jam.
Shafi works with anyone who wants to take part in the project, filming videos in locations chosen by the dancers and later adding music. The videos are shot on Shafi's iPhone in one take and, other than the starting and ending points, are entirely improvised. The editing afterwards—including the music choice—is minimal. "I don't like to edit too much. It's just what it is," says Shafi. "I usually can do the editing on the train ride home."