The contemporary queen is taking on the most famous kickline in the world.
When you’ve launched your own company, become a three-time Emmy Award winner from your work on “So You Think You Can Dance” and choreographed a hit Broadway musical, what would you pursue next? Most people would think “A vacation.” But this summer, Mia Michaels will make her directorial debut as the director and choreographer of the New York Spectacular starring the Radio City Rockettes, a revamped version of last year’s New York Spring Spectacular.The show runs June 15–August 7 at Radio City Music Hall.
You choreographed the opening number of the Spring Spectacular. Now you’re running the whole show.
I’m getting my first official director credit—it’s really exciting! I’ve wanted to direct for a long time, and it’s happening. This show is huge. It’s a beast. But that’s perfect for me. I don’t start small, apparently.
What is your vision for this show?
The Rockettes have been around for more than 85 years and now they’re putting themselves into my hands. That’s golden. We’re creating this spectacle and making beautiful eye candy for the viewers. There will absolutely still be kicklines—that will never go away! But I’m excited to breathe fresh energy into it. My goal is to bring a Mia vocabulary into the Rockette world, and really marry the two. When a brand is this iconic, you don’t want to change it—it’s iconic for a reason. I’m protecting this little nugget while playing around with all the gravy that surrounds it.
What is the new story about?
It’s a magical journey through New York City, told through the eyes of a child, so it brings that fantastical quality of what New York can be. There’s a lot of dance, a lot of leg and a lot of original music. I’m bringing on a group of male ensemble dancers, so that’s a big change. The movement is all over the map, from the classic Rockette rep to more contemporary flavors. Not only do the dancers have to do Rockette material, they also have to do the physical and technical Mia work.
What are some of the challenges you’re facing as a director?
It’s so different from just choreographing because you have your eye on every team and every department. You’re looking at everything from the colors to the lights to the videos to the music. As a choreographer, you’re in your own pocket. As a director, you’re in every pocket.
Do you have any other projects in the works?
I wrote a book—an instructional inspirational memoir, if that makes any sense—called A Unicorn in a World of Donkeys. Everyone is always trying to look the same, be the same. This is about challenging yourself to stand out and celebrate it. It has a lot of stories from my life and career, but it’s not just for dancers. I’m also working on “Mia Michaels Live,” which is an online mentorship program for artists, dancers, choreographers and teachers. As I get older, I realize how much I needed a mentor when I was younger. Now it’s my turn to be a mentor—to be Mama Mia.
Any chance we’ll be seeing you on this season of “So You Think You Can Dance”?
Oh, I don’t know! I have no idea! But never say never. That brand is a big part of my life, so if Nigel [Lythgoe] wanted me to come back, I would definitely do it if the time was right.