10 Minutes With...
Simkin and Mack in costume for Pas de Duke. Photo by Jade Young, Courtesy YAGP.
If any two dancers could generate the buzz of Judith Jamison and Mikhail Baryshnikov, the original couple in Alvin Ailey’s flirtatious Pas de Duke, it might be Ailey’s own Alicia Graf Mack and American Ballet Theatre principal Daniil Simkin. The duo will bridge the worlds of ballet and modern dance—as Ailey intended when he made the duet in 1976—at the Youth America Grand Prix gala, April 10 at Lincoln Center. Siobhan Burke caught up with Mack and Simkin while rehearsals were well underway.
How did you end up dancing this piece together?
Daniil Simkin: I actually suggested it to Larissa Saveliev, the co-founder of YAGP, and she was like, Totally, we’re going to make this work, and I want you to partner Alicia.
Why did you suggest it?
DS: I’m always looking for new things to try. It’s a challenge, because, I mean, it’s Ailey, it’s an iconic piece, and especially because Mikhail Baryshnikov and Judith Jamison first danced it.
What’s challenging about it?
Alicia Graf Mack: While it’s very dance-y and jazzy, it’s still extremely technical. So you can have a good time, but you’re thinking, Okay, I gotta execute this. Also, it was designed to be a play on the classical pas de deux, but it’s not supposed to be a satire; it’s not supposed to be funny. That’s a challenge, because you have to walk a thin line between entertainment and comedy.
DS: It shouldn’t look cheesy or cheap.
AGM: Yeah. Class. All class.
Coming from different companies and backgrounds, how is dancing with each other?
AGM: It’s been amazing to watch Daniil in the studio because I’ve admired him onstage and in YouTube clips. His work ethic is incredible. I told him at the end, “You’re like a sponge! You soak it all in so quickly.”
DS: I have a lot to learn. The first series of hip rolls is my favorite step. It might be the simplest in the whole piece, but for me, it’s the hardest. When Baryshnikov danced it, he said that he felt like a cow on ice. The groundedness, the use of the hips. It’s a different kind of coordination. So I watch Alicia not to imitate her, but to really get at what she’s doing and make it my own.
What is it like to perform at a YAGP gala?
DS: The kids are so enthusiastic. There’s a lot of screaming [laughs]. Sometimes it’s like there’s a storm coming.
AGM: The first time I did a YAGP gala I was starstruck, just looking around and thinking, I can’t believe I’m taking class and performing with these people I’ve admired for so long. Like, Wow, I feel like I’ve arrived.
What do Percy Jackson, Princess Diana and Tina Turner have in common? They're all characters on Broadway this season. Throw in Michelle Dorrance's choreographic debut, Henry VIII's six diva-licious wives and the 1990s angst of Alanis Morissette, and the 2019–20 season is shaping up to be an exciting mix of past-meets-pop-culture-present.
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If you think becoming a trainee or apprentice is the only path to gaining experience in a dance company environment, think again.
The University of Arizona, located in the heart of Tucson, acclimates dancers to the pace and rigor of company life while offering all the academic opportunities of a globally-ranked university. If you're looking to get a head-start on your professional dance career—or to just have a college experience that balances company-level training and repertory with rigorous academics—the University of Arizona's undergraduate and graduate programs have myriad opportunites to offer:
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
Ah, stretching. It seems so simple, and is yet so complicated.
For example: You don't want to overstretch, but you're not going to see results if you don't stretch enough. You want to focus on areas where you're tight, but you also can't neglect other areas or else you'll be imbalanced. You were taught to hold static stretches growing up, but now everyone is telling you never to hold a stretch longer than a few seconds?
Considering how important stretching correctly is for dancers, it's easy to get confused or overwhelmed. So we came up with 10 common stretching scenarios, and gave you the expert low-down.