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2017 Dance Magazine Awards
The Dance Magazine Awards recognize outstanding men and women whose contributions have left a lasting impact on dance. The tradition dates back to 1954. Celebrate this years awardees at the 2017 Dance Magazine Awards on December 4th at 7:30pm in New York City:
For the first time ever, the proceeds from the awards ceremony will go to The Harkness Foundation for Dance to create a new grant for choreographers in their first decade of our work. It's our way of not only honoring those who have made dance what it is today, but investing in artists who will help shape what it becomes tomorrow.
To purchase tickets, please email firstname.lastname@example.org or call (212) 979-4872. Performance and post-awards cocktail party tickets are $250. Performance-only tickets are $50. Opportunities to participate at a leadership level of $1,000 are available and include a VIP pre-performance champagne reception.
***** FOR IMMEDIATE RELEASE *****
Contact: Nicole Buggé
Dance Media Publications, LLC
Dance Magazine is pleased to announce that the annual Dance Magazine Awards, the most prestigious awards event in dance, will make the Harkness Foundation for Dance the beneficiary of the proceeds from the event, which will be held on Monday, December 4, at the Ailey Citigroup Theater (405 West 55th Street) in Manhattan. The Harkness Foundation for Dance, a leading donor to dance, will in turn designate the proceeds to a newly created award to assist choreographers in their first decade of professional work.
''I am thrilled that we are able, in partnership with the Harkness Foundation, to provide tangible support to the dance community. I could think of no better way to leverage the power of Dance Magazine, now celebrating its 90th anniversary.''—Frederic M. Seegal, owner and CEO, Dance Media Publications, LLC
The Dance Magazine Awards recognize outstanding men and women whose contributions have left a lasting impact on dance. The tradition dates back to 1954. The new Harkness Promise Award seeks to shine a light on the other end of the spectrum, recognizing emerging young artists for the promise of their artistic work, and also for their innovative thinking about how to be an effective artist-citizen who positively impacts dance and the broader community through performance, education, organization, activism or other means. From 1986 to the present, the Harkness Foundation has contributed over $30 million to more than 560 organizations across the industry.
The Harkness Promise Award will include a $5,000 unrestricted grant, up to 40 hours of studio space within the grant year, and ongoing consulting and mentorship with Joan Finkelstein, the foundation's executive director. A performance project may result from this support, but is not a condition of the award. The first recipient(s) will be announced in June 2018.
"The Harkness Foundation for Dance is honored to partner with the dance field's indisputable magazine of record, Dance Magazine. The Foundation is excited about this new initiative, which will extend our ability to support the future of the dance field.'' —Joan Finkelstein, Executive Director, The Harkness Foundation for Dance
The winners of the 60th annual Dance Magazine Awards will be announced in the October 2017 issue of Dance Magazine. To facilitate the success of the awards event and fundraising for the Harkness Promise Award, a gala committee is in formation.
Tickets to the performance and post-awards cocktail party and buffet are $250. Opportunities to participate at a leadership level of $1,000 are available and include a VIP pre-performance champagne reception. Performance-only tickets are $50. To order, email email@example.com or call 212-979-4872.
About Dance Magazine:
For 90 years, Dance Magazine has provided insight and practical information, as well as news, interviews and beautiful, original photography. Dance Magazine illuminates the art form on a global scale, often breaking ground with fiercely personal accounts of life as a dancer. Dance Magazine is published by Dance Media Publications, LLC, whose properties also include: Dance Spirit®, Dance Teacher®, Pointe® and Dance Retailer NewsTM, plus associated websites and apps.
About The Harkness Foundation for Dance:
The Harkness Foundation for Dance is a private grant-making foundation dedicated to invigorating and supporting the dance art-form, predominantly in New York City. Since 1959, the Harkness name has been synonymous with dance philanthropy. The Foundation carries forward the lifelong dedication to the dance art form of the great American dance patron Rebekah Harkness. Over many decades, this support has taken the form of funding, rehearsal and theater space, technical assistance, and guidance—an unrivaled legacy that has touched countless dance artists and companies in all dance styles and genres. With a broad focus that spans dance creation, presentation, education, medicine and other vital services to the dance field, from 1986 to the present the Harkness Foundation has contributed over $30 million to more than 560 organizations across the industry. For more information: harknessfoundation.org
For decades the name Alicia Alonso has been virtually synonymous with Ballet Nacional de Cuba, the company she co-founded in Havana in 1948. Alonso died on October 17, just shy of what would have been her 99th birthday. In recent years, she had stepped back from day-to-day decision-making in the company. As if preparing for the future, in January, the company's leading ballerina, 42-year-old Viengsay Valdés, was named deputy director, a job that seems to encompass most of the responsibilities of a traditional director. Now, presumably, she will step into her new role as director of the company. Her debut as curator of the repertory comes in November, when the troupe will perform three mixed bills selected by her at the Gran Teatro de la Habana Alicia Alonso. The following has been translated from a conversation conducted in Spanish, Valdés' native tongue.
"The show must go on" may be a platitude we use to get through everything from costume malfunctions to stormy moods. But when it came to overcoming a literal hurricane, Houston Ballet was buoyed by this mantra to go from devastated to dancing in a matter of weeks—with the help of Harlequin Floors, Houston Ballet's longstanding partner who sprang into action to build new floors in record time.
New York City Ballet principal Sara Mearns wasn't sure she was strong enough. A ballerina who has danced many demanding full-length and contemporary roles, she was about to push herself physically more than she thought was possible.
"I said, 'I can't. My body won't,' " she says. "He told me, 'Yes, it will.' "
She wasn't working with a ballet coach, but with personal trainer Joel Prouty, who was asking her to do squats with a heavier barbell than she'd ever used.
Her Dying Swan was as fragile as her Juliet was rebellious; her Odile, scheming, her Swanilda, insouciant. Her Belle was joyous, and her Carmen, both brooding and full-blooded. But there was one role in particular that prompted dance critic Arnold Haskell to ask, "How do you interpret Giselle when you are Giselle?"
At eight, Alicia Alonso took her first ballet class on a stage in her native Cuba, wearing street clothes. Fifteen years later, put in for an ailing Alicia Markova in a performance of Giselle with Ballet Theatre, she staked her claim to that title role.
Alonso received recognition throughout the world for her flawless technique and her ability to become one with the characters she danced, even after she became nearly blind. After a career in New York, she and her then husband Fernando Alonso established the Cuban National Ballet and the Cuban National Ballet School, both of which grew into major international dance powerhouses and beloved institutions in their home country. On October 17, the company announced that, after leading the company for a remarkable 71 years, Alonso died from cardiovascular disease at the age of 98.
William Forsythe is bringing his multi-faceted genius to New York City in stripped down form. His "Quiet Evening of Dance," a mix of new and recycled work now at The Shed until October 25, is co-commissioned with Sadler's Wells in London (and a slew of European presenters).
As always, Forsythe's choreography is a layered experience, both kinetic and intellectual. This North American premiere prompted many thoughts, which I whittled down to seven.
"Law & Order: SVU" has dominated the crime show genre for 21 seasons with its famous "ripped from the headlines" strategy of taking plot inspiration from real-life crimes.
So viewers would be forgiven for assuming that the new storyline following the son of Mariska Hargitay's character into dance class originated in the news cycle. After all, the mainstream media widely covered the reaction to Lara Spencer's faux pas on "Good Morning America" in August, when she made fun of Prince George for taking ballet class.
But it turns out
, the storyline was actually the idea of the 9-year-old actor, Ryan Buggle, who plays Hargitay's son. And he came up with it before Spencer ever giggled at the word ballet.