Brandon Stengel, Courtesy Tu Dance

25 to Watch 2018: Alanna Morris-Van Tassel

In a quietly explosive solo embedded in Uri Sands' Matter, Alanna Morris-Van Tassel epitomized the grace and openness for which TU Dance is acclaimed. Wrapped in the American flag, she infused her twists and reaches, bound hands and open-armed vulnerability with a spring-loaded legacy of ancestral grief and personal gratitude before her hunched body detonated in heart-wrenching spasms of release.


Kari Mosel, courtesy Tu Dance

Morris-Van Tassel, who left TU Dance in the fall to embark on a solo career, is also intimately familiar with African diasporic dance traditions, including orisha dance from Trinidad. (Her mother is originally from Trinidad and Tobago.) She's currently building a project that will include solos created for her by Trinidadian choreographer Jamie Philbert (director of Art on Purpose, where Morris-Van Tassel was the artist-in-residence last year) and Israeli choreographer Idan Sharabi (commissioned as part of her 2015 McKnight Dance Fellowship).

Her depth of commitment includes workshops in community spaces and public schools. Wherever you find her, Morris-Van Tassel embodies the power of dance to create deep and lasting connections where words cannot.


Find out who else made Dance Magazine's "25 to Watch" list this year.

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Clockwise from top left: Photo by Loreto Jamlig, Courtesy Ladies of Hip-Hop; Wikimedia Commons; Photo by Alexander Iziliaev, Courtesy Pennsylvania Ballet; Natasha Razina, Courtesy State Academic Mariinsky Theatre; Photo by Will Mayer for Better Half Productions, Courtesy ABT

The 10 Biggest Dance Stories of 2019

What were the dance moments that defined 2019? The stories that kept us talking, week after week? According to our top-clicked articles of the year, they ranged from explorations of dance medicine and dance history, takedowns of Lara Spencer and companies who still charge dancers to audition, and, of course, our list of expert tips on how to succeed in dance today.

We compiled our 10 biggest hits of the year, and broke down why we think they struck a chord:

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Christopher Duggan, Courtesy Nichols

I Am a Black Dancer Who Was Dressed Up in Blackface to Perform in La Bayadère

On Instagram this week, Misty Copeland reposted a picture of two Russian ballerinas covered head to toe in black, exposing the Bolshoi's practice of using blackface in the classical ballet La Bayadère. The post has already received over 60,000 likes and 2,000 comments, starting a long overdue conversation.

Comments have been pouring in from every angle imaginable: from history lessons on black face, to people outside of the ballet world expressing disbelief that this happens in 2019, to castigations of Copeland for exposing these young girls to the line of fire for what is ultimately the Bolshoi's costuming choice, to the accusations that the girls—no matter their cultural competence—should have known better.

I am a black dancer, and in 2003, when I was 11 years old, I was dressed up in blackface to perform in the Mariinsky Ballet's production of La Bayadère.

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Here's the First Trailer for the "In the Heights" Movie

Lights up on Washington Heights—because the trailer for the movie adaptation of the hit Broadway musical In the Heights has arrived. It's our first look into Lin-Manuel Miranda's latest venture into film—because LMM isn't stopping at three Tony awards, a Grammy award, and an Emmy.

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