Angelo Greco and Natasha Sheehan in Myles Thatcher's Foragers. Photo by Erik Tomasson, Courtesy SFB.

25 to Watch 2018: Angelo Greco

Vibrant, dazzling, a little bit dangerous: Angelo Greco is a firecracker. He pushes his breathtaking jumps and turns to the very edge of control, yet imbues each step with lyrical musicality and sensitive emotion. Those qualities, along with a boyish mop of curls, made Greco an instant audience favorite when he joined San Francisco Ballet from La Scala as a soloist in 2016. A frequent partner for prima ballerina Maria Kochetkova, he was promoted to principal in 2017—and he's just 22.


The Sardinian-born, La Scala–trained Greco has also made a mark on the international scene, winning the 2016 Erik Bruhn Prize in Toronto. "He always dances full-out, with feeling," says his Bruhn partner and co-winner, SFB corps member Natasha Sheehan. "With Angelo, there is no such thing as marking." Whatever the role, from the Swan Lake pas de trois to Alexei Ratmansky's Seven Sonatas to the title role in Balanchine's Prodigal Son, he dances like a star.


Find out who else made Dance Magazine's "25 to Watch" list this year.

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Courtesy Esse

What It Was Like When Ruth Bader Ginsburg Was in the Audience—or Backstage

The 27 years that Ruth Bader Ginsburg spent on the U.S. Supreme Court were 27 years that she spent as one of Washington, D.C.'s most ardent, elegant and erudite supporters of the performing arts. The justice, who died on September 18 of metastatic cancer, was also an avid cultural tourist, traveling to the Santa Fe and Glimmerglass operas nearly every summer, as well as occasionally returning to catch shows in her native New York City.

Ginsburg's opera fandom was well known, but her tastes were wide-ranging. Particularly in the last 10 years of her life, after Ginsburg lost her beloved husband, Marty, it was not unusual for the petite justice and her security detail to be spotted at theaters several nights a week. She saw everything, from classic musicals to serious new plays, plus performances that defied classification, like Martha Clarke's dance drama Chéri, with Alessandra Ferri and Herman Cornejo, which toured to the Kennedy Center in 2014.

To honor Ginsburg, Dance Magazine asked three dance artists whose performances the justice attended to recall what Ginsburg meant to them.

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