Watching Connie Shiau dance feels uncannily similar to watching a cat attack its prey. She'll stealthily draw out a movement, building suspension, then charge into the next phrase so fast that you never even see how she got from point A to B.
But this Abraham.In.Motion dancer offers much more than just playful musicality. Although she's only 28, Shiau delivers the kind of complex performances that artists typically only develop through years of digging deep inside their souls. With her intense inner focus, you feel her making choices right in the moment onstage, and you can't help but be mesmerized, wondering what she might decide to do, where she might decide to go next.
Essential oils sometimes get a bad rap.Between the aggressive social media marketing for the products and the sometimes magical-sounding claims about their healing properties, it's easy to forget what they can actually do.But if you look beyond the pyramid schemes and exaggerations, experts believe they have legit benefits to offer both mind and body.
How can dancers take advantage of their medicinal properties? We asked Amy Galper, certified aromatherapist and co-founder of the New York Institute of Aromatic Studies:
Karen Azenberg, a past president of the Stage Directors and Choreographers Society, stumbled on something peculiar before the union's 2015 move to new offices: a 52-year-old sealed envelope with a handwritten note attached. It was from Agnes de Mille, the groundbreaking choreographer of Oklahoma! and Rodeo. De Mille, a founding member of SDC, had sealed the envelope with gold wax before mailing it to the union and asking, in a separate note, that it not be opened. The reason? "It is the outline for a play, and I have no means of copyrighting…The material is eminently stealable."