Bozeman (left) in Rennie Harris' Exodus. Photo by Paul Kolnik, Courtesy Ailey

25 to Watch 2018: Jeroboam Bozeman

It's the contrasts that set Jeroboam Bozeman apart. In a New York minute, his movements may jump from sharp and distinct to gracefully fluid. Bozeman defies labels; you're not sure if you're watching a ballet dancer, a modern dancer or (one of his favorite styles) a West African dancer.

Equally impressive is his offstage persistence: He auditioned for Alvin Ailey American Dance Theater five times before he was offered a place in Ailey II. A year later, in 2013, he finally joined the main company.

He describes dancing as "liberating," a quality evident when he's onstage—he's so present that you wish you were up there with him. "The more honest I am in my dancing," he says, "the more relatable it will be to people."


Find out who else made Dance Magazine's "25 to Watch" list this year.

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Bradford Chin. Photo by Pat Berrett, Courtesy Chin

Watching the Dance World Return, Without Me

Sitting on a quiet South Carolina beach this month, I felt something I hadn't felt in many months: the desire to move. I tried single-leg balances, some basic floorwork, headstands…formerly easy things that I now couldn't quite do. Stunned and emotionally spiraling, I sat in the sand and let it all wash over me; it wasn't until this moment that I finally reflected on what I had lost to the ongoing COVID-19 pandemic.

GO DEEPER SHOW LESS
July 2021