McCowan and Carr in Postmodern Jukebox's "Sunday Morning" video. Screenshot via YouTube.
Taking cues from old-Hollywood legends like Fred Astaire and Gene Kelly, tap duo Kelsey McCowan and Caley Carr have become known for their smooth, effortless and highly stylized movement reminiscent of a bygone era. However, their work is anything but dated, thanks to crystal-clear sounds and incredibly intricate, rhythmic footwork. "We always think, Why try to do what everyone else is doing, when what we do makes us happy?" says McCowan.
That uniqueness has certainly paid off. The duo has contributed tap choreography for Derek Hough that has been featured on "Dancing with the Stars," "Good Morning America," The Wonderful World of Disney: Magical Holiday Celebration and the Move Live tour with his sister, Julianne. They had their work performed on "The Tonight Show Starring Jimmy Fallon" and coached Bette Midler for her Tony Award–winning performance in Broadway's Hello, Dolly! revival. McCowan also recorded tap sounds for La La Land and was a contributing choreographer for Derek Hough's Emmy-nominated "DWTS" performance "Kairos." Hollywood, it seems, is their oyster.
Essential oils sometimes get a bad rap.Between the aggressive social media marketing for the products and the sometimes magical-sounding claims about their healing properties, it's easy to forget what they can actually do.But if you look beyond the pyramid schemes and exaggerations, experts believe they have legit benefits to offer both mind and body.
How can dancers take advantage of their medicinal properties? We asked Amy Galper, certified aromatherapist and co-founder of the New York Institute of Aromatic Studies:
Karen Azenberg, a past president of the Stage Directors and Choreographers Society, stumbled on something peculiar before the union's 2015 move to new offices: a 52-year-old sealed envelope with a handwritten note attached. It was from Agnes de Mille, the groundbreaking choreographer of Oklahoma! and Rodeo. De Mille, a founding member of SDC, had sealed the envelope with gold wax before mailing it to the union and asking, in a separate note, that it not be opened. The reason? "It is the outline for a play, and I have no means of copyrighting…The material is eminently stealable."