Kawashima in rehearsal. Photo courtesy Tulsa Ballet

25 to Watch 2018: Maine Kawashima

In a crowded company class at Tulsa Ballet, Maine Kawashima stands out, and not just because of her tiny size. (She's 4'11".) The 22-year-old corps de ballet member is fiercely focused, repeating combinations over and over again with tireless determination. Once class is over, she keeps going, whipping out fouettés.

"She is a technical wizard," says artistic director Marcello Angelini. "But she's also a sensitive and versatile dancer."


Kawashima, who was born in Japan but trained in the U.S., is only a third-year corps member, but she's already a favorite among visiting choreographers. During the company's recent Creations in Studio K program, Kawashima had first-cast featured roles in all three premieres.

Onstage, her almost brutish work ethic allows for utter freedom, whether as a soulful, searching loner in Annabelle Lopez Ochoa's Shibuya Blues; the lone woman among a posse of tough suits in Young Soon Hue's If; or an assertive demi-soloist in Helen Pickett's abstract Meòul. Her steely technique allows her to fearlessly plunge into movement without sacrificing grace or intention—a choreographer's dream, indeed.


Find out who else made Dance Magazine's "25 to Watch" list this year.

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Courtesy Ava Noble

Go Behind the Scenes of USC Kaufman’s Virtual Dance Festival

Now more than ever, the students of USC Glorya Kaufman School of Dance are embodying their program's vision: "The New Movement."

As the coronavirus pandemic stretches on, the dance world continues to be faced with unprecedented challenges, but USC Kaufman's faculty and BFA students haven't shied away from them. While many schools have had to cancel events or scale them back to live-from-my-living-room streams, USC Kaufman has embraced the situation and taken on impressive endeavors, like expanding its online recruitment efforts.

November 1 to 13, USC Kaufman will present A/Part To/Gather, a virtual festival featuring world premieres from esteemed faculty and guest choreographers, student dance films and much more. All semester long, they've rehearsed via Zoom from their respective student apartments or hometowns. And they haven't solely been dancing. "You have a rehearsal process, and then a filming process, and a production process of putting it together," says assistant professor of practice Jennifer McQuiston Lott of the prerecorded and professionally edited festival.

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