25 to Watch 2018: Raven Barkley
Surrounded by 10 male dancers, Charlotte Ballet's Raven Barkley holds her own in a thrilling grand allégro combination filled with jumps, beats and tours en l'air. In the "Winter" section of Sasha Janes' The Four Seasons, she matches the electrifying intensity of Antonio Vivaldi's music.
Athleticism is Barkley's calling card. It's what Janes says landed her the "Winter" lead in her first season with Charlotte Ballet. But beyond her ballon, Barkley's dancing possesses deep fluidity and musicality, as seen in another of Janes' ballets, Last Lost Chance. In an emotional solo, she spins like a slow-moving mobile, projecting a sense of yearning that cuts to the quick.
Before joining Charlotte Ballet in 2015, the 24-year-old Bronx native trained at Dance Theatre of Harlem's pre-professional program, and graduated summa cum laude with a BFA in dance from SUNY Purchase. Sure to be a magnet for other choreographers and répétiteurs coming to work with the company, the focused and driven Barkley says, "Every day I find something different to work on to improve."
There's always been something larger than life about choreographer Mark Morris. Of course, there are the more than 150 works he's made and that incisive musicality that makes dance critics drool. But there's also his idiosyncratic, no-apologies-offered personality, and his biting, no-holds-barred wit. And, well, his plan to keep debuting new dances even after he's dead.
So it should come as little surprise that his latest distinction is also a bit larger than life: The New York Landmarks Conservancy is adding Morris to its list of "Living Landmarks."
"The show must go on" may be a platitude we use to get through everything from costume malfunctions to stormy moods. But when it came to overcoming a literal hurricane, Houston Ballet was buoyed by this mantra to go from devastated to dancing in a matter of weeks—with the help of Harlequin Floors, Houston Ballet's longstanding partner who sprang into action to build new floors in record time.
Paul Taylor's Post Meridian was last performed 30 years ago, which is well before any of the company's current dancers joined Paul Taylor Dance Company. In fact, it's before some of the dancers were even born. Every step and extreme angle of the body in the dream-like world of the 1965 work will be fine-tuned in the studio for PTDC's upcoming Lincoln Center season. However, the Taylor archive is where Post Meridian began for Eran Bugge.
Philadelphia's Pew Center for Arts & Heritage announced its 2019 grantees Monday evening, and the list included a couple of familiar names: Dinita Clark and David Gordon.