We're not saying that we called it, but...okay we did. The 2016 Tony Awards were last night, and Hamilton swept up 11 of 13 possible awards, including Best Musical and Best Choreography for Andy Blankenbuehler. The smash hit was nominated for 16 awards, but with multiple nods in some categories.

However, even though it was inarguably Hamilton's night, other dance-heavy shows got to have their say in performances throughout the evening. Here are some of our favorite moments.

The infectious energy brought by On Your Feet!  Choreographer Sergio Trujillo had the ensemble moving nonstop to a medley of Gloria Estafan's pop hits that feature in the musical. The dancers were fantastic in the high-speed, Cuban inspired partnering, but a pair of young boys absolutely stole the show with huge smiles that were not at all affected by their absurdly quick footwork. They even managed to get Hamilton's Lin-Manuel Miranda on his feet down in the first row.

 

Fiddler on the Roof reminding us of why Hofesh Shechter was nominated. If anyone still had doubts about the contemporary choreographer taking on a Broadway show, they were erased last night. The dancing in the wedding celebrations is fantastic—rhythmically surprising, beautifully detailed, exciting to watch and seamlessly fitting into the world of Fiddler.

The entire cast of Shuffle Along showing off their tap skills. Honestly, how can you pick just one favorite moment from this performance? Savion Glover took home a Drama Desk Award for his choreography, and any other year he probably would have snagged the Tony as well. From a line of chorus girls to a series of jaw-dropping soloists to the rest of the ensemble, every single person onstage brought fantastic energy and technical chops to the floor. Do yourself a favor and watch the entire performance.

The cast of Spring Awakening making us wonder why Spencer Liff wasn't nominated for Best Choreography. It takes a considerable amount of skill to sign a song using American Sign Language in a way that reflects not just the words but the meaning and emotion behind them (while being musical, to boot), and the hearing and deaf actors in the cast of Spring Awakening have talent in spades. Major kudos to Liff for integrating choreography and sign language in such a way that the signing was perfectly legible while feeling like a natural extension of the choreography and music.

Hamilton. Really, what else is there to say? It's no secret that we—and pretty much everyone we know—love this musical, even though this live broadcast is probably the closest most of us will get to seeing it. The cast is phenomenal, doing battle with invisible bayonets (they nixed the usual prop guns in light of the events that took place in Orlando yesterday) or falling into formation, changing qualities at the drop of a hat without losing an ounce of the determined conviction that characterizes the show.

If you want to hear from the fantastic ensemble of Hamilton about how they pull it off, grab our June issue!

It's anyone's guess as to what shape next year's biggest Broadway hits will take, but with works as stylistically different and undeniably innovative as these currently calling the Great White Way home, it seems like absolutely anything is possible.

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Clockwise from top left: Photo by Loreto Jamlig, Courtesy Ladies of Hip-Hop; Wikimedia Commons; Photo by Alexander Iziliaev, Courtesy Pennsylvania Ballet; Natasha Razina, Courtesy State Academic Mariinsky Theatre; Photo by Will Mayer for Better Half Productions, Courtesy ABT

The 10 Biggest Dance Stories of 2019

What were the dance moments that defined 2019? The stories that kept us talking, week after week? According to our top-clicked articles of the year, they ranged from explorations of dance medicine and dance history, takedowns of Lara Spencer and companies who still charge dancers to audition, and, of course, our list of expert tips on how to succeed in dance today.

We compiled our 10 biggest hits of the year, and broke down why we think they struck a chord:

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Christopher Duggan, Courtesy Nichols

I Am a Black Dancer Who Was Dressed Up in Blackface to Perform in La Bayadère

On Instagram this week, Misty Copeland reposted a picture of two Russian ballerinas covered head to toe in black, exposing the Bolshoi's practice of using blackface in the classical ballet La Bayadère. The post has already received over 60,000 likes and 2,000 comments, starting a long overdue conversation.

Comments have been pouring in from every angle imaginable: from history lessons on black face, to people outside of the ballet world expressing disbelief that this happens in 2019, to castigations of Copeland for exposing these young girls to the line of fire for what is ultimately the Bolshoi's costuming choice, to the accusations that the girls—no matter their cultural competence—should have known better.

I am a black dancer, and in 2003, when I was 11 years old, I was dressed up in blackface to perform in the Mariinsky Ballet's production of La Bayadère.

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Here's the First Trailer for the "In the Heights" Movie

Lights up on Washington Heights—because the trailer for the movie adaptation of the hit Broadway musical In the Heights has arrived. It's our first look into Lin-Manuel Miranda's latest venture into film—because LMM isn't stopping at three Tony awards, a Grammy award, and an Emmy.

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