Who's the Better Dancer: Ryan Gosling or Emma Stone? Mandy Moore Spills.
If you've seen the smash sensation La La Land, then you've seen the work of choreographer Mandy Moore. She is the brains behind the dance scenes in the Oscar-nominated film, as well as a choreographer on TV and film sets like "Dancing with the Stars," "So You Think You Can Dance," Silver Linings Playbook and more.
When asked how she first got involved with the romantic movie musical, Moore said, “Funnily enough, it was not very romantic." She went in for an interview with director Damien Chazelle, and it lasted two hours. “I did my homework, came in with ideas and my references, and I got the job." Speaking from her home in Los Angeles, she shared what she looks for in a dancer, advice on making a career as a choreographer and her thoughts on whether Ryan Gosling or Emma Stone is the better dancer.
Was the response to the film a surprise?
When we were filming, I thought it was something special, but you never know. It's this thing of, well, I hope people like what we just put our heart and soul into. Then I went to the Venice Film Festival, and after the film people stood up and were clapping for twenty minutes. At that point, I thought: Oh my god, people like this. And the Oscars morning was pretty crazy.
Still from La La Land featuring Emma Stone and Ryan Gosling. PC Dale Robinette.
How much time did you have to choreograph, and what was the process like?
I was brought on very early. I started initial prep work long before pre-production. Once Ryan and Emma signed on, it was about 4-6 weeks that I trained them privately, working out vocabulary and creating the skeleton of the numbers. Once the official pre-production started, there were another 4-6 weeks when Ryan and Emma were learning the choreography.
Who's the better dancer, Emma Stone or Ryan Gosling?
They are very different dancers. Emma picks up choreography very quickly, and there's a quirky and charming feel to her movements. Ryan didn't pick it up as quickly, but he always had so much style, swag and texture when he moved. So they were a funny little complement. Neither is a perfect dancer; they weren't supposed to be. I liked the way they took on the challenge.
What was the rehearsal process like for that epic opening scene?
Still from the opening scene of La La Land. PC Dale Robinette.
For the traffic scene, it was a very complex number with lots of layers. There was tons of work that went into that prior to me seeing any dancers. Just in terms of logistics of cars, there was a whole science to that.
In pre-production, I was able to get a skeleton crew. I had ten dancers come in and we parked some of our cars out in the parking lot and I started to create the phrases of movement that ultimately became that number. And it wasn't the kind of number you could just have 30 dancers dancing around—it had to be particular for the shot. I only had 30 dancers, but had to make it look like it was hundreds. Once we cast those 30, we had 3 days of rehearsal off-site.
What are the top three qualities you look for in dancers?
Number one: Be a smart dancer. Someone who can pick up choreography and make changes quickly, and can understand the big picture. Two: a great personality. You want someone who's fun to be around, because you end up spending a lot of time with people. I always look for a sense of humor, and a kind personality. Three: someone who has worked really hard at their craft. They don't necessarily need to be the best dancer in the room because I know they will work hard and stop at nothing to get it right.
What advice would you give to an aspiring choreographer?
Never get too invested in the steps. So much of choreography is collaboration. If I got upset about every step that got changed, I probably would've never made it past my first job. You need to have the ability to create quickly, enjoy the process and then let it go.
If "Fosse/Verdon" whet your appetite for the impeccable Gwen Verdon, then Merely Marvelous: The Dancing Genius of Gwen Verdon is the three-course meal you've been craving. The new documentary—available now on Amazon for rental or purchase—dives into the life of the Tony-winning performer and silver-screen star lauded for her charismatic dancing.
Though she's perhaps most well-known today as Bob Fosse's wife and muse, that's not even half of her story. For starters, she'd already won four Tonys before they wed, making her far more famous in the public eye than he was at that point in his career. That's just one of many surprising details we learned during last night's U.S. premiere of Merely Marvelous. Believe us: You're gonna love her even more once you get to know her. Here are eight lesser-known tidbits to get you started.
Every dancer knows that how you fuel your body affects how you feel in the studio. Of course, while breakfast is no more magical than any other meal (despite the enduring myth that it's the most important one of the day), showing up to class hangry is a recipe for unproductive studio time.
So what do your favorite dancers eat in the morning to set themselves up for a busy rehearsal or performance day?
When it comes to dance in the U.S., companies in the South often find themselves overlooked—sometimes even by the presenters in their own backyard. That's where South Arts comes in. This year, the regional nonprofit launched Momentum, an initiative that will provide professional development, mentorship, touring grants and residencies to five Southern dance companies.
You ever just wish that Kenneth MacMillan's iconic production of Romeo and Juliet could have a beautiful love child with the 1968 film starring Olivia Hussey? (No, not Baz Luhrmann's version. We are purists here.)
Wish granted: Today, the trailer for a new film called Romeo and Juliet: Beyond Words was released, featuring MacMillan's choreography and with what looks like all the cinematic glamour we could ever dream of: