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Rock Your First Dance Job: 8 Habits of Successful Dancers
Your first year in a dance company can be a shocking transition. It's also a high-stakes one. "Everyone's looking at you to see what you can do, but also the kind of person you're going to be," says Philadanco founder Joan Myers Brown. How can you succeed when you're suddenly the least experienced person in the room?
Life is Less Structured: Deal With It!
It's up to you to prioritize your time. "In school, you pay and we are here to teach you—you are our client," says Marcello Angelini, artistic director of Tulsa Ballet. "In a company, we pay you, so the expectations are different, higher."
Tulsa Ballet company classFrancisco Estevez, courtesy Tulsa Ballet
Learn the Unspoken Rules
"Every company has a shared understanding," says Randy James, artistic director of 10 Hairy Legs. "Sometimes you don't know that you're doing something wrong. Check in with the dancers and ask how you're doing." Pay close attention to company veterans. How do they interact with each other, and the director? How do they dress? What do they do during downtime?
Do Your Homework
Keep a notebook for choreography and corrections, or even film yourself rehearsing, then review your choreography at home. "And maybe get a jumpstart on the next day's rehearsal," adds Angelini. If a video is available, consider learning parts or all of the choreography in advance, so that you can focus on details with the ballet master or choreographer.
Isabella Boylston rehearsing Sleeping Beauty. Photo by Rosalie O'Connor, courtesy ABT.
Keep Your Body in Top Condition
Take advantage of company perks, like nutritionists, physical therapists and gym memberships (making sure to get in cardio). Even though you might have been able to get away with ignoring aches and pains as a student, "as a professional, if something hurts, address it right away," says Angelini.
Stop Trying To Impress Everybody
It can be tempting to try to stand out to make sure that the director knows what you're capable of. But now's the time to focus on becoming part of the group, and doing what's best for the company. "Just do the work honestly, passionately, accurately—we will notice you," says Angelini.
Tulsa Ballet company classFrancisco Estevez, courtesy Tulsa Ballet
Soak Up Everything
"There is so much anxiety around the job search, which is followed by the 'I got the job!' moment," says Mark Morris Dance Group's Sam Black. "But once you climb that initial mountain, it can take awhile to get opportunities. Stay open and observant like a sponge. Watch the people who get the work."
Sam Black in Mark Morris' Jenn and Spencer Christopher Duggan, courtesy MMDG
Become a Quick Study
To learn repertoire that everyone else is already familiar with, watch videos, mark steps in your kitchen, and track all of your patterns and counts, entrances and exits on spreadsheets. "I would take quick notes after I learned something and then make my own tracking sheets to memorize it," says Keigwin & Company's Kacie Boblitt.
Kacie BoblittJeremy Coachman, courtesy Boblitt
8. Ask for Feedback
Most companies will have a mid- or end-of-year review. But you don't have to wait. "Don't be afraid to ask for help," says Brown. Directors know it's a big transition—it's how you adapt that tells them how successful you'll be in the company. Says Angelini, "If dancers learn fast enough, we know they have a good future.
Bales of hay, black umbrellas, bicycles—this Midsummer Night's Dream would be unrecognizable to the Bard. Alexander Ekman's full-length, inspired by Scandinavian solstice traditions and set to music by Mikael Karlsson, is a madcap celebration of the longest day of the year, when the veil between our world and that of the supernatural is said to be at its thinnest. The Joffrey Ballet's performances mark the seductively surreal work's North American premiere. April 25–May 6. joffrey.org.
"There's an ancient energy in Fana's movement, a deep and trusted knowing," says Jeff, director of the Chicago-based Deeply Rooted Dance Theater. "Because I witnessed the raw humanity of his dancer's souls, I wanted my dancers to have that experience."
Growing up in a family-owned dance studio in Missouri had its perks for tap dancer Anthony Russo. But it also earned him constant taunting, especially in high school.
"There was a junior in my sophomore year health class who was absolutely relentless," he says. "I'd get tripped on my way to the front of the classroom and he'd say, 'Watch out, twinkle toes.' If I raised my hand and answered a question incorrectly, I'd hear a patronizing 'Nice one, Bojangles.' "
Choreographer Sergio Trujillo asked the women auditioning for ensemble roles in his newest musical to arrive in guys' clothing—"men's suits, or blazers and ties," he says. He wasn't being kinky or whimsical. The entire ensemble of Summer: The Donna Summer Musical is female, playing men and women interchangeably as they unfold the history of the chart-busting, Grammy-winning, indisputable Queen of Disco.
Have a scroll through Agnes Muljadi's Instagram feed (@artsyagnes), and you'll notice that in between her ballet shots is a curated mix of lifestyle pics. So what exactly sets her apart from the other influencers you follow? Muljadi has made a conscious effort to only feature natural beauty products, sustainable fashion and vegan foods. With over 500k followers, her social strategy (and commitment to making ethical choices) is clearly a hit. Ahead, learn why Muljadi switched to a vegan lifestyle, and the surprising way it's helped her dance career.
He may not be a household name, but you probably know Brandon Stirling Baker's work. The 30-year-old has designed the lighting for most of Justin Peck's ballets—including Heatscape for Miami City Ballet, and the edgy The Times Are Racing for New York City Ballet—but also Jamar Roberts' new Members Don't Get Weary at Alvin Ailey American Dance Theater and a trio of Martha Graham duets for L.A. Dance Project.
He's been fascinated by lighting ever since he attended a public performing arts middle school in Sherman Oaks, California, where he had his first experiences lighting shows. He also has a background in music (he plays guitar and bass) and in drawing. Both, he says, are central to the way he approaches lighting dance.
Update: Due to an overwhelming response, the in-person audition has been moved to a larger location to accommodate more dancers. See details below.
For the first time in more than 10 years, Janet Jackson is holding an open audition for dancers.
Even better? You could land a spot in her #JTribe simply by posting a video on social media.
What does it take to become an international superstar? Carlos Acosta might have a few ideas.
At the Oxford Literary Festival earlier this month, the BBC sat down with Acosta to ask for his life lessons. His answers—which he says he will pass on to his kids one day—give incredible insight into how he's become such a beloved worldwide success.