Francisco Estevez, Courtesy Tulsa Ballet

Rock Your First Dance Job: 8 Habits of Successful Dancers

Your first year in a dance company can be a shocking transition. It's also a high-stakes one. "Everyone's looking at you to see what you can do, but also the kind of person you're going to be," says Philadanco founder Joan Myers Brown. How can you succeed when you're suddenly the least experienced person in the room?


Life is Less Structured: Deal With It!

It's up to you to prioritize your time. "In school, you pay and we are here to teach you—you are our client," says Marcello Angelini, artistic director of Tulsa Ballet. "In a company, we pay you, so the expectations are different, higher."

Tulsa Ballet company classFrancisco Estevez, courtesy Tulsa Ballet

Learn the Unspoken Rules

"Every company has a shared understanding," says Randy James, artistic director of 10 Hairy Legs. "Sometimes you don't know that you're doing something wrong. Check in with the dancers and ask how you're doing." Pay close attention to company veterans. How do they interact with each other, and the director? How do they dress? What do they do during downtime?

Do Your Homework

Keep a notebook for choreography and corrections, or even film yourself rehearsing, then review your choreography at home. "And maybe get a jumpstart on the next day's rehearsal," adds Angelini. If a video is available, consider learning parts or all of the choreography in advance, so that you can focus on details with the ballet master or choreographer.

Isabella Boylston rehearsing Sleeping Beauty. Photo by Rosalie O'Connor, courtesy ABT.

Keep Your Body in Top Condition

Take advantage of company perks, like nutritionists, physical therapists and gym memberships (making sure to get in cardio). Even though you might have been able to get away with ignoring aches and pains as a student, "as a professional, if something hurts, address it right away," says Angelini.

Stop Trying To Impress Everybody

It can be tempting to try to stand out to make sure that the director knows what you're capable of. But now's the time to focus on becoming part of the group, and doing what's best for the company. "Just do the work honestly, passionately, accu­rately—we will notice you," says Angelini.

Tulsa Ballet company classFrancisco Estevez, courtesy Tulsa Ballet

Soak Up Everything

"There is so much anxiety around the job search, which is followed by the 'I got the job!' moment," says Mark Morris Dance Group's Sam Black. "But once you climb that initial mountain, it can take awhile to get opportunities. Stay open and observant like a sponge. Watch the people who get the work."

Sam Black in Mark Morris' Jenn and Spencer Christopher Duggan, courtesy MMDG


Become a Quick Study

To learn repertoire that everyone else is already familiar with, watch videos, mark steps in your kitchen, and track all of your patterns and counts, entrances and exits on spreadsheets. "I would take quick notes after I learned something and then make my own tracking sheets to memorize it," says Keigwin & Company's Kacie Boblitt.

Kacie BoblittJeremy Coachman, courtesy Boblitt

8. Ask for Feedback

Most companies will have a mid- or end-of-year review. But you don't have to wait. "Don't be afraid to ask for help," says Brown. Directors know it's a big transition—it's how you adapt that tells them how successful you'll be in the company. Says Angelini, "If dancers learn fast enough, we know they have a good future.

Philadanco in rehearsalPhoto via Mancc.org

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What It Was Like When Ruth Bader Ginsburg Was in the Audience—or Backstage

The 27 years that Ruth Bader Ginsburg spent on the U.S. Supreme Court were 27 years that she spent as one of Washington, D.C.'s most ardent, elegant and erudite supporters of the performing arts. The justice, who died on September 18 of metastatic cancer, was also an avid cultural tourist, traveling to the Santa Fe and Glimmerglass operas nearly every summer, as well as occasionally returning to catch shows in her native New York City.

Ginsburg's opera fandom was well known, but her tastes were wide-ranging. Particularly in the last 10 years of her life, after Ginsburg lost her beloved husband, Marty, it was not unusual for the petite justice and her security detail to be spotted at theaters several nights a week. She saw everything, from classic musicals to serious new plays, plus performances that defied classification, like Martha Clarke's dance drama Chéri, with Alessandra Ferri and Herman Cornejo, which toured to the Kennedy Center in 2014.

To honor Ginsburg, Dance Magazine asked three dance artists whose performances the justice attended to recall what Ginsburg meant to them.

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