ABT Incubator Looks to Promote Burgeoning Choreographic Talent
This month, American Ballet Theatre principal David Hallberg sees the first test of his directorial chops with the launch of ABT Incubator, the company's latest initiative to promote the creation of new ballets, particularly by in-house talent.
For the first iteration, the choreographers were selected by a panel comprising Hallberg, ABT artistic director Kevin McKenzie, Danspace Project executive director Judy Hussie-Taylor and choreographers Alexei Ratmansky, Jessica Lang and Lar Lubovitch. Beginning Oct. 31, the participating artists (ABT dancers Sung Woo Han, Duncan Lyle, and James Whiteside, freelance choreographer Gabrielle Lamb, and Dance Magazine's own Kelsey Grills) will work on new pieces with ABT and ABT Studio Company dancers.
The choreographers will be provided studio space, a stipend, mentorship and panel discussions during the two-week workshop, which culminates in a final studio showing Nov. 10. Whether these budding dancemakers will be able to parlay their participation into commissions (as has been known to happen at New York City Ballet's New York Choreographic Institute) remains to be seen.
- Why Ballet Needs ABT's Choreography Workshop: ABT Incubator ›
- ABT Launches ABT Incubator Choreographic Workshop ›
As you're prepping your Thanksgiving meal, why not throw in a dash of dance?
This year's Macy's Thanksgiving Day Parade is stuffed (pun intended) with performances from four stellar Broadway shows, the Radio City Rockettes and students from three New York City dance institutions.
Tune in to NBC November 28 from 9 am to noon (in all time zones), or catch the rebroadcast at 2 pm (also in all time zones). Here's what's in store:
Back in 2011 when Joe Lanteri first approached Katie Langan, chair of Marymount Manhattan College's dance department, about getting involved with New York City Dance Alliance, she was skeptical about the convention/competition world.
"But I was pleasantly surprised by the enormity of talent that was there," she says. "His goal was to start scholarship opportunities, and I said okay, I'm in."
Today, it's fair to say that Lanteri has far surpassed his goal of creating scholarship opportunities. But NYCDA has done so much more, bridging the gap between the convention world and the professional world by forging a wealth of partnerships with dance institutions from Marymount to The Ailey School to Complexions Contemporary Ballet and many more. There's a reason these companies and schools—some of whom otherwise may not see themselves as aligned with the convention/competition world—keep deepening their relationships with NYCDA.
Now, college scholarships are just one of many ways NYCDA has gone beyond the typical weekend-long convention experience and created life-changing opportunities for students. We rounded up some of the most notable ones:
Last week, Variety reported that Sergei Polunin would reunite with the team behind Dancer for another documentary. "Where 'Dancer' looked at his whole life, family and influences," director Steven Cantor said, " 'Satori' will focus more squarely on his creative process as performer and, for the first time ever, choreographer." The title references a poorly received evening of work by the same name first presented by Polunin in 2017. (It recently toured to Moscow and St. Petersburg.)
I cannot be the only person wondering why we should care.
"The show must go on" may be a platitude we use to get through everything from costume malfunctions to stormy moods. But when it came to overcoming a literal hurricane, Houston Ballet was buoyed by this mantra to go from devastated to dancing in a matter of weeks—with the help of Harlequin Floors, Houston Ballet's longstanding partner who sprang into action to build new floors in record time.