Dancers Trending

The Last-Minute Addition to ABT's Season is Probably Not What You'd Expect

Benjamin Millepied in a rehearsal at Paris Opéra Ballet. Photo by Agathe Poupeney, Courtesy POB.

American Ballet Theatre is breaking out of the proscenium.

The company announced earlier today that in addition to the works already scheduled for their two-week fall season at Lincoln Center's David H. Koch Theater (Oct. 18–29), a new work for members of ABT's Studio Company and Jacqueline Kennedy Onassis School will also take place during select performances. But more surprising than the lateness of the addition is where it will take place: on the theater's promenade during intermission. Entitled Counterpoint for Philip Johnson, the new work will pay homage to the architect of the theater, according to the company's press release. It marks the first time that ABT will perform outside of the traditional proscenium stage at the Koch.


Behind the site-specific work is none other than Benjamin Millepied, who already has a new ballet premiering for the main company during the fall season, and, as his work with L.A. Dance Project attests, is deeply invested in finding new ways to engage audiences with dance.

ABT is hardly the first company to commission a site-specific work for the liminal spaces in its theater: Hubbard Street Dance Chicago opened their 40th-anniversary season with Peter Chu's Space, in Perspective just a couple of weeks ago, while Paris Opéra Ballet is giving James Thierrée use of the public spaces of the Palais Garnier as part of a contemporary program premiering in May 2018.

Hubbard Street dancers in Peter Chu's recent Space, In Perspective, which took over Chicago's Harris Theater. Photo by Todd Rosenberg, Courtesy Carol Fox & Associates.

And while site-specific work has been an established practice amongst contemporary dance artists for some time, seeing this many major companies taking the plunge is definitely a newer phenomenon, one that speaks to a desire to challenge how their audiences believe dance should be seen. Is anyone else sensing a trend?

Show Comments ()
Trending
PC Kevin Berne, courtesy Boneau/Bryan-Brown

Choreographer Sergio Trujillo asked the women auditioning for ensemble roles in his newest musical to arrive in guys' clothing—"men's suits, or blazers and ties," he says. He wasn't being kinky or whimsical. The entire ensemble of Summer: The Donna Summer Musical is female, playing men and women interchangeably as they unfold the history of the chart-busting, Grammy-winning, indisputable Queen of Disco.

courtesy www.today.com

Keep reading... Show less
Dance in Pop Culture
Ballet Zaida; Courtesy Agnes Muljadi

Have a scroll through Agnes Muljadi's Instagram feed (@artsyagnes), and you'll notice that in between her ballet shots is a curated mix of lifestyle pics. So what exactly sets her apart from the other influencers you follow? Muljadi has made a conscious effort to only feature natural beauty products, sustainable fashion and vegan foods. With over 500k followers, her social strategy (and commitment to making ethical choices) is clearly a hit. Ahead, learn why Muljadi switched to a vegan lifestyle, and the surprising way it's helped her dance career.

Keep reading... Show less
Health & Body
StockSnap

When I wrote about my struggle with depression, and eventual departure from dance because of it, I expected criticism. I was prepared to be challenged. But much to my relief, and horror, dancers from all over the world responded with support and stories of solidarity. The most critical response I saw was this one:

"Dance isn't for everyone."

This may as well be a mantra in the dance world. We have become entrenched in the Darwinian notion that the emotionally weak will be weeded out. There is no room for them anyway.

Keep reading... Show less
News
Maria Kochetkova in Helgi Tomasson's Trio // © Erik Tomasson

San Francisco Ballet star Maria Kochetkova just announced that she'll be leaving the company at the end of this season, after the much-anticipated Unbound Festival. The exact date will be announced later.

Keep reading... Show less
The Creative Process
Brandon Sterling Baker never tries to make it a "light show." Photo by Lora Robertson, courtesy Baker

He may not be a household name, but you probably know Brandon Stirling Baker's work. The 30-year-old has designed the lighting for most of Justin Peck's ballets—including Heatscape for Miami City Ballet, and the edgy The Times Are Racing for New York City Ballet—but also Jamar Roberts' new Members Don't Get Weary at Alvin Ailey American Dance Theater and a trio of Martha Graham duets for L.A. Dance Project.

He's been fascinated by lighting ever since he attended a public performing arts middle school in Sherman Oaks, California, where he had his first experiences lighting shows. He also has a background in music (he plays guitar and bass) and in drawing. Both, he says, are central to the way he approaches lighting dance.

Keep reading... Show less
Auditions

Update: Due to an overwhelming response, the in-person audition has been moved to a larger location to accommodate more dancers. See details below.

For the first time in more than 10 years, Janet Jackson is holding an open audition for dancers.

Even better? You could land a spot in her #JTribe simply by posting a video on social media.

Keep reading... Show less
Career Advice
Yes, we will listen to any life lessons this man has to share

What does it take to become an international superstar? Carlos Acosta might have a few ideas.

At the Oxford Literary Festival earlier this month, the BBC sat down with Acosta to ask for his life lessons. His answers—which he says he will pass on to his kids one day—give incredible insight into how he's become such a beloved worldwide success.

Keep reading... Show less
News
Cathy Marston is one of a dozen choreographers premiering a new work for San Francisco Ballet during the festival. Photo by Erik Tomasson, Courtesy SFB

The ballet world will converge on San Francisco this month for San Francisco Ballet's Unbound: A Festival of New Works, a 17-day event featuring 12 world premieres, a symposium, original dance films and pop-up events.

"Ballet is going through changes," says artistic director Helgi Tomasson. "I thought, What would it be like to bring all these choreographers together in one place? Would I discover some trends in movement, or in how they are thinking?"

Keep reading... Show less
News
Olga Smirnova. Photo by Quinn Wharton.

Several weeks ago, Youth America Grand Prix announced that the lineup for tonight's Stars of Today Meet the Stars of Tomorrow gala at Lincoln Center's Koch Theater would include Bolshoi Ballet principal Olga Smirnova and first soloist Jacopo Tissi. But an article in Page Six published last night states that Smirnova and Tissi were denied visas to enter the US.

YAGP organizers "believe the Department of Homeland Security's decision may be motivated by the myriad tensions between the superpowers," says the piece, noting that "Smirnova is so revered in Moscow that her treatment could create a Russian backlash."

Read the full story at pointemagazine.com.

News
Uri Sands leads TU Dance in rehearsal. Photo by Graham Tolbert Photography, Courtesy TU Dance

Is it any surprise a world premiere by choreographer Uri Sands and musician Justin Vernon, both renowned for the profound beauty and gorgeous musicality of their work, immediately sold out? We're hungry for creative collaborations that take reflective deep dives into what constitutes our humanity—and then there's the undeniable cool factor. Nine members of TU Dance will perform alongside Bon Iver (Vernon's band) during the evening-length piece. Presented as part of the Saint Paul Chamber Orchestra's Liquid Music Series. April 19–21. The work will also appear at the Hollywood Bowl Aug. 5. tudance.org.

Sponsored

Viral Videos

Sponsored

mailbox

Get Dance Magazine in your inbox

Sponsored

Giveaways