ABT's Fall Season To Celebrate Herman Cornejo, Includes Premieres by Twyla Tharp and Gemma Bond
If like us you're already mourning the end of American Ballet Theatre's marathon Met season, don't fear. The company just announced the lineup for its fall season, and there's a lot to look forward to.
Running October 16-27 at Lincoln Center's David H. Koch Theater, ABT's fall lineup includes world premieres by choreographers Twyla Tharp and Gemma Bond. While Tharp has been creating for ABT since 1976 (the company's Met season included a trio of her works), corps dancer Gemma Bond will be making her choreographic debut for ABT's main company. The season also shines a spotlight on principal Herman Cornejo, who will be celebrating his 20th anniversary with the company.
Tharp's ballet will have its premiere at ABT's October 16 Fall Gala, sharing a program with Jessica Lang's Let Me Sing Forevermore (in its New York premiere) and George Balanchine's Theme and Variations, as well as a performance by students of ABT's Jacqueline Kennedy Onassis School. Tharp's new work, her 17th for ABT, will be set to Johannes Brahms' String Quintet No. 2 in G Major, Op. 111 and will feature Cornejo.
In recent years, Bond has created works for companies including The Washington Ballet, Atlanta Ballet and ABT's Studio Company, and has received a 2017 Princess Grace Choreography Fellowship among other awards. She's been a member of ABT's corp de ballet since 2008, making it all the more exciting to see her home company giving her this major opportunity. Her ballet, premiering on October 23, will be set to Benjamin Britten's Suite on English Folk Tunes, with costumes by Sylvie Rood.
Herman Cornejo in La Bayadère
Gene Schiavone, Courtesy ABT
October 26 will mark a special all-Cornejo program, celebrating his long tenure with the company. He's slated to dance in works by Tharp and Balanchine.
This diverse season will also feature revivals of Balanchine's Apollo and Clark Tippet's Some Assembly Required, as well as the return of Alexei Ratmansky's The Seasons, Lang's Garden Blue, Tharp's Deuce Coupe and Michelle Dorrance's Dream within a Dream (deferred).
Just hearing the word "improvisation" is enough to make some ballet dancers shake in their pointe shoes. But for Chantelle Pianetta, it's a practice she relishes. Depending on the weekend, you might find her gracing Bay Area stages as a principal with Menlowe Ballet or sweeping in awards at West Coast swing competitions.
She specializes in Jack and Jill events, which involve improvised swing dancing with an unexpected partner in front of a panel of judges. (Check her out in action below.) While sustaining her ballet career, over the past four years Pianetta has quickly risen from novice to champion level on the WCS international competition circuit.
Sean Dorsey was always going to be an activist. Growing up in a politically engaged, progressive family in Vancouver, British Columbia, "it was my heart's desire to create change in the world," he says. Far less certain was his future as a dancer.
Like many dancers, Dorsey fell in love with movement as a toddler. However, he didn't identify strongly with any particular gender growing up. Dorsey, who now identifies as trans, says, "I didn't see a single person like me anywhere in the modern dance world." The lack of trans role models and teachers, let alone all-gender studio facilities where he could feel safe and welcome, "meant that even in my wildest dreams, there was no room for that possibility."
It's hour three of an intense rehearsal, you're feeling mentally foggy and exhausted, and your stomach hurts. Did you know the culprit could be something as simple as dehydration?
Proper hydration helps maintain physical and mental function while you're dancing, and keeps your energy levels high. But with so many products on the market promising to help you rehydrate more effectively, how do you know when it's time to reach for more than water?