ABT Announces Its 2019 Company Promotions
Like most years, American Ballet Theatre closes its spring Met season this weekend with a sweet surprise: company promotions. Artistic director Kevin McKenzie just announced that two members of the corps de ballet—Aran Bell and Joo Won Ahn—are being promoted to soloist, effective September 1.
Ever since we saw a young Aran Bell in the 2011 film First Position, we've known he was destined for something big. The Maryland-born dancer joined ABT's Studio Company in 2014, became an apprentice in 2016 and a member of the corps in 2017. This season alone he made two major princely debuts: Prince Désiré in The Sleeping Beauty and Siegfried in Swan Lake. And last year marked his first turn as Romeo. His repertoire also includes Lankendem in Le Corsaire, St. John in Cathy Marston's Jane Eyre and roles in Twyla Tharp's Deuce Coupe and In The Upper Room, Alexei Ratmansky's Songs of Bukovina and The Seasons, and much more.
Joo Won Ahn in Le Corsaire. Photo by Rosalie O'Connor, Courtesy ABT
Originally from Korea, Ahn joined the ABT Studio Company in 2013 after winning a gold medal at Youth America Grand Prix, and he was quickly shepherded through an apprenticeship and into the corps in 2014. He's already built up a pretty thorough classical repertoire including Solor in La Bayadère, Ali and Lankendem in Le Corsaire and Bluebird in The Sleeping Beauty. He's also had the chance to hone his contemporary skills in Wayne McGregor's AFTERITE, Tharp's In the Upper Room and a handful of works by Ratmansky.
ABT apprentices Jacob Clerico, Jarod Curley, Michael de la Nuez, Léa Fleytoux, Abbey Marrison and Ingrid Thoms have all been promoted to the corps. And Studio Company dancers Leah Baylin, Kanon Kimura, Melvin Lawovi, Joseph Markey, Duncan McIlwaine and Chloe Misseldine will become apprentices.
Congratulations to all!
More than once, when I'm sporting my faded, well-loved ballet hoodie, some slight variation of this conversation ensues:
"Is your daughter the dancer?"
"Actually," I say, "I am."
"Wow!" they enthuse. "Who do you dance with? Or have you retired...?"
"I don't dance with a company. I'm not a professional. I just take classes."
Insert mic drop/record scratch/quizzical looks.
You nominated your favorite dance moments so far in 2019, and we narrowed them down to this list. Now it's time to cast your vote to help decide who will be deemed our Readers' Choice picks for the year!
Voting is open until September 17th. Only one vote per person will be counted.
Just four years ago, the University of Southern California's Glorya Kaufman School of Dance welcomed its first class of BFA students. The program—which boasts world-class faculty and a revolutionary approach to training focused on collaboration and hybridity—immediately established itself as one of the country's most prestigious and most innovative.
Now, the first graduating class is entering the dance field. Here, six of the 33 graduates share what they're doing post-grad, what made their experience at USC Kaufman so meaningful and how it prepared them for their next steps:
The 2019–20 season is here, and with it more performances than any one person could reasonably catch. But fear not: We polled our writers and editors and selected the 31 most promising tickets, adding up to one endlessly intriguing year of dance.