Why Hollywood's Adam Shankman Is Jealous of Dancers
Adam Shankman came into the spotlight in 2007 when he choreographed and directed the movie-musical Hairspray and made his first appearances on the "So You Think You Can Dance" judging panel. But he was already more than a decade into his career as a choreographer and budding director. Today, Shankman is a Hollywood mainstay who has worked on scores of movies, TV shows and commercials, including dance classics like the Step Up franchise, which he produced. Next up: Directing the film What Men Want, which opens in January.
He recently spoke to Dance Magazine about his path to Hollywood and why the dance studio remains his favorite place.
How His Reality Differed From His Dreams
"Producing, directing, choreographing—that was never the plan. My dream was to be a chorus boy on Broadway or to dance behind TV personalities. Sometimes it feels like that still is the dream!"
Adam Shankman on the set of What Men Want. Photo byJess Miglio, courtesy Paramount Pictures
His Stunted Start in Hollywood
"I went to Juilliard, but left to do regional theater and ended up in L.A. I started booking music videos—I worked with Janet Jackson, Paula Abdul. I was getting work, but I realized my look wasn't what was happening in the dance world at the time. Everyone was looking for all-American, beefier dancers. I was super-skinny."
The Little White Lie That Opened Doors
"My big opportunity was one I made for myself. I was in a production office and an assistant ran in and said they just lost their choreographer, and did anyone know someone. I said, "I am!" I had never choreographed anything. I said I'd worked with Paula and Janet, even though I had never choreographed for them. So I lied, and the director hired me on the spot. He ended up loving what I did, and started hiring me a lot."
Being in The Right Place At An Unfortunate Time
"The timing of my early career felt a little strange. A lot of my friends were getting acting work, so I would get hired to choreograph little scenes here and there. Then two big choreographers in film and TV—Michael Peters and Lester Wilson—died within a year of each other. So I ended up getting a lot of the work. Not to say I didn't merit it, but there was another hole that needed to be filled, and I was sitting there, poised, and it happened. I was still in my 20s."
How He Got Pushed Into Directing
"I was working with directors who didn't know what they wanted with dance scenes, so I was pushed to direct those sequences. I decided to create and direct my own short film, and my producer secretly submitted it to Sundance—and we got in."
What Dance Has Taught Him
"As a dancer, my role was always to make whatever was thrown at me work. That's turned into the cornerstone of my philosophy about everything. You take what's given to you and wrestle it into the ground and do the best job you possibly can. It's a service job, in a weird way."
The Studio Is Still His Happy Place
"I'm never as happy anywhere as I am in a dance rehearsal room. I have no concerns about the rest of the world except making stuff, trying stuff, being able to fail spectacularly and just creating."
The Dream That Hasn't Disappeared
"I still go to shows and see dancers onstage and get envious. That will never end. I always see myself in that role. That's always been my first love."
When the news broke that Prince George, currently third in line for the British throne, would be continuing ballet classes as part of his school curriculum this year, we were as excited as anyone. (Okay, maybe more excited.)
This was not, it seems, a sentiment shared by "Good Morning America" host Lara Spencer.
If you think becoming a trainee or apprentice is the only path to gaining experience in a dance company environment, think again.
The University of Arizona, located in the heart of Tucson, acclimates dancers to the pace and rigor of company life while offering all the academic opportunities of a globally-ranked university. If you're looking to get a head-start on your professional dance career—or to just have a college experience that balances company-level training and repertory with rigorous academics—the University of Arizona's undergraduate and graduate programs have myriad opportunites to offer:
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
If you're seeking an extra dash of inspiration to start the new season on the right—dare we say—foot, look no further than dance documentaries.
Starting August 23, OVID, a streaming service dedicated to docs and art-house films, is adding eight notable dance documentaries to its library. The best part? There's a free seven-day trail. (After that, subscriptions are $6.99 per month or $69.99 annually.)
From the glamour of Russian ballet stars to young dancers training in Cuba to a portrait of powerhouse couple Carmen de Lavallade and Geoffrey Holder, here's what's coming to a couch near you: