How to Live Alone—Without Overeating
Help! I was never a big eater until I got an apartment without a roommate. Landing a wonderful, well-paying role in a musical made it possible to move to a spacious studio with an open kitchen. So what's with my sudden need to keep eating?
—Food Junky, Queens, NY
After ruling out any metabolic disorders associated with changes in your eating habits, you might consider the layout of your apartment. While open kitchens are trendy, a recent study in Environment & Behavior shows that people who see extra food get more refills and end up eating a greater amount of calories. Unless you want to remove everything edible from your countertops, a strategically placed screen between you and the kitchen can help solve this problem.
It also sounds like you're under considerable stress, due to all the life changes that have happened recently. Landing a new role is a major professional achievement, but with it can come different responsibilities, job conditions or hours. Plus, you've had a change in your living situation and have altered your social habits, since you left your roommate. According to the Social Readjustment Rating Scale, an inventory of common stressors used in psychology, the more changes you have within a year, the higher your chance of developing a stress-related disorder, such as overeating. Although the impact of a particular stressor will vary from one dancer to another, you can regain a greater sense of stability by practicing good health habits, such as getting rid of any junk food, and scheduling regular meet-ups with friends.
Send your questions to Dr. Linda Hamilton at firstname.lastname@example.org.
Just four years ago, the University of Southern California's Glorya Kaufman School of Dance welcomed its first class of BFA students. The program—which boasts world-class faculty and a revolutionary approach to training focused on collaboration and hybridity—immediately established itself as one of the country's most prestigious and most innovative.
Now, the first graduating class is entering the dance field. Here, six of the 33 graduates share what they're doing post-grad, what made their experience at USC Kaufman so meaningful and how it prepared them for their next steps:
Every dancer knows there's as much magic taking place backstage as there is in what the audience sees onstage. Behind the scenes, it takes a village, says American Ballet Theatre's wig and makeup supervisor, Rena Most. With wig and makeup preparations happening in a studio of their own as the dancers rehearse, Most and her team work to make sure not a single detail is lost.
Dance Magazine recently spoke to Most to find out what actually goes into the hair and makeup looks audiences see on the ABT stage.
On a sunny July weekend, hundreds of Seattle-area dance fans converged on tiny Vashon Island, a bucolic enclave in Puget Sound about 20 miles from the city. They made the ferry trek to attend the debut performance of the fledgling Seattle Dance Collective.
SDC is not a run-of-the-mill contemporary dance company; it's the brainchild of two of Pacific Northwest Ballet's most respected principal dancers: James Yoichi Moore and Noelani Pantastico. The duo wanted to create a nimble organization to feature dancers and choreographers they felt needed more exposure in the Pacific Northwest.