3 Reasons We're Ecstatic That Alvin Ailey's Life and Work Are Being Made into a Movie
There must be something in the water: Last week, we announced that Madonna is directing Michaela DePrince's upcoming biopic. And yesterday, we got wind of another major dance film: According to The Hollywood Reporter, Fox Searchlight has sealed the deal to make Ailey Ailey's life and work into a movie. Yes, please.
While some movies falter along their way to the big screen, we think this one's got legs (and hopefully a whole lot of lateral T's and hinges and coccyx balances, too). Why?
Alvin Ailey American Dance Theater's Sean Aaron Carmon in Ailey's Revelations. Photo by EricGrayPhotography.com, Courtesy AAADT.
1. High-profile songstress and all-around goddess Alicia Keys is one of the film's producers.
2. Alvin Ailey American Dance Theater is on board. The Hollywood Reporter specifically mentioned that artistic director Robert Battle and artistic director emerita Judith Jamison will be part of the process.
Robert Battle and Judith Jamison will work closely with the movie's producers. Photo by Christopher Duggan.
3. The history should be on point. Fox Searchlight has secured the rights to Jennifer Dunning's biography Alvin Ailey: A Life in Dance.
And it goes without saying that the dance scenes will amazingly fierce and likely full of current Ailey dancers. Still, it's too early to know exactly what the film will look like: Will it be a dramatized version of the late choreographer's life? A documentary laced with archival footage and commentary from Ailey experts?
In a statement, Battle expressed his excitement for the project, saying, "We are thrilled to be working with these incredible partners to bring to the screen the amazing journey and revolutionary choreography of Alvin Ailey, whose life and legacy profoundly impacted people of all backgrounds around the world."
Alvin Ailey American Dance Theater's Linda Celeste Sims in Ailey's rousing Cry (1971). Photo by Christopher Duggan.
We're thrilled too. What choreography do you hope to see most in the movie? (We're dying for a fiery Cry and some soulful snippets of Revelations.) Tell us in the comments.
What happens during a performance is the product of the painstaking process of realizing an artistic vision. Whether held beforehand, afterward, offsite or online, audience discussions tend not to be so preordained, easily thrown off track without a skilled moderator at the helm.
"I'm someone who dreaded talkbacks and Q&As," admits Bill Bragin, former director of public programming at Lincoln Center. "While I was in New York, a lot of the time it was just audience members trying to show off how smart they were."
These events present a pile of difficult questions: How much do you reveal about a piece before it's shown? How can a conversation designed to hit key points feel casual and spontaneous? How do you cater to the needs of diverse attendees, from novice dancegoers to lifelong fans to scholars and critics? And how do you avoid smothering dance with language, flattening all its complexity?
If you think becoming a trainee or apprentice is the only path to gaining experience in a dance company environment, think again.
The University of Arizona, located in the heart of Tucson, acclimates dancers to the pace and rigor of company life while offering all the academic opportunities of a globally-ranked university. If you're looking to get a head-start on your professional dance career—or to just have a college experience that balances company-level training and repertory with rigorous academics—the University of Arizona's undergraduate and graduate programs have myriad opportunites to offer:
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
I dance to encourage others. The longer I dance, the more I see that much of my real work is to speak life-giving words to my fellow artists. This is a multidimensionally grueling profession. I count it a privilege to remind my colleagues of how they are bringing beauty into the world through their craft. I recently noticed significant artistic growth in a fellow dancer, and when I verbalized what I saw, he beamed. The impact of positive feedback is deeper than we realize.