Houston Ballet Soloist Alyssa Springer in Stanton Welch's The Ladies. Amitava Sarkar, Courtesy Houston Ballet..

Meet the Houston Ballet Dancer Who Performed an Iconic Sylvie Guillem Role While Still in the Corps

With her curly red tresses, Houston Ballet soloist Alyssa Springer may look like she stepped out of a Botticelli painting, making her a natural fit in classic story ballets. But watch her in contemporary work, and you see the great bones of her versatile technique. A favorite of visiting choreographers, Springer was promoted to demi-soloist in 2017 and soloist earlier this year. She continually stands out for her acting skills and ability to morph her style to whatever the choreographer in the room needs.


Company: Houston Ballet

Age: 27

Hometown: Orange County, California

Training: Houston Ballet Academy and private coaching with John Gardner and Amanda McKerrow

Springer with Houston Ballet Principal Charles-Louis Yoshiyama in Jiří Kylián's Dream Time.

Amitava Sarkar, Courtesy Houston Ballet.

Breakout role: Springer wowed audiences in William Forsythe's In the middle, somewhat elevated in 2014 while still in the corps. She danced the iconic role originated by Sylvie Guillem. "He was so encouraging," she says. "He urged me to push my limits, but he also wanted me to enjoy the process."

First item on her bucket list: "I know it sounds cliché, but I have to dance Giselle. There's so much to learn from her about forgiveness and uncondi­tional love. The range of emotion creates such a dramatic arc."

What she's working on: Balancing the humanity and physicality of her characters. "I want my dancing to look natural, to connect to the audience and really share authentic emotions and experiences," says Springer. One example is Princesse de Lamballe in Stanton Welch's Marie. "I had to remember that this was an actual person who has a tragic ending."

Springer with Artists of Houston Ballet at Jacob's Pillow in Trey McIntyre's In Dreams.

Christopher Duggan, Courtesy Houston Ballet.

What the director says: "You are always drawn to her charisma and vulnerability onstage," says Welch. "She shows great strength in her acting ability, bringing maturity into her roles."

Putting things into perspective: After Springer danced the Sugar Plum Fairy last season, she received a letter from a 5-year-old girl who drew a picture of her. "It was such a reminder that I could be inspiring the next generation."

Offstage: Springer can be found out and about with her dog, Bella, a rescue dachshund mix. Or, if she's visiting family back in California, she might be on a horse. "I've been riding since I was a kid."

Going digital: She is also teaching herself to code and has built a personal website. "I stumbled upon coding and thought it might be a useful skill," she says. "I find it so rewarding when the jumble of letters and symbols I enter becomes a webpage!"

Latest Posts


Courtesy Ballet West

Celebrating 75 Years of Sugar Plum

America's oldest Nutcracker celebrates its milestone 75th anniversary this month.

GO DEEPER SHOW LESS
Alvin Ailey surrounded by the Company, 1978. Photography by Jack Mitchell, © Alvin Ailey Dance Foundation, Inc. andSmithsonian Institution, All rights reserved.

You Can Now View More Than 10,000 Photos From Jack Mitchell's Alvin Ailey Collection Online

From 1961 to 1994, legendary photographer Jack Mitchell captured thousands of moments with Alvin Ailey American Dance Theater. Now, this treasure trove of dance history is available to the public for viewing via the online archives of the Smithsonian's National Museum of African American History and Culture.

The collection includes both color and black-and-white images of Ailey's repertoire, as well as private photo sessions with company members and Ailey himself. Altogether, the archive tracks the career development of many beloved Ailey dancers, including Masazumi Chaya, Judith Jamison, Sylvia Waters, Donna Wood and Dudley Williams—and even a young Desmond Richardson. And there's no shortage of photos of iconic pieces like Blues Suite (Ailey's first piece of choreography), Cry and Revelations.

We couldn't resist sharing a few of our favorites below. Search the collection for more gems here.

GO DEEPER SHOW LESS
Getty Images

Our Wish List for the Next Decade of Dance

There are lots of gift guides floating around the internet this time of year. But the end of the decade has us thinking about more than presents.

As much as the dance world has evolved over the past 10 years, there's still a lot of work to do. So we started pondering: If we could ask Santa for our wildest wishes, what would we want to him to bring us in the '20s?

GO DEEPER SHOW LESS
contest
Enter Our Video Contest