The Best Behind-the-Scenes Moments From American Ballet Theatre's Tour (So Far)
American Ballet Theatre is officially on the road. Since kicking their national tour off at Washington D.C.'s John F. Kennedy Center for the Performing Arts this past week, ABT has been keeping us up-to-date: From how many pointe shoes they need to pack (spoiler alert, it's a lot), to rehearsal silliness and even an onstage moment or two. W
e rounded up our favorite moments so far—including a Facebook Live where Isabella Boylston and James Whiteside finally explain the meaning behind their nickname, The Cindys. Next stop, Detroit!
Principals Isabella Boylston and James Whiteside and corps member Lauren Post make travel sweats look chic.
Yes, that's principal Christine Shevchenko surrounded by all of those shoes!
Corps member Courtney Lavine's show prep is our new favorite thing.
Corps dancer Melanie Hamrick tests out the Kennedy Center stage (and her balance).
The Whipped Cream Tea Flowers pose in their colorful Mark Ryden-designed costumes before hitting the stage.
Alexei Ratmansky's Whipped Cream perfectly captures our Friday mood.
And The Cindys spill on what exactly makes them The Cindys (and other fun stuff, too, obv).
Capezio, Bloch, So Dança, Gaynor Minden.
At the top of the line, dancers have plenty of quality footwear options to choose from, and in most metropolitan areas, stores to go try them on. But for many of North America's most economically disadvantaged dance students, there has often been just one option for purchasing footwear in person: Payless ShoeSource.
When Sonya Tayeh saw Moulin Rouge! for the first time, on opening night at a movie theater in Detroit, she remembers not only being inspired by the story, but noticing the way it was filmed.
"What struck me the most was the pace, and the erratic feeling it had," she says. The camera's quick shifts and angles reminded her of bodies in motion. "I was like, 'What is this movie? This is so insane and marvelous and excessive,' " she says. "And excessive is I think how I approach dance. I enjoy the challenge of swiftness, and the pushing of the body. I love piling on a lot of vocabulary and seeing what comes out."
Back when Robbie Fairchild graced the cover of the May 2018 issue of Dance Magazine, he mentioned an idea for a short dance film he was toying around with. That idea has now come to fruition: In This Life, starring Fairchild and directed by dance filmmaker Bat-Sheva Guez, is being screened at this year's Dance on Camera Festival.
While the film itself covers heavy material—specifically, how we deal with grief and loss—the making of it was anything but: "It was really weird to have so much fun filming a piece about grief!" Fairchild laughs. We caught up with him, Guez and Christopher Wheeldon (one of In This Life's five choreographers) to find out what went into creating the 11-minute short film.
When Hollywood needs to build a fantasy world populated with extraordinary creatures, they call Terry Notary.
The former gymnast and circus performer got his start in film in 2000 when Ron Howard asked him to teach the actors how to move like Whos for How the Grinch Stole Christmas. Notary has since served as a movement choreographer, stunt coordinator and performer via motion capture technology for everything from the Planet of the Apes series to The Hobbit trilogy, Avatar, Avengers: Endgame and this summer's The Lion King.
Since opening the Industry Dance Academy with his wife, Rhonda, and partners Maia and Richard Suckle, Notary also offers movement workshops for actors in Los Angeles.