Is Annabelle Lopez Ochoa the Busiest Female Ballet Choreographer on the Planet?
It seems everyone wants a work from Annabelle Lopez Ochoa. She has choreographed for Danza Contemporanéa de Cuba, Grand Rapids Ballet, English National Ballet, Whim W’Him and BalletX. And that's just in 2016!
Annabelle Lopez Ochoa rehearsing NYCB dancers, photo by Erin Baiano
And on September 20, she premieres her first piece for New York City Ballet. Known for her witty, sometimes surreal ballets, the Belgian/Colombian choreographer is working with Brooklyn designer Rosie Assoulin for NYCB's Fall Fashion Gala. According to the press release, Assoulin sounds like the perfect match for Lopez Ochoa: “At its core, her design aesthetic bridges the line between effortless elegance and the romantically fantastical—a blend of sculpted ease and bold lines.” The music is a set of cello pieces written by three composers: Luigi Boccherini, Edward Elgar and PēterisVasks.
Though it’s officially her choreographic debut with NYCB, Lopez Ochoa has been in the studio with some of the dancers before. In 2007, she participated in City Ballet’s New York Choreographic Institute, a kind of laboratory for trying out ideas. For this premiere, her stellar cast includes Tiler Peck, Sterling Hyltin, Adrian Danchig-Waring, Daniel Ulbricht and both Angles (Tyler and Jared). We are psyched!
And after the gala? Lopez Ochoa continues her globe-trotting pace. In October, she makes her sixth piece for Ballet Hispanico, which comes to The Apollo November 18 and 19. This fall she also makes a new ballet for Ballet Nacional de Cuba. In January she revives a piece for West Australian Ballet, and in April she revives one for the Joffrey Ballet. She’s also fitting in new works for the Royal Ballet of Flanders and Tulsa Ballet.
Our April 2012 issue
Lopez Ochoa has made a name for herself as someone who can work quickly, loves to challenge herself and encourages the dancers while also giving honest feedback. Plus, she has a record of making very different kinds of ballets: long, short; funny, serious; wacky, mysterious; dark, light. What about chaotic and orderly? That too. As Lopez Ochoa said in our 2012 cover story, “I love to choreograph chaos and find patterns within.”
Essential oils sometimes get a bad rap.Between the aggressive social media marketing for the products and the sometimes magical-sounding claims about their healing properties, it's easy to forget what they can actually do.But if you look beyond the pyramid schemes and exaggerations, experts believe they have legit benefits to offer both mind and body.
How can dancers take advantage of their medicinal properties? We asked Amy Galper, certified aromatherapist and co-founder of the New York Institute of Aromatic Studies:
Karen Azenberg, a past president of the Stage Directors and Choreographers Society, stumbled on something peculiar before the union's 2015 move to new offices: a 52-year-old sealed envelope with a handwritten note attached. It was from Agnes de Mille, the groundbreaking choreographer of Oklahoma! and Rodeo. De Mille, a founding member of SDC, had sealed the envelope with gold wax before mailing it to the union and asking, in a separate note, that it not be opened. The reason? "It is the outline for a play, and I have no means of copyrighting…The material is eminently stealable."