Editors' Picks: Five Must-See Performances This August
Summer's end is in sight, and while it might seem like everyone is on layoff (or at Jacob's Pillow or Vail), there's still plenty of dance to see before the fall season starts in earnest. Here are our top five performance picks for August.
Natalia Osipova Bewitches as Isadora Duncan
Natalia Osipova as Isadora Duncan. Photo by Sergei Misenko, Courtesy Segerstrom Center for the Arts
COSTA MESA, CA Isadora Duncan was famously derisive toward ballet, but ballet has long been fascinated by her—both Frederick Ashton and Kenneth MacMillan created works for The Royal Ballet inspired by Duncan. International ballet star Natalia Osipova is the latest to be bewitched by the modern dance revolutionary. She's starring in a new ballet titled ISADORA, with choreography by the Mariinsky's Vladimir Varnava to music from Prokofiev's Cinderella. Premieres at Segerstrom Center for the Arts, Aug. 10–12. scfta.org. —Courtney Escoyne
A Rom-Com Romp Hits Broadway
Samantha Barks and Steve Kazee in the pre-Broadway run of Pretty Woman: The Musical. Photo by Matthew Murphy, Courtesy Polk & Company
NEW YORK CITY August isn't the biggest time for Broadway openings, but Pretty Woman: The Musical, based on the beloved 1990 movie, arrives in New York City this month after a Chicago run. Directed and choreographed by Jerry Mitchell (Kinky Boots), it has music and lyrics by Canadian pop star Bryan Adams and his songwriting partner Jim Vallance. Andy Karl, the trouper who was last seen on Broadway in a knee brace while starring in Groundhog Day, plays the Richard Gere role. Samantha Barks (Les Misérables) has the finesse, the poise and the voice to play Vivian, but can she break out laughing as infectiously as Julia Roberts? Opens Aug. 16. prettywomanthemusical.com. —Wendy Perron
Another Day of Sun at Lincoln Center
Janis Claxton's POP-UP Duets (fragments of love) emerges in public spaces. Photo by Lucas Kao, Courtesy Lincoln Center
NEW YORK CITY Free performances at an iconic New York City campus under the summer sun—is there anything more delightful? Lincoln Center Out of Doors continues its three-week extra-vaganza this month. Dance Theatre of Harlem brings a mix of the old and new to its Aug. 4 performance: resident choreographer Robert Garland's New Bach (1999), which sprinkles balletic formations with boogying; Christopher Wheeldon's dreamlike, sinewy duet, This Bitter Earth (2012); Dancing on the Front Porch of Heaven (1993), Ulysses Dove's dramatic requiem to the celestial music of Arvo Pärt; and the jazzy Harlem on My Mind (2018), by Darrell Grand Moultrie. The opening by honey-voiced pop singer ALA.NI, all the rage in Europe, will be a treat. Also try wandering by the Josie Robertson Plaza Aug. 1–5. You just might catch Janis Claxton's POP-UP Duets (fragments of love) (2016), a series of hypnotic, playful dances for two—each clocking in at five minutes—that expose relationships with exquisite sensitivity. lincolncenter.org/out-of-doors. —CE and WP
Familiar Faces Descend on Edinburgh International Festival
Akram Khan's Kadamati. Photo by Kois Miah, Courtesy Edinburgh International Festival
EDINBURGH Strange and spectacular are consistently accurate adjectives for the offerings at Edinburgh International Festival. But this year's dance programs are full of familiar faces: Akram Khan brings his latest (and last) solo Xenos and a companion community-dance piece, Kadamati; Company Wayne McGregor performs his Autobiography; and L-E-V will dance Sharon Eyal and Gai Behar's Love Cycle, comprising OCD Love and the more recent Love Chapter 2. But just as intriguing, if less familiar, is Michèle Anne De May's Cold Blood, a narrative-driven, cinema-dance show featuring choreography just for hands. Aug. 3–27. eif.co.uk. —CE
Royal New Zealand Ballet Celebrates Women's Suffrage
Royal New Zealand Ballet dancers in rehearsal. Photo by Stephen A'Court, Courtesy RNZB
WELLINGTON, NEW ZEALAND Patricia Barker has commissioned four female choreographers to create premieres for a program celebrating the 65th and 125th anniversaries of Royal New Zealand Ballet and women's suffrage in New Zealand, respectively. Strength and Grace features new works by Penny Saunders (choreographer in residence at Barker's former artistic home, Grand Rapids Ballet), Danielle Rowe, Sarah Foster-Sproull and Andrea Schermoly. Aug. 17–18. rnzb.org.nz. —CE
- RNZB — The Royal New Zealand Ballet ›
- What's On | Edinburgh International Festival ›
- Edinburgh International Festival: Home ›
- POP-UP Duets (fragments of love) on Vimeo ›
- Janis Claxton – Choreographer ›
- Lincoln Center Out of Doors ›
- Andy Karl Joins Cast of 'Pretty Woman' Musical - The New York Times ›
- What Did Critics Think of Pretty Woman The Musical in Chicago ... ›
- Home | PRETTY WOMAN THE MUSICAL | Official Site ›
- Rehearsal of “ ISADORA” * Choreography: Vladimir Varnava ... ›
- ISADORA starring Natalia Osipova World Premiere ›
- Dancers at Work: Alexei Ratmansky in the Studio with Natalia ... ›
- Natalia Osipova — People — Royal Opera House ›
- Vail Dance Festival | July 28 – August 11 | A Celebration of ... ›
Capezio, Bloch, So Dança, Gaynor Minden.
At the top of the line, dancers have plenty of quality footwear options to choose from, and in most metropolitan areas, stores to go try them on. But for many of North America's most economically disadvantaged dance students, there has often been just one option for purchasing footwear in person: Payless ShoeSource.
When Sonya Tayeh saw Moulin Rouge! for the first time, on opening night at a movie theater in Detroit, she remembers not only being inspired by the story, but noticing the way it was filmed.
"What struck me the most was the pace, and the erratic feeling it had," she says. The camera's quick shifts and angles reminded her of bodies in motion. "I was like, 'What is this movie? This is so insane and marvelous and excessive,' " she says. "And excessive is I think how I approach dance. I enjoy the challenge of swiftness, and the pushing of the body. I love piling on a lot of vocabulary and seeing what comes out."
Back when Robbie Fairchild graced the cover of the May 2018 issue of Dance Magazine, he mentioned an idea for a short dance film he was toying around with. That idea has now come to fruition: In This Life, starring Fairchild and directed by dance filmmaker Bat-Sheva Guez, is being screened at this year's Dance on Camera Festival.
While the film itself covers heavy material—specifically, how we deal with grief and loss—the making of it was anything but: "It was really weird to have so much fun filming a piece about grief!" Fairchild laughs. We caught up with him, Guez and Christopher Wheeldon (one of In This Life's five choreographers) to find out what went into creating the 11-minute short film.
When Hollywood needs to build a fantasy world populated with extraordinary creatures, they call Terry Notary.
The former gymnast and circus performer got his start in film in 2000 when Ron Howard asked him to teach the actors how to move like Whos for How the Grinch Stole Christmas. Notary has since served as a movement choreographer, stunt coordinator and performer via motion capture technology for everything from the Planet of the Apes series to The Hobbit trilogy, Avatar, Avengers: Endgame and this summer's The Lion King.
Since opening the Industry Dance Academy with his wife, Rhonda, and partners Maia and Richard Suckle, Notary also offers movement workshops for actors in Los Angeles.