Ballet, According to Justin and Misty
Ballet Across America returns to The Kennedy Center this week with a twist: programming curated by American Ballet Theatre principal Misty Copeland and New York City Ballet soloist/resident choreographer Justin Peck. It's a unique opportunity to get inside the heads of two of the most influential figures in American ballet today—so what companies and choreographers did the superstars choose to showcase?
Copeland's program, running Wednesday through Friday, features Nashville Ballet, Complexions Contemporary Ballet and Black Iris Project. All three are making their Kennedy Center debuts, and as Copeland explains in this video, she made her choices based on both personal connections to the works and to help continue the diversity conversation in ballet.
Saturday and Sunday mark the performances of Peck's picks, which include works by Benjamin Millepied and Kyle Abraham (both L.A. Dance Project and Abraham.In.Motion are appearing at The Kennedy Center for the first time), as well as The Joffrey Ballet in Christopher Wheeldon's Fool's Paradise. And, for a bonus treat, Miami City Ballet principals Patricia Delgado and Jovani Furlan will perform a duet from Peck's Year of the Rabbit.
And at this evening's opening night performance, hosted by none other than NYCB star Sara Mearns, you can catch Stella Abrera, Isabella Boylston, Renan Cerdeiro, Jeanette Delgado, Marcelo Gomes, Desmond Richardson, Calvin Royal III and James Whiteside, plus students of ABT's JKO School and Nashville Ballet.
As you're prepping your Thanksgiving meal, why not throw in a dash of dance?
This year's Macy's Thanksgiving Day Parade is stuffed (pun intended) with performances from four stellar Broadway shows, the Radio City Rockettes and students from three New York City dance institutions.
Tune in to NBC November 28 from 9 am to noon (in all time zones), or catch the rebroadcast at 2 pm (also in all time zones). Here's what's in store:
Back in 2011 when Joe Lanteri first approached Katie Langan, chair of Marymount Manhattan College's dance department, about getting involved with New York City Dance Alliance, she was skeptical about the convention/competition world.
"But I was pleasantly surprised by the enormity of talent that was there," she says. "His goal was to start scholarship opportunities, and I said okay, I'm in."
Today, it's fair to say that Lanteri has far surpassed his goal of creating scholarship opportunities. But NYCDA has done so much more, bridging the gap between the convention world and the professional world by forging a wealth of partnerships with dance institutions from Marymount to The Ailey School to Complexions Contemporary Ballet and many more. There's a reason these companies and schools—some of whom otherwise may not see themselves as aligned with the convention/competition world—keep deepening their relationships with NYCDA.
Now, college scholarships are just one of many ways NYCDA has gone beyond the typical weekend-long convention experience and created life-changing opportunities for students. We rounded up some of the most notable ones:
Last week, Variety reported that Sergei Polunin would reunite with the team behind Dancer for another documentary. "Where 'Dancer' looked at his whole life, family and influences," director Steven Cantor said, " 'Satori' will focus more squarely on his creative process as performer and, for the first time ever, choreographer." The title references a poorly received evening of work by the same name first presented by Polunin in 2017. (It recently toured to Moscow and St. Petersburg.)
I cannot be the only person wondering why we should care.
"The show must go on" may be a platitude we use to get through everything from costume malfunctions to stormy moods. But when it came to overcoming a literal hurricane, Houston Ballet was buoyed by this mantra to go from devastated to dancing in a matter of weeks—with the help of Harlequin Floors, Houston Ballet's longstanding partner who sprang into action to build new floors in record time.