Ballet, According to Justin and Misty
Ballet Across America returns to The Kennedy Center this week with a twist: programming curated by American Ballet Theatre principal Misty Copeland and New York City Ballet soloist/resident choreographer Justin Peck. It's a unique opportunity to get inside the heads of two of the most influential figures in American ballet today—so what companies and choreographers did the superstars choose to showcase?
Copeland's program, running Wednesday through Friday, features Nashville Ballet, Complexions Contemporary Ballet and Black Iris Project. All three are making their Kennedy Center debuts, and as Copeland explains in this video, she made her choices based on both personal connections to the works and to help continue the diversity conversation in ballet.
Saturday and Sunday mark the performances of Peck's picks, which include works by Benjamin Millepied and Kyle Abraham (both L.A. Dance Project and Abraham.In.Motion are appearing at The Kennedy Center for the first time), as well as The Joffrey Ballet in Christopher Wheeldon's Fool's Paradise. And, for a bonus treat, Miami City Ballet principals Patricia Delgado and Jovani Furlan will perform a duet from Peck's Year of the Rabbit.
And at this evening's opening night performance, hosted by none other than NYCB star Sara Mearns, you can catch Stella Abrera, Isabella Boylston, Renan Cerdeiro, Jeanette Delgado, Marcelo Gomes, Desmond Richardson, Calvin Royal III and James Whiteside, plus students of ABT's JKO School and Nashville Ballet.
What do Percy Jackson, Princess Diana and Tina Turner have in common? They're all characters on Broadway this season. Throw in Michelle Dorrance's choreographic debut, Henry VIII's six diva-licious wives and the 1990s angst of Alanis Morissette, and the 2019–20 season is shaping up to be an exciting mix of past-meets-pop-culture-present.
Here's a look at the musicals hitting Broadway in the coming months. We're biding our time until opening night!
If you think becoming a trainee or apprentice is the only path to gaining experience in a dance company environment, think again.
The University of Arizona, located in the heart of Tucson, acclimates dancers to the pace and rigor of company life while offering all the academic opportunities of a globally-ranked university. If you're looking to get a head-start on your professional dance career—or to just have a college experience that balances company-level training and repertory with rigorous academics—the University of Arizona's undergraduate and graduate programs have myriad opportunites to offer:
Yes, we realize it's only August. But we can't help but to already be musing about all the incredible dance happenings of 2019.
We're getting ready for our annual Readers' Choice feature, and we want to hear from you about the shows you can't stop thinking about, the dance videos that blew your mind and the artists you discovered this year who everyone should know about.
Ah, stretching. It seems so simple, and is yet so complicated.
For example: You don't want to overstretch, but you're not going to see results if you don't stretch enough. You want to focus on areas where you're tight, but you also can't neglect other areas or else you'll be imbalanced. You were taught to hold static stretches growing up, but now everyone is telling you never to hold a stretch longer than a few seconds?
Considering how important stretching correctly is for dancers, it's easy to get confused or overwhelmed. So we came up with 10 common stretching scenarios, and gave you the expert low-down.