A Ballet Emoji Is FINALLY on Its Way
Imagine this scenario: You get a text from a friend just as you're heading into ballet class, and have to answer as quickly as possible. Now, if you were heading into a juggling class, or water polo match, or fencing practice, you'd be able to send a quick emoji in response. But alas, you're forced to type out a full sentence. Because, to the ballet world's collective frustration, There. Is. No. Ballet. Emoji. Until now...
According to Emojipedia, the site for all things emoji-related, a ballet shoe emoji is slated to come out later this year (the exact date hasn't been announced yet) as part of Emoji Version 12.0. The proposal came from Australia-based tech company manager and ballet fan Rüdiger Landmann. Landmann proposed three separate ballet emojis: a ballerina, a male ballet dancer and a pair of pointe shoes. Only the pointe shoe emoji was approved, and we'll be honest, it doesn't look like any pointe shoe we've ever seen. It's more like a pink loafer with ribbons attached. But we're trying not to complain, as this is definitely a (wobbly, given the shape of that shoe) step in the right direction.
The ballet shoe emoji is in good company. It will be released with a group of accessibility emojis, including a deaf person, a person in a wheelchair, a person with a probing cane, and more, as well as people of different races and genders holding hands, showing a real increase in representation. You can check out all of the new emojis (including the ever-useful garlic, yo-yo and brown square) in the video below.
We'd love to see tutu, barre, tights and leotard emojis next, as well as those depicting other forms of dance. If you're passionate about seeing more ballet on your phone, you can submit your own proposal for new emojis here.
Back in 2011 when Joe Lanteri first approached Katie Langan, chair of Marymount Manhattan College's dance department, about getting involved with New York City Dance Alliance, she was skeptical about the convention/competition world.
"But I was pleasantly surprised by the enormity of talent that was there," she says. "His goal was to start scholarship opportunities, and I said okay, I'm in."
Today, it's fair to say that Lanteri has far surpassed his goal of creating scholarship opportunities. But NYCDA has done so much more, bridging the gap between the convention world and the professional world by forging a wealth of partnerships with dance institutions from Marymount to The Ailey School to Complexions Contemporary Ballet and many more. There's a reason these companies and schools—some of whom otherwise may not see themselves as aligned with the convention/competition world—keep deepening their relationships with NYCDA.
Now, college scholarships are just one of many ways NYCDA has gone beyond the typical weekend-long convention experience and created life-changing opportunities for students. We rounded up some of the most notable ones:
We knew that Ivo van Hove and Anne Teresa de Keersmaeker's production of West Side Story would challenge our preconceived notions about the show.
But a recent Vogue story gives us a taste of just how nontraditional the Broadway revival will be. Most notably, van Hove is cutting "I Feel Pretty" and the "Somewhere" ballet, condensing the show into one act to better reflect the urgency of the 48-hour plot. (The choice has been approved by the West Side Story estate, including Sondheim, who has "long been uncomfortable" with some of the "I Feel Pretty" lyrics.)
"The show must go on" may be a platitude we use to get through everything from costume malfunctions to stormy moods. But when it came to overcoming a literal hurricane, Houston Ballet was buoyed by this mantra to go from devastated to dancing in a matter of weeks—with the help of Harlequin Floors, Houston Ballet's longstanding partner who sprang into action to build new floors in record time.