5 Workout Tips From an ABT Dancer Who's Also a Personal Trainer
When Thomas Forster isn't in the gym doing his own workout, he's often coaching his colleagues.
Two years ago, the American Ballet Theatre soloist got a personal training certification from the National Academy of Sports Medicine. Now he trains fellow ABT members and teaches the ABT Studio Company a strength and conditioning class alongside fellow ABT soloist Roman Zhurbin.
He shared five of his top tips for getting into top shape.
Marty Sohl, courtesy ABT
Most Dancers Need Extra Cardio to Get Through Choreography
"Ballet class doesn't give you great stamina," he says, "so you need to do something else to really build that so when you have to do a variation that's 15 minutes long and you're absolutely exhausted, your body can handle it."
Exercises Don't Need to Be Complicated to Get Results
For workouts, Forster typically combines body-weight and cardio exercises that target multiple muscle groups. He believes that even simple exercises like mountain climbers can be effective as part of a high-intensity interval session. For an extra challenge, he'll add a resistance band to movements like squats or lateral walks.
Study Anatomy To Gain a Deeper Understand of How You Move
Since becoming a trainer, Forster has not only been rewarded with improved strength and endurance in his dancing, but also a deeper understanding of his body. "I gained a greater knowledge of the muscles and how they interconnect," he says, mentioning that he's now more aware of his alignment, which helps him avoid injury. "The human body is absolutely amazing."
Recovery Is Just As Important As Working Out
"A really cold shower or cold plunges seem to really help my body fight inflammation," he says.
Do This Every Day:
Forster says dancers should perform this stretch every day—it targets all the major muscle groups and improves mobility in your hips, shoulders and thoracic spine.
- Step your right foot forward into a lunge, with the knee bent at a 90-degree angle. Your left leg should be straight behind you.
- Place your left hand next to the inside of your right foot.
- Twist your upper body toward your knee and reach your right arm up toward the sky.
- Repeat on the opposite side.
- The Best Boutique Fitness Classes for Dancers - Dance Magazine ›
- Joel Prouty, Trainer to the (Ballet) Stars - Dance Magazine ›
Just four years ago, the University of Southern California's Glorya Kaufman School of Dance welcomed its first class of BFA students. The program—which boasts world-class faculty and a revolutionary approach to training focused on collaboration and hybridity—immediately established itself as one of the country's most prestigious and most innovative.
Now, the first graduating class is entering the dance field. Here, six of the 33 graduates share what they're doing post-grad, what made their experience at USC Kaufman so meaningful and how it prepared them for their next steps:
Every dancer knows there's as much magic taking place backstage as there is in what the audience sees onstage. Behind the scenes, it takes a village, says American Ballet Theatre's wig and makeup supervisor, Rena Most. With wig and makeup preparations happening in a studio of their own as the dancers rehearse, Most and her team work to make sure not a single detail is lost.
Dance Magazine recently spoke to Most to find out what actually goes into the hair and makeup looks audiences see on the ABT stage.
On a sunny July weekend, hundreds of Seattle-area dance fans converged on tiny Vashon Island, a bucolic enclave in Puget Sound about 20 miles from the city. They made the ferry trek to attend the debut performance of the fledgling Seattle Dance Collective.
SDC is not a run-of-the-mill contemporary dance company; it's the brainchild of two of Pacific Northwest Ballet's most respected principal dancers: James Yoichi Moore and Noelani Pantastico. The duo wanted to create a nimble organization to feature dancers and choreographers they felt needed more exposure in the Pacific Northwest.